A protracted piece of schmaltz, P.S. I Love You looks like a hand-me-down from Sandra Bullock and Drew Barrymore.

One of those Deep Dark Secret movies, the dull indie Lake City combines a wholly uninteresting family mystery with a wholly unconvincing crime drama.

Boring.

Is it never funny? No, it’s not never funny. It’s just not funny nearly often enough.

We keep waiting for one of those outlandish musical treats to bring some life to the clichéd script. Kunder throws in a few breaks, but they're tepid and brief.

In the Land of Women is one of those films informed by intimate personal experience - the experience of seeing "Garden State."

Zeller’s latest mental health movie is an exhaustingly tedious experience in which you check your watch several times a minute while taking breaks from giggling at the clumsy dialogue.

Still, Poms mostly patronizes older people as it turns them into punchlines. Be regressive! B.E. R.E.G.R.E.S.S.I.V.E!

The story lacks focus. The senses blur as wives and ex-wives come and go, and Harry regularly falls off the wagon, only to reform the next day.

It will probably not surprise you to learn that this film, generically directed by Christian Ditter (“Love, Rosie”), was written by the people behind 2009’s “He’s Just Not That Into You.” Seven years later, guess what? He’s still not that into you! And I wouldn’t be, either, not with this lot.

Duplex, a shoddily constructed and alarmingly unfunny dark comedy that squanders the talents of Ben Stiller and Drew Barrymore, is one real-estate deal you should walk away from.

Never amounts to anything more than a rambling, studenty exercise in undergraduate cinema vérité. Some expressive, arty photography and a mildly satiric attitude toward stage poseurs do little to make the picture bearable.

Directed by Susan Montford, While She Was Out is a straight-to-DVD movie making a brief stop in theaters.

Ethan Coen’s road-trip comedy “Drive-Away Dolls” does not have that cinematic new-car smell. No, the stale scent is closer to months-old, unfinished McDonald’s Happy Meals and inexplicably maroon stains. The creaky vehicle has racked up so many miles, it barely starts. So tired and unappetizing, this dreadful film is.

Mine all you like. You’ll never find any smarts in this cavern of stupidty.

Playing like a script that’s been moldering since Diane Keaton turned it down in 1983, The Other Woman is a weak adultery rom-com in which the most authentic performance comes from a non-housebroken Great Dane.

A tediously self-absorbed variation on "The Big Chill" and "The Return of the Secaucus 7."

John Travolta’s new film is a lot like “Misery” — just without the acclaim.

Like most of Netflix’s films outside of awards season, “Atlas” is a sluggish afterthought that settles for being just short of OK.

I was held in suspense throughout The Fog, aching to learn the answer to its central riddle: Why would any one remake such a crummy movie?

Sucker bait for the sort of credulous cinast who'll buy anything ugly and boring that looks like it's avant-garde...rancid stew of cheap shocks, sleaze and phony artiness.

Mostly Unfinished Business is a tale of unfinished jokes.

It’s not a documentary, it isn’t entertainment, and aside from Chung’s intelligent, dignified performance, this sure as heck isn’t art.

If it weren't for "Sideways," Second Best probably wouldn't have been released at all, but the earlier film made you root for a hapless schmo. This one doesn't, mainly because its protagonist is so obnoxious.

It's hard to say what's more offensive about the out-of- tune Radio - Cuba Gooding Jr. trying to ingratiate himself by mugging up a storm as a mentally challenged man, or the mawkish narrative surrounding him like so much syrup.

Over its interminable, nearly two-hour runtime, the film repeatedly mocks its very existence.

Ranks high on the squirm meter. But, unlike in most of her earlier work, there's no emotional payoff.

Grows tiresome rather quickly.