New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
-
44% higher than the average critic
-
2% same as the average critic
-
54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
-
Positive: 4,334 out of 8343
-
Mixed: 1,701 out of 8343
-
Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Jonathan Foreman
It's a slow, exhaustive and exhausting process that takes a toll on the viewer, despite the intrinsic power of the underlying material.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
While Tarr's newest epic, Werckmeister Harmonies, isn't intended for the shopping-mall crowd, it is more viewer-friendly and will please adventurous moviegoers.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
So daring and unsparing in its depiction of the psyche and experience of adolescent girls that it's hard to imagine an audience that wouldn't find it deeply provocative despite a slow pace.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
V.A. Musetto
It would have been funnier at half that length.- New York Post
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Though there are moderately interesting interviews interspersed throughout, Deadheads will want to see the numbers, in which Grisman's more formal style complements Garcia's looser approach to his music.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Chop Suey is, in the end, as much a tease as Weber's photographs -- not much substance, but rather sweet and with style to burn.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Some of the plot twists don't really stand up to close scrutiny, but the sometimes over-the-top Joy Ride plows through them with such joyful glee, you don't really care.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
Be warned: Though it's entirely justified by the story, there's a level of violence and brutality in Training Day -- that some terror-weary audience members may not care to cope with these days.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Honestly, it's still pretty hard to resist as a guilty pleasure: A fluffy date-night movie that wrung a tear or two from more than one hardened male critic's eyes, chick flick or no.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
It may take a scorecard to keep track of the complicated relationships in this sorry clan.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Before the slightly surreal (self-consciously so) climax, there are some fine set pieces, including a disastrous dinner party that amply showcases Rivette's wonderfully light directorial touch.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
After a promising start, writer-director Daniel M. Cohen pours on schmaltz straight out of the similarly themed "Diamonds," including the proverbial hookers -- with hearts of gold.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
V.A. Musetto
Kelemer doesn't offer anything that hasn't been done before in documentaries of this type. Still, Won't Anybody Listen makes for interesting viewing as a study of true-life underdogs.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Visually unimpressive and laden with awkward dialogue; its primary interest doesn't lie in its storytelling but in its sociology -- in the window it opens onto a Muslim Middle Eastern society in transition.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
A fussy piece of schmaltz that makes you long for "Stand By Me," a vastly superior coming-of-age tale from King's pen.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
With awkward acting, plotting and direction, this is no "Guess Who's Coming to Dinner," "Jungle Fever" or "One Potato, Two Potato."- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
The film looks nifty, but the flat and unemotional English-language dialogue lessens its impact.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Essential viewing not just for those fascinated by adventure, exploration and survival, but for anyone interested in the magic of leadership.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Director Frears, in a radical shift from "High Fidelity," again (as in "Dangerous Liaisons") shows he's a master of period detail and subtle storytelling -- and the performances couldn't be more on the money.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
Helplessly clichéd, predictable and unaware of its own lameness, it could easily become a camp classic on the order of "Grease 2" and "Sergeant Pepper's Lonely Hearts Club Band."- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
A nifty piece of entertainment that says a lot about American society.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
This must be one of the worst movies ever to get a big-screen release. If it weren't so boring, this unbelievably bad indie sex comedy would be worth going to for five minutes of laughs at its sheer incompetence.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review