New York Post's Scores

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For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,335 out of 8345
  2. Mixed: 1,702 out of 8345
  3. Negative: 2,308 out of 8345
8345 movie reviews
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  1. The Matador
    If we send Sally Struthers money, will she be able to stop this kind of suffering from taking place in Beverly Hills?
  2. Goya's Ghosts
    The Spanish Inquisition was better summed up in an eight-minute musical number by Mel Brooks than in the entirety of Goya's Ghosts, an across-the-board disaster from one of my favorite directors, Milos Forman.
  3. Alita: Battle Angel
    By the end of this derivative, heartless mess, you’ll conclude that a garbage dump is exactly where writer-producer James Cameron’s new project belongs.
  4. Returner
    Soporific, shamelessly derivative and barely coherent by American standards.
  5. The Affair of the Necklace
    It's hard to imagine how Shyer and script writer John Sweet could have brought this tale to the screen in a cruder, cornier or less interesting way.
  6. Bootmen
    There's 80 minutes of mawkish, overacted melodrama - laced with gratuitous violence and profanity - before we get to anything more than the briefest snippet of a dance number.
    • New York Post
  7. The Triumph of Love
    A triumph of misguided moviemaking, starting with a grotesquely miscast Mira Sorvino, who arguably gives the worst performance ever by an Oscar winner.
  8. The Snowman
    This adaptation is so sloggy it feels like wading through thigh-deep snowfall, stained scarlet from all the gratuitous gore.
  9. Followers
    Atrociously written.
  10. Child of God
    Child of God is, like the source novel, loosely inspired by the notorious real-life cannibal murderer Ed Gein. So was Alfred Hitchcock’s “Psycho.’’ Nobody left that classic bored — but they sure will be by Franco’s film.
  11. Little Man
    Sexual and toilet humor plumb new depths in Keenen Ivory Wayans' Little Man, which will stink up theaters like several gross of dirty diapers.
  12. The Invasion
    In the fourth and by far the worst screen version of "The Invasion of the Body Snatchers," Nicole Kidman's character struggles to stay awake - as will the audience.
  13. The Love Guru
    The Love Guru is even funnier than "Wayne's World" or "Austin Powers." Not.
  14. The Wedding Ringer
    The Wedding Ringer is not so much a rom-com as an anatomy lesson. And the lesson is this: Men have balls. They must have them, or grow them, otherwise they are not men. They are little girls.
  15. Fame
    The cowardly producers have banished the grit and darkness of Parker’s original.
  16. The Spy Next Door
    The makers of The Spy Next Door should give 50 percent of their profits to James Cameron for ripping off "True Lies." Let's see, what's 50 percent of nothing?
  17. In My Sleep
    Never rises much above yawn-worthy.
  18. Paradise: Love
    Seidl sternly rejects nuance. All the women are crude and insensitive, all the men are desperate and exploited. Despite copious full-frontal nudity, it’s an unrelievedly puritanical and didactic film.
  19. Grizzly Falls
    A hapless family film that's too scary for little kids and too boring for everyone else.
    • New York Post
  20. Cocaine Cowboys
    There are a couple of grams of interesting stories about Miami's drug traffic in Cocaine Cowboys, but the good stuff is cut with 50 kilos of cinematic baking soda.
  21. Client 9: The Rise and Fall of Eliot Spitzer
    Let us return to reality (all this happened less than three years ago; do documentarians think we don't read the papers?).
  22. Nabbeun namja
    Becomes more and more confused, unpleasant and preposterous.
  23. Billy Lynn's Long Halftime Walk
    Dramatically inert, satirically inept and thematically insufferable, Billy Lynn’s Long Halftime Walk is the most disappointing film of the year.
  24. Evil Dead
    Though it tries — with a much too heavy hand — the new Evil Dead is far less humorous than its predecessor.
  25. Transcendence
    Lethargic direction, bland visuals, credulity-straining plotting and tin-eared dialogue turn even pros like Rebecca Hall, Paul Bettany and Morgan Freeman into sleepwalking bores.
  26. The Matrix Resurrections
    After two lousy sequels, here’s a pitch for Warner Bros.: “The Matrix Retirement.”
  27. 3 Strikes
    A criminally slow, all-but-laughless blaxploitation comedy.
    • New York Post
  28. Nobody Walks
    None of Dunham's humor comes across, except when someone says, "And when you speak, your words are snakes I swat at with swords," which is hilarious, but not intentionally.
  29. Monsters vs Aliens
    Dreamworks Animation's clunky and wildly unimaginative Monsters vs. Aliens really doesn't have a clue what to do with the [3-D] technique.
  30. American Violet
    Plodding drama.
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