New York Post's Scores

  • Movies
  • TV
For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8345 movie reviews
  1. Crystal, for what it’s worth, stays genuine through the increasingly viscous plot. He still has that warmth beneath his zingers that you don’t find in the frigid comedians of today. Nonetheless, we resent his movie’s aggressive efforts to force us into crying with strained, untruthful moments by the bucketful.
  2. Gerren's story is fascinating, but Roberts dilutes it by going off on tangents about unsafe cosmetics and phony plastic surgeons. Both topics need exploring - just not here. There's more than enough drama in Gerren's life.
  3. So deadpan are the dialogue and narration that it's hard to tell whether the laughs are intentional. What with all the shrieking, dumb bad-girl hookers and the wistful, wounded good-girl hookers, the sexism is so creepy it might be an ironic genre critique. Then again, maybe it's just creepy.
  4. If Falling for Christmas simply fleshed out Sierra more, and made us believe she was in love with Jake, not just grinning at everybody, we’d have a movie. Instead, it’s a predictable stunt.
  5. Molly’s Theory of Relativity is anti-cinema. All hope for any plot atrophies as Molly and her husband discuss their possible move to Norway with the wit and passion of a representative reading a tribute to Calvin Coolidge into the Congressional Record.
  6. Yet another murky film about the 1970s that's watchable mostly for its cast rather than the story.
    • New York Post
  7. A cartoonish 1940s shoot-'em-up that's impossible to take seriously.
  8. Rockwell is incapable of being boring, so there’s some small entertainment to be found in watching his buttoned-up beta male blossom into full Sam Rockwell.
  9. Gibson’s got another strong performance in him, I think, but this Christmas crapola sure ain’t it.
  10. Somewhat refreshingly aspiring to be nothing more than a disposable summer popcorn movie, this is a flick that delivers more smiles than laughs and has some wonderful special effects.
  11. Sex can be fun and exciting and wonderful. It also can be deadly boring, as in Psychopathia Sexu alis.
  12. The sort of lowbrow sports comedy best enjoyed on a 50-inch screen with a six-pack, a bucket of wings and a fast-forward button.
  13. We keep waiting for one of those outlandish musical treats to bring some life to the clichéd script. Kunder throws in a few breaks, but they're tepid and brief.
  14. Throws in enough hurtling bodies, screaming bullets and totaled cars that it at least holds your interest, so it passes the worth-watching-if-you're-stuck-on-an-airplane test.
  15. Directed by Susan Montford, While She Was Out is a straight-to-DVD movie making a brief stop in theaters.
  16. Make no mistake, though: The Perfect Family is Kathleen Turner's show. And when a series of crises forces Eileen to re-examine her values and beliefs, Turner rises magnificently to the occasion.
  17. This is hardly reinventing the wheel, but it is serviceable, if you're looking for a few shivery communal scares.
  18. Coming Up Roses swerves into a third-act twist that's both an indie cliché and dramatically unnecessary.
  19. Imagine the French lesbian romance “Blue Is the Warmest Color’’ as a raunchy American exploitation flick with loads of fake gore. That’s a rough idea of the latest from Lloyd Kaufman, the exuberant shockmeister whose Troma Team is celebrating its 40th anniversary this year.
  20. Congratulations are in order to Table 19: This comedy about the random losers stuck together at a wedding reception actually, uncannily, creates an experience as dull, awkward and excruciating as the thing it mocks.
  21. Refreshing as it is to see the military portrayed as something other than a band of neurotics and creeps, there's a reason this brand of rah-rah and bang-bang didn't outlast the age of Whitesnake and Marty McFly.
  22. McCarthy shines when loosely riffing, but the plot tightens around her like a vise.
  23. The three friends do things that venture beyond entertainingly dumb and into exasperatingly unbelievable.
  24. As the horror genre has, in recent years, grown more sophisticated and clever, you heave a sigh of relief to be handed a thriller that’s so dumb.
  25. The movie begins to wear out its welcome even before a conclusion of breathtaking corniness.
  26. Molly Shannon is dementedly charming as Eva.
  27. Low on raunch but even lower on laughs. It also looks like half the lighting crew failed to show up.
  28. Train wreck.
  29. The generic plot is redeemed by exciting action sequences, good-looking location photography and a hot sex scene involving a femme fatale named Lea (pixie-haired Melanie Thierry).
  30. If it has a genius for anything, it’s disorganization: What promised to be a Super Bowl of villainy turned out more like toddler playtime.

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