New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lou Lumenick
Undercut by funereal pacing and an ending that seems more than a little contrived.- New York Post
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Reviewed by
Lou Lumenick
The cinematic equivalent of enduring a cross-country airplane flight trapped in a seat next to a manic depressive.- New York Post
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Reviewed by
Lou Lumenick
A witless and vulgar romantic comedy wrapped inside a mock documentary.- New York Post
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Reviewed by
Lou Lumenick
Shallow and blatantly manipulative variation on "Awakenings" in which every plot development is telegraphed.- New York Post
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Reviewed by
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- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
Without a real story to go with the notion of Farm Belt "wiggas," the humor wears thinner and thinner until it disappears.- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
A haunting, superbly made film. But it's also an unrelentingly sad and depressing experience.- New York Post
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Reviewed by
Jonathan Foreman
It's moody and atmospheric. But with the exception of a few cool moments that remind you of Ferrara at his best, it's dull and written with little attention paid to basic storytelling.- New York Post
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Reviewed by
Lou Lumenick
Basically a feature-length rock video from Germany with appealing performers, decently written characters, a killer score, and an interesting premise.- New York Post
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Reviewed by
Lou Lumenick
Should entertain less jaded youngsters.- New York Post
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Reviewed by
Hannah Brown
The awkwardness and drama of finding and losing love has rarely been portrayed so gracefully on screen in recent years.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
Does offer solid laughs, engaging performances and a captivating setting.- New York Post
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Jonathan Foreman
A noisy, amateurish mess that doesn't work on any level - an extended, clich-ridden MTV video set to anachronistic bad music.- New York Post
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Jonathan Foreman
Recycles the teen romantic comedies of the last few years...and it's easily the worst of the lot.- New York Post
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Jonathan Foreman
An extraordinary experience: an original and brilliant combination of comedy, action and sophisticated political comment -- the best American movie of the year thus far.- New York Post
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Reviewed by
Jonathan Foreman
There are a few ingenious zig zags in its otherwise by-the-numbers plot...but what keeps you interested... is the sheer movie-star presence of the actors in the lead roles.- New York Post
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Reviewed by
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- Critic Score
What the film lacks in freshness...it makes up for in its sympathetic and compelling portrayal of its subjects.- New York Post
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Reviewed by
Jonathan Foreman
A crowd-pleasing ensemble piece, whose story goes exactly where you want it to.- New York Post
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Jonathan Foreman
A particularly gross exploitation of the Holocaust for financial gain.- New York Post
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Reviewed by
Jonathan Foreman
Vastly superior to the small and independent films that have come out during the last six months.- New York Post
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Reviewed by
Lou Lumenick
Dennis Rodman isn't half bad as a blond, multiply pierced Interpol agent.- New York Post
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Reviewed by
Lou Lumenick
Should make Polley, memorable in "The Sweet Hereafter" and "Go," into a bona-fide star.- New York Post
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Reviewed by
Jonathan Foreman
A slack-paced, surprisingly bland affair, filled with jokes that sound like they should be funny but aren't.- New York Post
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Reviewed by
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- New York Post
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- Critic Score
An exhausting, overindulgent film, at least for American audiences...the experience feels like Grampa Simpson meets "Cinema Paradiso."- New York Post
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Reviewed by
Jonathan Foreman
A real pleasure, a sweet, funny, ensemble comedy...utterly authentic.- New York Post
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Reviewed by
Jonathan Foreman
Despite many flaws...Romance is unquestionably an important film.- New York Post
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