New York Post's Scores

  • Movies
  • TV
For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8343 movie reviews
  1. Here comes Wayne Kramer's Crossing Over, a bid to create the "Crash" of illegal-immigration dramas.
  2. The film gets one star from me for the admirable brevity of its running time and another for the definite article in its title, seemingly an implicit promise that there will be no sequel.
  3. The toilet caper is the lowest point of a movie with many low points, including bad acting and a generic script.
  4. Even Oliver Stone would giggle at the notion that the CIA couldn't reach JFK through any means except via one of his blond playmates.
  5. Slovenian-born writer-teacher Slavoj Zizek, narrator of the movie "A Pervert's Guide to the Cinema," provides the most entertainment.
  6. If this movie were a teenager, you'd put it on Ritalin right away.
  7. The film is light on those kitschy musical numbers that make Bollywood movies fun to watch.
  8. Though this is the rare documentary that admirably admits recording "reality" on film actually shapes how people behave under the camera's gaze, I think Eleven Minutes is going to appeal mostly to hard-core fashionistas.
  9. As with "Capturing the Friedmans," the documentary is grueling to sit through. Yet the greasy, guilty thrill of being privy to your neighbors' most intimate dramas makes it impossible to stop watching.
  10. Wajda, who lost his father in the purge, gives the film an awful silence and mystery at its core.
  11. Is the Crystal Lake PD really doing such a good job? You'd have to go back to Phnom Penh in 1975 to find a place with a higher per-capita rate of unprosecuted homicides.
  12. The Caller qualifies as something of a Holocaust movie, with flashbacks to World War II France. Guess who the two boys we see grow up to be?
  13. The film's disclosure that Camorra money is involved with the reconstruction of New York City's Ground Zero will give viewers something to think about.
  14. The only possible interest the movie will inspire in anyone comes when Paltrow flashes a breast toward the end, far too late to pump any excitement into an aggressively boring film that gurgles with self-indulgence.
  15. Jim Carrey mostly plays it straight as the narrator. The 3-D effects are uncanny; much of the audience ducked when sea snakes lunged at it. You can't get that on your TV set. Yet.
  16. This is perhaps the most effective 3-D movie I have ever seen, with a sophisticated, involving story that will appeal to many adults. The only reservation I have is with the PG rating, which seems too lenient for a story that may give very young children - particularly if they are sensitive - nightmares.
  17. Like the recent "Sex and the City" movie, this spinoff not so subtly tries to have its cake and eat it by ALSO suggesting that a woman is nothing without a man.
  18. The movie hopes to be regarded as childlike too, but there's a difference between kid-friendly and just regular old dumb.
  19. A grubby cut-price sci-fi thriller.
  20. A lame comic tribute to the dwindling band of "Star Wars" aficionados, is one of those be nighted projects whose back story turns out to be significantly more compelling than the movie itself.
  21. Confessions of a Shopaholic -- a "Devil Wears Prada" for Chico's customers.
  22. Remarkably dull thriller.
  23. Dumb and unwatchable.
  24. The horror flick The Uninvited is not unclever - but it is unoriginal.
  25. A Liam Neeson thriller so lacking in ambition they should have called it "Paycheck."
  26. Excruciatingly unfunny.
  27. Bursting with the usual colorful pop music numbers and lighter-than-a-soap-bubble quandaries, the film is a typical Bollywood entry, not likely to win over many new converts
  28. Visually striking but gets bogged down in supernatural clichés.
    • 49 Metascore
    • 50 Critic Score
    Tells us just about everything we might want to know about her - except why she did what she did. That important information will have to wait for another film.
  29. A good cast can't save The Lodger, the utterly wrongheaded fourth movie version of a 1910 novel inspired by Jack the Ripper.

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