New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
-
44% higher than the average critic
-
2% same as the average critic
-
54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
-
Positive: 4,334 out of 8343
-
Mixed: 1,701 out of 8343
-
Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Jonathan Foreman
Powerful, important and refreshingly straightforward documentary.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Amazingly amateurish, the film lands wide of satirical targets that should be impossible to miss.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Might have worked as a travelogue, minus the story. In its present form, it is hardly worth the $10 you will be asked to fork over at the box office.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Familiar and predictable enough, especially if you have seen Hollywood serial-killer thrillers like "Se7en."- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
The characters are so cartoonish, it's hard to care on any level -- except that it wastes such talented performers.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
An example of lazy, dumb and couldn't-care-less hack movie making.- New York Post
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Flat dialogue and stiff performances (especially by the street kids, like Ballesteros, turned into actors by Schroeder) don't help.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Skip it, and rent "The Adventures of Priscilla, Queen of the Desert" instead.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
There are also food scenes that will whet your appetite. But somehow a satisfying climax never makes it out of the oven.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Much of the resulting material is very funny, though there are a few times when the filmmakers patronize or mock their subjects in a way that makes you uncomfortable.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Easily one of the most enjoyable big-budget Hollywood movies to come along in a while, Rock Star is an unexpected pleasure.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
Depicts the bleak suburban milieu in a manner that avoids exploitation.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Agonizingly slow-moving and talky, it consists primarily of conversations between two men in a truck.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
A micro-budget black-and-white musical set in outer space, The American Astronaut is obviously not for all tastes -- but it's quite unlike anything else out there at the moment.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Jonathan Foreman
The first half-hour of Jeepers Creepers is so frightening that it's almost a relief when the movie subsequently collapses into silliness.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Powerful, provocative and often surprisingly funny, this may be the year's outstanding documentary.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
English-language remakes of foreign films are usually suspect, but Tortilla Soup is the exception that proves the rule - a flavorful comedy about a food-centric Latino family in Los Angeles.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Free love, vegetarianism and lack of personal property are the rule.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
A deep disappointment to fans of sci-fi and the once great John Carpenter.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
This would be a stultifyingly incestuous affair even if all the jokes about fertilization weren't so tiresomely lame and predictable.- New York Post
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
This is an overlong film interesting chiefly for its performances.- New York Post
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
The originality and intelligence that made Smith's "Clerks" and "Chasing Amy" such refreshing pleasures are all but absent.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
For one thing, it goes on too long. But it looks good, the cast is perky.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Jonathan Foreman
Fitfully funny at best, it's a sophomoric, facetious road comedy.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Woody Allen's most purely entertaining film in years.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
It turns into something that is much smarter, and in a gentle, low-key way, tougher and funnier than you expect.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
This is a beautifully acted chamber piece --especially by the magnificent Blake, who is married to Norris in real life.- New York Post
- Read full review
-
Reviewed by