New York Post's Scores

  • Movies
  • TV
For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8345 movie reviews
  1. Will Forte continues his transition into serious actorhood with this indie.
  2. Its double-barrel satire is aimed both at those who curate their lives through merrily sun-dappled photos, and their followers, who drink it in as reality.
  3. What made Ludwig such a great musician? The documentary In Search of Beethoven, directed by Phil Grabsky, answers that question reasonably well.
  4. Roman de Gare translates as "station novel," a book you might pick up to read on a train journey and then discard when you arrive at your destination. Lelouch's film is the cinematic equivalent, enjoyable fluff that your mind will discard after the closing credits - but worth seeing nevertheless.
  5. A remarkable accomplishment. It takes one of the century's vast tragedies...and makes it heart-rendingly real and intimate.
    • New York Post
  6. A clever, funny, extended joke about ruthless directors, method actors and the power of the cinema.
  7. The whole film could use a jolt of caffeine, and a lugubrious woodwind score doesn't help.
  8. A verité collage of indelible images Sauret collected in and around Ground Zero, beginning moments after the planes hit the World Trade Center.
  9. Carandiru, which ends with actual footage of the prison being demolished in 2002, marks a terrific comeback for Babenco - it's the roughest picture of life behind bars since "Midnight Express."
  10. Stylish - if predictable - thriller.
  11. A grim, challenging movie that will amply reward audiences willing to go along with its ride into the dark depths of its characters' souls.
  12. Adults will be more than passably entertained by this short, patriotic feature, and kids will be entranced.
  13. Mirjana Karanovic (Esma) and Luna Mijovic (Sara) give powerful performances as Zbanic imbues a simple story with a powerful commentary on the Bosnian war's devastating impact on the innocent.
  14. It'll be a real miracle if anyone manages to stay awake throughout this extravagantly dull film.
  15. Apart from its thin characters and occasional trite moments, as well as a silly attempt to set up a sequel, Don’t Breathe is just about perfect. It’s as lean and relentless as the best John Carpenter films.
  16. The crime drama is smartly written and directed by Aaron Sorkin, it features a piercing lead performance by Jessica Chastain, and it’s got something for almost everyone: from gambling and glitterati to the mafia and ice skating.
  17. You’re a Big Boy Now is no “The Graduate” but it holds up far better than most comedies from this era I’ve revisited.
  18. Be warned: Though it's entirely justified by the story, there's a level of violence and brutality in Training Day -- that some terror-weary audience members may not care to cope with these days.
  19. The film is occasionally heavy-handed, and the priest character is almost absurdly saintly, but there is an awful power to scenes such as one in which the Europeans are evacuated on trucks.
  20. The latest in a series of entertaining IMAX underwater documentaries.
  21. Documents the life of Rodney Bingenheimer, a teenage outcast who parlayed a youthful stint as double for Davy Jones of the Monkees into a 40-year run as a real-life Forrest Gump.
  22. Beautifully composed documentary.
  23. The Sketches of Frank Gehry will appear this fall on PBS' "American Masters," which seems a more appropriate venue than theaters.
  24. Much of the plot stretches credulity, but the way it's constructed keeps tension high.
  25. It isn't recommended for impressionable children, who might well experience nightmares. But for grown-ups looking for an alternative to the annual onslaught of ho-ho-ho Christmas tales, the visually pleasing oddity is just the thing, even if it does slow down in its middle portion before picking up again.
  26. While some of this white guy's humor is juvenile and in questionable taste, Hoch, for the most part, is able to pull it off and supply a frequent number of laughs.
  27. For all of Linklater's acrobatic camera moves, you never quite escape the feeling you're watching a barely adapted TV version of a somewhat gimmicky stage play.
  28. Never less than breezily entertaining.
  29. A crackling musical score and eye-popping cinematography add to the nonstop ferocity, and Wagner Moura is charismatic as the head of the titular police unit.
  30. On the one hand, Black Book has the artiness of subtitles, the dramatic weight of history, and the desperate heroics of Jews hiding from Nazis. On the other hand, it has Paul Verhoeven.

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