New York Post's Scores

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For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,334 out of 8343
  2. Mixed: 1,701 out of 8343
  3. Negative: 2,308 out of 8343
8343 movie reviews
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  1. Robot Stories
    If you ever wondered how robots make love, here's your chance to find out.
  2. Charlie: The Life and Art of Charles Chaplin
    More than a celebration of Chaplin's art; it is a thorough examination of what made this gifted artist, the world's first true celebrity, tick.
  3. The Code
    A boring and violent French crime thriller, is the sort of routine potboiler that generally goes straight to video in this country, if it's seen at all.
  4. The Seagull's Laughter
    Seagulls is easy to take, insightful and darkly funny. The story sometimes seems forced and the characters stereotypical, but the engaging cast and surreal shots of the rugged landscape compensate.
  5. Osama
    That it is such a powerful and indeed beautiful film is simply extraordinary.
  6. An Amazing Couple
    This second installment of Lucas Belvaux's acclaimed "Trilogy" is decidedly inferior to the first: a farce that simply isn't funny.
  7. Barbershop 2: Back in Business
    A calculating crowd-pleaser that sometimes feels like a movie equivalent of the corporate chains it's decrying.
  8. Catch That Kid
    The family at the center of "Catch" is likable and authentic, but the seriousness of their plight sits uneasily with the shoddily assembled escapist goof it generates.
  9. Miracle
    The feel-good finale -- an ending even less in doubt than that of the most predictable Hollywood fare -- is as rousing as you'd hope and the fast-paced, on-ice action is satisfyingly authentic.
  10. The Dreamers
    A miracle of badness, a kind of art- house "Showgirls" -- which actually exceeds "Showgirls" in its self-indulgence, shallowness and sheer stupidity.
  11. The Lost Skeleton of Cadavra
    A cheerfully trashy, dead-on spoof of the B-movie genre, boasts the kind of cheese-tastic effects, overcooked dialogue and rigid performances that would make Ed Wood proud.
  12. The Return
    Vladimir Garin and Ivan Dobronravov are amazingly natural as the boys, and Konstantin Lavronenko impresses as the taciturn father.
  13. Hiding and Seeking: Faith and Tolerance After the Holocaust
    Much more rewarding than its earnest title or its very modest production values -- it's basically an ambitious home video -- would suggest.
  14. Blind Shaft
    Variously been described as a thriller, a muckraking exposé and even a satire -- and its refusal to fit neatly into a genre is only part of why it's so utterly disturbing.
  15. The Perfect Score
    The script, attributed to Mark Schwahn, Marc Hyman and Jon Zack, is as confused as it is confusing, and the aimless direction by Brian Robbins doesn't help. It was apparently edited with a roulette wheel.
  16. You Got Served
    Cliched, amateurish and feeble.
  17. Eat This New York
    Seem to have spliced together two different concepts which, on paper, may have seemed complementary but wind up giving the film a schizophrenic feel.
  18. Latter Days
    A glossy gay soap opera that graphically illustrates new meanings for the term "missionary position."
  19. On the Run
    Though On the Run is a welcome reminder that effective thrillers don't have to be noisy or dumb, the film does contain slightly jarring moments of inadvertent humor.
  20. The Big Bounce
    That The Big Bounce works at all is a testament to Wilson, an Oscar-nominated screenwriter ("The Royal Tenenbaums") who probably could have come up with something better in his sleep.
  21. Win a Date with Tad Hamilton!
    Despite his innate appeal and nimble line readings, Grace can't surmount the deficiencies of the underdog character screenwriter Victor Levin ("Mad About You") has saddled him with.
  22. Touching the Void
    A stunning achievement, every bit the equal of the classic moun taineering book which inspired it.
  23. The Butterfly Effect
    So consistently silly and overwrought that it flirts with the elusive so-bad-it's-entertaining category.
  24. Made-Up
    Tries to be many things -- romantic comedy, mockumentary, a satire on beauty and aging -- but ends up succeeding at none.
  25. Empathy
    A mix of documentary and fiction, it demystifies the profession in delightful fashion.
  26. Along Came Polly
    Recycles gags from various, more successful gross-out and romantic comedies, but without any zest or imagination.
  27. Teacher's Pet
    The animation, supervised by director Timothy Bjorkland, is deliberately crude, but it complements the wacky story line just as well as the excellent musical numbers, one of which is a spot-on homage/parody of Sondheim.
  28. Torque
    It's a simple-minded celebration of speed that pretends to be nothing else, even throwing in the occasional wink to acknowledge its own silliness.
  29. Cuba: Island of Music
    A toe-tapping, booty- shaking look at Cubans' love of music that gets bogged down in political thoughts that go unexplored.
  30. Tokyo Godfathers
    Ends in magnificent fashion, with skyscrapers bowing to Beethoven's Ninth. It's a stirring ending to a sweet movie.
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