New York Post's Scores

  • Movies
  • TV
For 8,354 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8354 movie reviews
  1. Beautifully shot but a soulless cash machine, Harry Potter and the Deathly Hallows: Part 1 delivers no dramatic payoff, no resolution and not much fun. Hopefully we'll get that in the final installment next summer.
  2. Soldini is able to take the shopworn theme and keep it interesting and fresh despite its lack of new ideas. He's assisted by strong performances by his two leading actors.
  3. A sloppy vanity project, this rambling and toothless Hollywood black comedy stars veteran filmmaker Henry Jaglom's girlfriend, Tanna Frederick.
  4. It raises tangled questions about whether it is better to live humiliated or arm yourself, yet for the most part it's dramatically inert, talky and directionless, and it ends quietly without saying much of anything.
  5. It isn't recommended for impressionable children, who might well experience nightmares. But for grown-ups looking for an alternative to the annual onslaught of ho-ho-ho Christmas tales, the visually pleasing oddity is just the thing, even if it does slow down in its middle portion before picking up again.
  6. Though the movie doesn't use real names and the press notes say it's "inspired" by the Durst case, it seems to follow many of the facts rather closely -- all the while mixing in not a little provocative speculation.
  7. A sour, plotless and witless comedy-drama based on the final Mordecai Richler novel, wants to remind you of "Sideways" and its forlorn drink-moistened soul search. Giamatti is an ideal casting choice, but even this talented actor can't sell a lovable-jerk
  8. It's a welcome alternative to the homogenized Hollywood releases that proliferate during the holiday season.
  9. This eye-popping, inspired and often-demented (in a good way) cross between "The Red Shoes" and "All About Eve" channels horror maestros David Cronenberg, Brian De Palma and Dario Argento.
  10. The longer director Jan Hrebejk's film goes on, the more complex the relationships become, until the film becomes little more than a talkathon.
  11. Lilien is an amateur filmmaker, and his movie -- which at times is more about Lilien than Pale Male -- shows it.
  12. Misconceived, bloated and incredibly ugly fantasy epic.
  13. The clichéd, heavy-handed script lets them down.
  14. Charming and mouthwatering.
  15. Sally Hawkins is the heart and soul of Made in Dagenham, but another actress to watch for is the equally wonderful Rosamund Pike. She steals every scene she's in as the sympathetic wife of Rita's sexist boss (Rupert Graves).
  16. I didn't buy how The Next Three Days plays out - but I almost bought it, and that's good enough for a thriller.
  17. Compelling documentary.
  18. None of its characters is especially interesting.
  19. Now it can be told. The erotic film "Emmanuelle" helped end the Cold War. That's one tasty tidbit from Disco and Atomic War, a subversively funny documentary.
  20. It includes more than a few clever lines, and boasts a stellar cast, including the underutilized Diane Keaton.
  21. A powerful, decades-spanning epic about that country's fight for independence centering on three brothers.
  22. If all terrorists were like these idiots, the US would have nothing to worry about.
  23. Balibar's dreamy voice (I'm reminded of Billie Holiday) is complemented by Costa's hypnotic camera work. The result is a visual and aural delight.
  24. Under writer-producer-director-editor Patrick Hughes, the suspense level is high and the action constant.
  25. Fair Game stars three imposing performers -- Naomi Watts, Sean Penn and Sean Penn's lavish and intemperate hair, a fuming gusher of crazy-ass Sweeney Todd locks that dominates every scene. I couldn't tear my eyes from it, maybe because I couldn't maintain focus on anything else in this histrionic and shamelessly misleading wonk-work.
  26. Let us return to reality (all this happened less than three years ago; do documentarians think we don't read the papers?).
  27. Like all great movies, 127 Hours takes us on a memorable journey. Which is not easy when 90 percent of the movie takes place with a virtually immobile hero in a very cramped setting.
  28. "Precious" worked partly because it did not wrap its sordid tale in Christian uplift and dime-store psychology -- elements that have made Tyler Perry a rich filmmaker but have turned For Colored Girls shrill and manipulative.
  29. Maybe being able to look back in time is comforting for Block and company, but what makes him think complete strangers give a damn about his not-especially-interesting family? I certainly don't.
  30. An eccentric little comic thriller filled with enough laughs that I was mostly willing to overlook the fact that it makes virtually no sense as a thriller.

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