New York Post's Scores

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For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,334 out of 8343
  2. Mixed: 1,701 out of 8343
  3. Negative: 2,308 out of 8343
8343 movie reviews
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  1. The Tracker
    Dialogue is sparse in this leisurely paced chase; instead, the bluesy vocals of indigenous singer Archie Roach -- singing de Heer's lyrics -- are layered over the action as a kind of musical narration.
  2. Chasing Liberty
    Light, doggedly formulaic romantic comedy that's almost instantly forgettable despite the sunny presence of teen queen Mandy Moore.
  3. My Baby's Daddy
    The finished product looks like it was thrown together during a lunch break -- by a drunk person. The level of ineptitude on display in this urban version of "Three Men and a Baby" is simply gobsmacking.
  4. Aileen: Life and Death of a Serial Killer
    A sobering, if exploitative, portrait of the real-life hitchhiking hooker portrayed so realistically by Charlize Theron in "Monster."
  5. Yves Saint Laurent 5 avenue Marceau 75116 Paris
    There are family photos, interviews with colleagues, newsreels of early shows, a chat with his mother and vintage interviews with an unbelievably young and sexy YSL.
  6. Secret Things
    Silly and pointless film.
  7. Japanese Story
    Snoozy and unconvincing.
  8. Millennium Mambo
    The film is dark, both literally and figuratively. Only at the very end do we get a glimpse of the sun.
  9. Cheaper by the Dozen
    Can be summed up by the fact that Ashton Kutcher, making a glorified cameo as a narcissistic model-slash-actor, is the best thing in it.
  10. Cold Mountain
    An exquisitely crafted Civil War epic that combines the epic romantic sweep of "Gone With the Wind" with a more intimate voice that speaks eloquently to the war-weary nation of today.
  11. Paycheck
    Woo has never been particularly good at human stuff, and to the extent that Paycheck is, or should be, a love story, it feels forced.
  12. Peter Pan
    Overall, though, this new Peter Pan does really soar.
  13. The Company
    Campbell is a sweet presence and a capable dancer, featured in a theatrical pas de deux on an open-air stage during a wild thunderstorm that is one of the film's visual highlights.
  14. The Young Black Stallion
    A visual treat diminished by lifeless dialogue and self-conscious acting.
  15. Children of Love
    Hard-hitting and biting.
  16. Monster
    Jenkins doesn't stint on the sickening reality of Wuornos' abhorrent behavior -- it's Theron's complex, deeply felt depiction of a thoroughly messed-up soul that forces us to look beyond the monstrous nature of her acts.
  17. Mona Lisa Smile
    Isn't boring, but it is sanctimonious, relentlessly predictable and willfully ignorant of the period it's set in.
  18. The Fog of War: Eleven Lessons from the Life of Robert S. McNamara
    An extraordinary documentary about an extraordinary man that brings to urgent life potentially dry questions of American foreign policy in the 1960s.
  19. House of Sand and Fog
    A grim, challenging movie that will amply reward audiences willing to go along with its ride into the dark depths of its characters' souls.
  20. The Butterfly
    Sentimental and predictable? Sure, but The Butterfly is so well-meaning and the wide-eyed Bouanich is so sweet and lovable only a Scrooge would dare complain.
  21. Calendar Girls
    May be boomer-baiting formula, but this ingratiating, big-hearted holiday treat is as British as plum pudding - and the closest thing on the market to the famous Ealing comedies.
  22. The Hebrew Hammer
    A hit-and-miss affair.
  23. The Lord of the Rings: The Return of the King
    A majestic conclusion to a nine-plus-hours epic that stirs the heart, mind and soul as few films ever have.
  24. Prisoner of Paradise
    Frustratingly superficial.
  25. Girl with a Pearl Earring
    Laughably predictable in its plotting, crude in its symbolism, ploddingly paced and often rendered almost comical by the heavy-breathing overacting of Johansson's supporting cast.
  26. The Statement
    Overripe dialogue and a fevered score fail to inject any real tension, and the accentless English spoken throughout a film set entirely in France is ludicrous and jarring.
  27. Love Don't Cost a Thing
    A sexed-up Afterschool Special pretty much guaranteed to render audiences comatose.
  28. Something's Gotta Give
    Keaton's overamped girlishness, and the adolescent shenanigans she engages in, make a mockery of this overlong romantic comedy's stance as a celebration of mature love.
  29. Stuck on You
    But while the belly laughs are few, there are numerous chuckles and it's quite watchable, thanks to solid performances by Damon (who plays it mostly straight in a rare comic role) and Kinnear.
  30. Power Trip
    If the documentary has a star, it's pony-tailed AES exec Piers Lewis, who had the impossible job of getting Georgians to actually pay for their electricity.
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