New York Post's Scores
- Movies
- TV
For 8,355 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,342 out of 8355
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Mixed: 1,703 out of 8355
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Negative: 2,310 out of 8355
8355
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Megan Lehmann
In place of elaborate sets, clever filmmaking gives the impression of a central London emptied of people and cars, to eerie effect - and this opening reel is nothing short of magnificent.- New York Post
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Reviewed by
Lou Lumenick
Proudly airheaded, incoherent, endlessly pandering - yet fitfully entertaining.- New York Post
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Reviewed by
V.A. Musetto
In an attempt to understand this phenomenon, Ziv interviews leaders of terrorist groups like Hamas, failed hit men now in jail and relatives of those who died carrying out these attacks. The effect is frightening.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
Arguably the most insipid movie released so far this century.- New York Post
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Reviewed by
Megan Lehmann
From the incessant rain that blurs the joyless Boston setting to the mysterious decision to make a brunette Hudson look as plain as possible, it's an evanescent fancy devoid of sparkle.- New York Post
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Reviewed by
Lou Lumenick
Manages to build interest as it goes along, leading to a spectacular climactic battle with all those elephants.- New York Post
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Reviewed by
Lou Lumenick
This messy, disappointing, self-important and utterly humorless version of the Marvel comic book character may be the toughest flick with a green protagonist to sit through since "The Grinch."- New York Post
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V.A. Musetto
There's style and panache to spare. Mournful jazz adds to the mood.- New York Post
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Reviewed by
Megan Lehmann
A harmless celebration of idiocy that is the cinematic equivalent of an overeager, block-headed puppy chasing its tail.- New York Post
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Reviewed by
Megan Lehmann
Some of the plot points are confusingly vague, the tone lurches wildly between genres, and the film's epilogue pushes the bounds of believability - but The Hard Word could never be accused of being predictable.- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
There's little action in this snail-paced bore, you'll need a high-powered magnifying glass to spot the comedy and the "buddies" have about as much chemistry as a pair of wet socks.- New York Post
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V.A. Musetto
If you can't beat 'em, join 'em. That about sums up the amazing story of Edith Hahn Beer, an Austrian Jew who survived the Holocaust by passing herself off as Aryan.- New York Post
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Reviewed by
V.A. Musetto
Wait for the video, then fast-forward through every scene except the ones featuring Maria Mironova as a cheating wife.- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
A leisurely, scene-setting start, peppered with authentic banter and winning localized humor, fleshes out the characters in Manito so well you feel as if you live alongside them.- New York Post
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Reviewed by
Lou Lumenick
An alarmingly unfunny French comedy where the two main characters are constantly yakking on a cell phone at an airport.- New York Post
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Reviewed by
Lou Lumenick
A toothless, dated Seventh Avenue satire with shaky script, direction and acting - is the movie equivalent of something you'd find on the deep-markdown rack at Daffy's.- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
Its "I see dead people" premise is shopworn, but Hong Kong brothers Oxide and Danny Pang manage to deliver real skin-prickling jolts with their minimalist horror film.- New York Post
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Reviewed by
Lou Lumenick
A lark for anyone who's willing to check their brains at the concession stand for 100 minutes.- New York Post
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Reviewed by
Lou Lumenick
An excellent way to teach children that movies don't begin and end with Hollywood blockbusters.- New York Post
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Reviewed by
Lou Lumenick
Filmmakers Sam Green and Bill Siegel tend to shy from tough questions, allowing their subjects to wax nostalgic about bomb-throwing as yet another youthful folly of the '70s. That's tougher to swallow than some boomers' claims they didn't inhale.- New York Post
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V.A. Musetto
Plays like a bad daytime soap opera. The acting is amateurish. Ditto the uninspired script (continuity? what's that?) and direction.- New York Post
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Lou Lumenick
The leaden pacing, somnambulant performances and incessant symbolism in nearly every shot will soon have you thinking that The Three Marias is three too many.- New York Post
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Reviewed by
Lou Lumenick
Low-end schlock that will likely land with a dull thud in the video remainder bin before the frost is on the pumpkin.- New York Post
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Reviewed by
Lou Lumenick
An unforgettable and complex portrait of a nuclear family in meltdown.- New York Post
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Reviewed by
Lou Lumenick
Watching The Italian Job in a theater makes you long for a fast-forward button - to skip past 90 eyeball-glazing minutes of generic caper plotting and cut to the chase, as it were.- New York Post
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Reviewed by
Lou Lumenick
Summer hasn't even started, but you won't likely find a better catch this season than Finding Nemo, a dazzling, computer-animated fish tale with a funny, touching script and wonderful voice performances that make it an unqualified treat for all ages.- New York Post
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