New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jonathan Foreman
It's actually the surprisingly compelling plot and the often hilarious dialogue that keep you watching this tale of passion and murder in a Samurai militia unit - not the beautiful scenery or the elegant color palette.- New York Post
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Reviewed by
Lou Lumenick
After the monster is subdued, then there's a much less humorous, and more mindlessly violent second half.- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
Part sitcom, part comedy of manners - but it lacks the courage to deal honestly with class and ethnicity.- New York Post
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Reviewed by
Jonathan Foreman
A powerful fable about love and addiction that manages to be darkly humorous when it isn't graphic or harrowing in the extreme.- New York Post
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Lou Lumenick
There's 80 minutes of mawkish, overacted melodrama - laced with gratuitous violence and profanity - before we get to anything more than the briefest snippet of a dance number.- New York Post
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Reviewed by
Jonathan Foreman
Refreshing and surprising, the way independent movies are supposed to be.- New York Post
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Jonathan Foreman
Turns out to be a choppily written, unevenly acted exercise, no less shlocky and predictable than any of Hollywood's average second-string heterosexual comedies.- New York Post
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Reviewed by
Jonathan Foreman
There's something oddly endearing about the Barenaked Ladies. And by the end of the movie, you begin to see just what it is that inspires such intense fan loyalty.- New York Post
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Lou Lumenick
A civics lesson about integration very artfully - and entertainingly - disguised as an upbeat family sports movie.- New York Post
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V.A. Musetto
The labor of love of South African brothers Craig and Damon Foster, who directed and photographed this intriguing documentary.- New York Post
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- New York Post
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- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
A brave but ultimately futile attempt at adapting a piece that is so quintessentially theatrical that it defies translation to another medium.- New York Post
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Reviewed by
Lou Lumenick
You cease to care as they fall back on a catalogue of clichéd shocks, tired camera angles and an ever-mounting gore quotient.- New York Post
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Jonathan Foreman
Prime date fare, but cotton-candy light and occasionally just a little too whimsical.- New York Post
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Reviewed by
Jonathan Foreman
Essentially a downscale TV movie about spousal and child abuse.- New York Post
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Reviewed by
Jonathan Foreman
If it weren't for a terrific central performance by the Icelandic pop singer Bjork, Dancer in the Dark would be all but unwatchable.- New York Post
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Jonathan Foreman
After a dreadfully clunky start, Left Luggage picks up and becomes quite moving.- New York Post
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Jonathan Foreman
There's some lumpy writing and uneasy acting, but it's easy to see why this charming, inventive film won prizes at festivals in Berlin, San Francisco and Newport, R.I.- New York Post
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Jonathan Foreman
When it was first performed in theaters a couple of years after the L.A. riots took place, Twilight: Los Angeles must have been very powerful. Unfortunately, director Mark Levin's filmed version lacks that impact.- New York Post
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Reviewed by
Jonathan Foreman
A profound disappointment, given its cast and source material.- New York Post
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Lou Lumenick
Rarely less than compelling, must-see entertainment, thanks to Farrell, Schumacher and company.- New York Post
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- Critic Score
It is hard to dislike such a wholesome, well-meaning movie, which has some very funny moments and a lovable cast.- New York Post
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Reviewed by
Lou Lumenick
Offers highly effective performances by a cast of real-life employees without previous acting experience, who also collaborated on the intriguing screenplay.- New York Post
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