New York Post's Scores

  • Movies
  • TV
For 8,354 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8354 movie reviews
  1. It may not have songs by ABBA, but Bran Nue Dae is roughly Australia's far less elaborate answer to "Mamma Mia!" -- a cheerful and proudly corny musical that's pretty hard to resist if you're in the right frame of mind.
  2. Any movie that finds a plausible reason to give Lindsay Lohan a nun's habit and a machine gun is worth your attention.
  3. The stars' utter failure to create sparks is only one of the problems with this Labor Day weekend dump job.
  4. Sam Rockwell's films are almost always worth watching be cause of this indie stalwart's taste in offbeat projects -- and his refusal to play to the audience's sympathy.
  5. A twisty, spectacular farce.
  6. A startling look at the devastating human cost of China's newfound embrace of capitalism.
  7. This rousing, fact-based Norwegian movie covers an unusual subject -- the resistance movement in that country during World War II, whose best-known depiction came in "Edge of Darkness," a 1943 Hollywood adventure movie starring Errol Flynn as a stalwart fisherman outwitting the Nazi occupiers.
  8. An affable comedy that, unfortunately, has too many characters and subplots for its own good. The film also could do without the stereotypical character of a gay wedding planner who is supposed to be funny -- but is just embarrassing and clichéd.
  9. A pretentious Euro-snore that should occasion a fraud prosecution for any marketer who calls it a thriller -- and which stars an actor who seems to wish his name were Jorg Clooné.
  10. Mesrine's gentler side is explored, too, as he gets caught up with women portrayed by two of France's leading actresses, Ludivine Sagnier and Cecile de France.
  11. A bland look at professional surfing.
  12. Even if the movie had more shadings, though, Marshall's political point would undo his he-man action-flick format. If you're looking for a rallying cry to make the emotions sizzle, "Quagmire!" isn't it.
  13. One of the pleasures of films about being stuck in a place -- "The Wicker Man" is maybe the best example -- comes from the skill with which the writers keep their protagonist locked in his box. On this test, The Last Exorcism pretty much flunks.
  14. You could make a worse choice for a late- summer popcorn movie than Takers, a Michael Mann-ish heist thriller with a pulse-pounding foot chase and some terrific stunt work offsetting its hackneyed plot and dialogue.
  15. Magaly Solier is compelling as the teen. She has little to say, as the camera remains fixated on her expressionless face.
  16. The acting by Seigner, Marina Hands, Karin Viard, Patrick Bruel and other French notables is first-rate, although their characters and what they have to say are trite.
  17. Ranks somewhere between the barely watchable "The Back-Up Plan" and the good but wildly overrated "The Kids Are All Right."
  18. Pigs fly and perform a Busby Berkeley-style water ballet. Maggie Gyllenhaal sports a posh British accent. Everybody steps in dung repeatedly. These are the high points of Nanny McPhee Returns.
  19. There are moments of fun (an aphrodisiac-laced dessert, for example), but generally the humor seems warmed-over.
  20. The Tillman Story purports to be an exposé of the cover-up of the death by friendly fire of the Army Ranger and one time NFL star Pat Tillman. But, provocative and colorful as the film is, it does the very thing it denounces -- massaging the facts to seize Tillman for a political agenda.
  21. There are nice cameos by Joan Chen and Kyle MacLachlan as Li's mother and lawyer, respectively.
  22. Ice Cube's well-worn performance as a wise old geezer is the only bright spot in a movie that otherwise fumbles every opportunity to be funny, exciting or insightful.
  23. Under writer-helmer Rehana Mirza, the acting and direction are workmanlike, but the plot is full of hackneyed characters and contrived events better suited to TV than the big screen.
  24. Extremely unsettling and thought- provoking.
  25. A very shallow, very glossy 2½-hour travelogue starring a miscast Julia Roberts as a spoiled, self-centered divorcée who decides to get away from it all.
  26. Incoherent, inept, testosterone-drenched mess, which is very much the brain-dead male equivalent of "Sex and the City 2."
  27. A big warm cinematic jelly doughnut stuffed with youth, vitality, style, whimsy and other equally alarming properties. I tried to love it. But after 20 minutes, I sensed I was intruding on the movie's love affair with itself.
  28. The film is shaky as a procedural, and the level of official corruption seems more Moscow than Melbourne. Yet as a fable of power, vengeance and betrayal it exerts a quiet, increasingly wicked pull, equivalent to that of the wrinkly but ruthless grandma.
  29. The Miyazaki legacy is in good hands.
  30. If animal slaughter makes you queasy, this movie isn't for you. Along with several cockfights, there's a long scene in which a pig is butchered. The folks at PETA would be most unhappy. People don't fare much better than the animals, with blood flowing in a seemingly unending barrage of violence.

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