None of this is remotely funny.

The Lord works in mysterious ways but Persecuted works in blundering, obvious ways, straining a Christianity-under-attack theme through a dopey thriller.

A criminally slow, all-but-laughless blaxploitation comedy.

A collection of throwaway gags from other movies, a big blue recycling barrel of comedy waiting for the trash collector. It's rated PG-13 because 13 is the maximum age of those who might find it funny.

Loud, crass and full of slapstick humor that the Three Stooges would be ashamed of. And it is almost completely lacking in charm and nuance.

This is a horror movie that’s really a supposed comedy; she’s (Lohan) a supposed comedy actress who’s actually scary.

Biehn has appeared in dozens of B-movies and evidently had no greater ambition than to come up with a grindhouse movie full of sex, gore and cheap thrills, but there is far too little of any of these to maintain interest in a straight-on story that reserves its only surprise for the final 30 seconds.

Initially amusing but finally sour sex comedy.

A genuine oddity that's more watchable than it sounds.

As if the witless cultural stereotypes weren't bad enough, misogyny is rampant -- bare-breasted women abound, yet the protagonist remains fully clothed while having a bullet removed from his butt.

Goes from being tediously terrible to downright gigglesome.

Spectacularly awful.

The movie is so inept - with its flat characters, histrionic acting, dull dialogue ("Killing him is not going to change anything"), a dreadfully overdone musical score and la-la-la flashbacks starring the kid - that its clichés grow slightly funny. But not funny enough to make the endless torture scenes bearable.

Just Tara-ble.

It is a remarkably unattractive-looking movie. I don’t know when people voted that the seasick look of an iPhone video is now a desirable style.

The rest of the cast is uniformly awful, including Carmen Electra and Kathy Griffin as a wacky medium who asks, "What do I look like? A comedian?" Not from where I'm sitting.

A low-end scam by Lions Gate Films -- whose recent "The Wash" was a masterpiece by comparison.

Schwartz throws in so many characters and implausible subplots - none worth mentioning - that Perception sinks under its own weight.

For a horny-road-trip flick that's actually funny, check out last year's "Sex Drive," which just came out on video.

The real disappointment is Danny DeVito as a creepy coroner.

Great actors make the craft look easy. In the Paris Hilton comedy The Hottie and the Nottie, acting looks very, very difficult.

If Ed Wood had directed "The Silence of the Lambs," it might have been as unintentionally hilarious as the goofball would-be thriller The Abduction of Zack Butterfield.

Certainly the most painfully unfunny of the countless bad movies that have licensed the name of the long-defunct humor magazine.

It's a totally inept and unfunny parody of the TV show "Cops."

Unbelievably awful celluloid-waster.

To say that Vulgar is not for all tastes might be the understatement of the year. For starters, this black comedy has a male rape scene that makes the one in "Deliverance" seem mild by comparison.

A chaotic mess.

Cheesier than a Kraft Singles truck but half as subtle, Dinesh D’Souza’s documentary Hillary’s America: The Secret History of the Democratic Party is an attack on all things Democratic whose many valid points get buried under bluster