New York Post's Scores
- Movies
- TV
For 8,345 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
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| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,335 out of 8345
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Mixed: 1,702 out of 8345
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Negative: 2,308 out of 8345
8345
movie
reviews
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Reviewed by
Jonathan Foreman
Much of the resulting material is very funny, though there are a few times when the filmmakers patronize or mock their subjects in a way that makes you uncomfortable.- New York Post
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Lou Lumenick
Devotes most of its energy to its costumes and makeup, which are fabulous. But that and a tabloid-worthy star just aren't enough to revisit this sordid tale as a kind of twisted comedy.- New York Post
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Lou Lumenick
We began this dismal movie season with one lethally bad World War II romance -- "Pearl Harbor" -- and now we're wrapping up with another howling dog.- New York Post
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Lou Lumenick
It's almost worth the price of admission to see Allen paying homage to "Singin' in the Rain" in the final sequence. Almost.- New York Post
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Kyle Smith
Remember the old Ben Affleck, the one who made 28 consecutive bad movies before he turned out to be a pretty good director? He’s back! Behold, the second coming of . . . Badfleck.- New York Post
- Posted Oct 4, 2013
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- New York Post
- Posted Jul 13, 2012
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Reviewed by
Jonathan Foreman
Despite a script that occasionally calls for some embarrassingly awkward lines, Kollek's cast generally acquits itself well.- New York Post
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Reviewed by
Megan Lehmann
The majority of Dickie Roberts winds up looking like a tame episode of the "Brady Bunch" -- spiked with Spade-esque crudity.- New York Post
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Megan Lehmann
An interesting addition to a genre that tends too often to disregard artistic technique.- New York Post
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Sara Stewart
Portman is always consummately watchable, and she tries her best to telegraph the utter existential confusion engulfing Lucy at work and in love. But the film around her is simply not up to her level.- New York Post
- Posted Oct 2, 2019
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Kyle Smith
The danger of dreaming up a predictable adventure for a group of nobodies you hold in contempt is that the audience will see your indifference and raise you.- New York Post
- Posted Jul 27, 2012
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- New York Post
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V.A. Musetto
Would that somebody had fired Gurwitch before she could have finished Fired!- New York Post
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Lou Lumenick
Wastes some veteran performers in a slight, silly musical fantasy with two left feet.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
A shrill farce that strains credibility even by the standards of black comedy.- New York Post
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Kyle Smith
Better than most Martin Lawrence movies - much as strep throat is better than malaria.- New York Post
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- New York Post
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- New York Post
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- New York Post
- Posted Nov 14, 2014
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Reviewed by
Kyle Smith
For all of its homicidal aliens and toothy beasts, I Am Number Four did contain one element that genuinely unsettled me: the line "produced by Michael Bay." Nooooooo!- New York Post
- Posted Feb 18, 2011
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Lou Lumenick
Laughs are few and far between in the innuendo-laden script attributed to Dana Fox, who's also responsible for the reprehensible "The Wedding Date."- New York Post
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Kyle Smith
The movie hopes to be regarded as childlike too, but there's a difference between kid-friendly and just regular old dumb.- New York Post
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Lou Lumenick
It's a testament to Goodwin's skill as an actress that we almost buy this.- New York Post
- Posted May 6, 2011
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- New York Post
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Reviewed by
Kyle Smith
This movie is resolute about being as homey and obvious as it can possibly be. Somewhere, Norman Rockwell is thinking, “Sheesh, even I was edgier than this.”- New York Post
- Posted Sep 8, 2016
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- New York Post
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Reviewed by
Lou Lumenick
Make no mistake, Father of Invention is the hilarious Spacey's show all the way.- New York Post
- Posted Oct 14, 2011
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Megan Lehmann
If you've come to appreciate Hal Hartley's idiosyncratic style through films like "Flirt" and "The Unbelievable Truth," his take on the monster movie genre will intrigue you. But, ultimately, disappoint you.- New York Post
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- New York Post
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