New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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- New York Post
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Reviewed by
Jonathan Foreman
It's hard to feel anything but disappointment and boredom by the time the picture grinds to a mystical ending.- New York Post
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Reviewed by
Jonathan Foreman
All of the characters in this story of love, guilt and redemption feel like real people, facing real dilemmas, and you truly care about what happens to them- New York Post
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- New York Post
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Jonathan Foreman
Isn't Allen's finest work by a long shot, but an undeniable part of its fascination is trying to figure out what -- if anything, even unconsciously -- he's trying to say about how he treated Farrow.- New York Post
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Reviewed by
Lou Lumenick
Worth seeing for McTeer's touching, funny and richly detailed performance, which should put her on the map in Hollywood.- New York Post
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- New York Post
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Jonathan Foreman
Toy Story had a simpler, stronger story and the advantage of being the first of its kind. But it's quickly apparent that TS2 represents a major step forward in computer-animation artistry.- New York Post
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Lou Lumenick
De Niro gives a technically brilliant performance as Walt, struggling with a body that will no longer obey him.- New York Post
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Jonathan Foreman
Comes closer to what a Bond movie should be and once was.- New York Post
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Jonathan Foreman
As a horror movie, even one inspired by the kitschy Hammer horror films of the 1950s, it's disappointing.- New York Post
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Lou Lumenick
The year's best foreign-language movie an absolute must-see.- New York Post
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- New York Post
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Jonathan Foreman
The latest episode of this ongoing masterpiece of reality TV -- which every seven years revisits a group of English people first interviewed as 7-year-olds in 1964 -- is every bit as enthralling as the earlier ones.- New York Post
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Jonathan Foreman
Kevin Smith's attempt to combine sketchy low comedy with long-winded theological speculation results in a mostly unfunny and occasionally tedious mess.- New York Post
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Jonathan Foreman
But given the potentially gripping subject matter, the film is fatally underedited: Every scene feels too long.- New York Post
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- New York Post
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Jonathan Foreman
Besson is unable to weave the comic scenes together with the serious gory ones, so both seem increasingly jarring and unbelievable.- New York Post
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Lou Lumenick
Light It Up would be a strong candidate for the year's most irresponsible movie - if it were remotely believable.- New York Post
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Jonathan Foreman
Some wonderful films have come out of Iran in the past few years, but A Moment of Innocence, by highly regarded director Mohsen Makhmalbaf, is too smug and too self-indulgent to count as one of them.- New York Post
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Hannah Brown
Strictly a kids' movie, but parents may be relieved to sit back and enjoy the fact that for two full hours, they won't have to hear the kids asking them to buy any more Pokemon trading cards.- New York Post
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Lou Lumenick
So unremittingly vulgar and inept it makes "The Best Man" and "Runaway Bride" look like masterpieces by comparison.- New York Post
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Lou Lumenick
Isn't particularly funny, romantic or well-acted. It drags on endlessly.- New York Post
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- New York Post
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Jonathan Foreman
Bleak, demanding stuff, and its hand-held documentary-style photography is harder on the stomach than "The Blair Witch Project."- New York Post
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- New York Post
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Jonathan Foreman
A misguided exercise - a crude merger of "Fiddler on the Roof" and "Schindler's List" that somehow reminds you of "Hogan's Heroes."- New York Post
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Jonathan Foreman
A rare and welcome reminder of how original, provocative and moving a low-budget independent film can be.- New York Post
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Jonathan Foreman
A beautifully shot, well-acted movie that manages to make a complicated, real-life story without much drama feel like a thriller.- New York Post
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Lou Lumenick
German director Werner Herzog's fascinating, fond and often bitchy documentary recalling the late star of his most celebrated movies.- New York Post
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