New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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- New York Post
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Reviewed by
Kyle Smith
You could make a very funny comedy about a guy who pretends to be retarded so he can win the Special Olympics, but The Ringer isn't it.- New York Post
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Reviewed by
V.A. Musetto
So, should you see The Intruder? Yes -- but only if you're willing to ignore bothersome concerns about narrative and let the poetic images take over your mind.- New York Post
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Reviewed by
Kyle Smith
The point isn't really to make you laugh. The film is supposed to make people feel good about their families, and it does a fine job of it.- New York Post
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Reviewed by
Lou Lumenick
The material has been dumbed down for contemporary tastes and Carrey's frantic comic style.- New York Post
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Reviewed by
Lou Lumenick
Following his triumphs in "The Constant Gardener" and "Harry Potter and the Goblet of Fire," Fiennes is superb as Todd.- New York Post
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Lou Lumenick
A satisfying, big-hearted celebration of diversity that will brighten holiday moviegoing.- New York Post
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Reviewed by
Kyle Smith
Oh no, another let's-drag-a-dead-body-to-Mexico flick?- New York Post
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Reviewed by
V.A. Musetto
The Chinese pleaser Electric Shadows belongs to a genre they don't teach in film school: Triple S, as in sweet, sappy and sentimental.- New York Post
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Kyle Smith
From bad to worse - Even in verse - The Producers moves like a hearse -Mildness and blandness -Mugging like madness - Who knew that "Rent" would win this fight? - Murdering a genre's just not all right!- New York Post
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Reviewed by
Lou Lumenick
Zippily written and directed by the team of Cory Edwards, Todd Edwards and Tony Leech, Hoodwinked just wants the audience to have fun - something that's been in sparse supply in theaters of late.- New York Post
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V.A. Musetto
Beware of blood-sucking Mormons! At least that's the tongue-in-cheek message in Trapped by the Mormons, a campy sendup shot as a 1920s silent movie.- New York Post
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Lou Lumenick
Break out the popcorn and prepare to be blown away. King Kong is the most pulse- pounding and heart-stirring romantic adventure since "Titanic."- New York Post
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V.A. Musetto
Luckily for us, Grace Lee recorded everything in the fun documentary The Grace Lee Project.- New York Post
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V.A. Musetto
Almereyda's muddled Happy Here and Now should have stayed on the shelf - where it's been gathering dust for several years.- New York Post
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Reviewed by
Kyle Smith
It's based on a novel, but you'd guess it came from a coffee-table book. Marvelous design, photography and costuming mark this period piece.- New York Post
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Kyle Smith
This is one of the best serious films about homosexuality ever made, but though it's sad and sobering it's still only a rough draft of a great movie.- New York Post
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Lou Lumenick
Constantly battling, Hoskins and Dench have terrific chemistry together.- New York Post
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Lou Lumenick
Overlong, poorly paced and woodenly acted film.- New York Post
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Reviewed by
V.A. Musetto
A disturbing and daring thriller with an exceptional performance by 13-year-old Laurien Van den Broeck.- New York Post
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V.A. Musetto
White-haired Ronnie Gilbert of the Weavers -- the group was blacklisted during the McCarthy years -- is in especially fine voice.- New York Post
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V.A. Musetto
Pietro Sibille is exceptional as Santiago, and the rest of the cast turn in dynamic performances.- New York Post
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Lou Lumenick
Hopkins' larger-than-life performance as the crusty and crafty Burt rivets your attention for two solid hours in this most entertaining labor of love.- New York Post
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Lou Lumenick
Aeon Flux is by far the year's worst movie, a most dubious achievement.- New York Post
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Kyle Smith
Like a preoperative transsexual, Transamerica is neither one thing nor the other. It yanks at the heartstrings too much to qualify as an edgy comedy-drama, but it's far too bawdy to make it to the Hallmark Channel.- New York Post
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Lou Lumenick
THE mesmerizingly awful The Kid & I is a historic first: a comedy about the making of a vanity production that is ITSELF a vanity production.- New York Post
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Reviewed by
V.A. Musetto
A master class on turning a talky, one-man play into a visual delight.- New York Post
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