New York Post's Scores
- Movies
- TV
For 8,345 reviews, this publication has graded:
-
44% higher than the average critic
-
2% same as the average critic
-
54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
-
Positive: 4,335 out of 8345
-
Mixed: 1,702 out of 8345
-
Negative: 2,308 out of 8345
8345
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Sara Stewart
The film tries to be clever by going meta: Once again, it’s rooted in Mr. Glass’ conviction that superheroes are real, and it repeatedly name-checks comic-book tropes that are reflected, languidly, in the movie’s own plot. But in the end, all it really reveals is a onetime visionary’s glass now half — no, let’s go with mostly — empty.- New York Post
- Posted Jan 17, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Johnny Oleksinski
On this overstuffed ride, we also learn where wise Rafiki, royal aide Zazu, evil Scar and even Pride Rock come from. Who cares? The backstories only make us crave the peerless 2D original.- New York Post
- Posted Dec 17, 2024
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Here comes Wayne Kramer's Crossing Over, a bid to create the "Crash" of illegal-immigration dramas.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Sara Stewart
With the exception of “Tape 49” — the Simon Barrett-directed segment about the PI — the films are ridiculously shaky, their camerawork so determinedly guerrilla-style that it’s difficult not to look away, sometimes at crucial moments. Found footage is all well and good, but if it’s unwatchable, it might as well have stayed lost.- New York Post
- Posted Jul 11, 2013
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Love in Space is just what movie fans have been waiting for: a romantic comedy from Communist China.- New York Post
- Posted Sep 9, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
The movie doesn't really begin or end. Whether the lights have just gone down or the credits have begun to roll, things are pretty much the same for Henry.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
In any case, the presence of O'Hara, Kline, Ramis, Black, Tomlin and John Lithgow (who plays Shaun's father) serve mainly to underline the feebleness of the screenplay and the slackness of the direction.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
I hereby award the World War II drama The Great Raid a Cement Star for faithful and distinguished service to the cause of mediocrity.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
As for a villain, you could do worse than Bryan Cranston as the evil political overlord who is trying to stamp out the resistance -- When he goes mano a mano with Farrell, it's not spine-tingling. It's embarrassing, like watching a dude beat up his dad.- New York Post
- Posted Aug 3, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Megan Lehmann
Despite a crafty premise and a clever kink in the tale that almost saves it, Connolly isn't dexterous enough to achieve the Hitchockian level of suspense the movie needs.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Hopefully Jennifer Lawrence will actually be given something worthwhile to do next time around. That would actually be worth paying to see.- New York Post
- Posted Nov 19, 2014
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
This messy, disappointing, self-important and utterly humorless version of the Marvel comic book character may be the toughest flick with a green protagonist to sit through since "The Grinch."- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
The only possible interest the movie will inspire in anyone comes when Paltrow flashes a breast toward the end, far too late to pump any excitement into an aggressively boring film that gurgles with self-indulgence.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Jonathan Foreman
Every good joke in the movie is to be found in those trailers.- New York Post
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
There are a few sweet moments as the story reaches its unsurprising conclusion. But, all in all, Flakes isn't going to bowl you over.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Feels like it was written and directed by an audience focus group in Omaha?- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Johnny Oleksinski
What’s said to be Marvel’s most powerful superhero ever is served Melatonin by Larson. There is precious little texture or detail, ups and downs, or emotions of any kind in her performance. The character, even when kicking ass, is a total bore. Such as it is, the film’s best moments are provided by Jackson and a hilarious cat.- New York Post
- Posted Mar 5, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Smartphone apps don’t particularly lend themselves well to political allegory or satire. But that’s precisely what the makers of this fitfully amusing animated adaptation of the once-popular game seem to be fruitlessly attempting.- New York Post
- Posted May 19, 2016
- Read full review
-
Reviewed by
-
-
Reviewed by
Megan Lehmann
Vivid visuals can't save an insipid plot.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
No, this film by director/co-writer Gillian Robespierre just isn’t funny, and the mismatched leads aren’t even interesting together.- New York Post
- Posted Jun 4, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Filmmaker Josh Stolberg claims to have been inspired by real-life events, but mostly he ineptly rips off other movies and wastes a cast that includes Rosanna Arquette, Adam Arkin and Elizabeth Perkins.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Farran Smith Nehme
The plot is predictable, as complications line up like jets awaiting takeoff. Even the camera work is predictable: The attractive-girl's-scary-boyfriend-suddenly-pops-up shot; the morning-after, face-in-the-pillow shot.- New York Post
- Posted Nov 29, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
There are some funny moments, plus occasional nudity and sex, but the joke quickly wears off. What might have worked as a half-hour TV show doesn't suit itself to a feature-length film.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
In this pretentious art-house downer version of "The Bad Seed," the only surprise is that the folks didn't ship the little monster off to the looney bin before he reached puberty.- New York Post
- Posted Dec 9, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
There probably aren't enough futuristic Goth rock musicals, but Repo! The Genetic Opera is weak on a couple of things a musical needs: music and lyrics.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Jonathan Foreman
A slow, self-consciously low-key, very dull film that strains for eeriness with long silences and affectless performances.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Johnny Oleksinski
Where is Wright’s mastery of tone and zany-but-unnerving quick-cut style? It’s been replaced by a cacophony of assembly-line sci-fi noise in a blah “Blade Runner” that, depending on the scene, is either stupidly serious or seriously stupid.- New York Post
- Posted Nov 12, 2025
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
It’s kind of cute but mostly just awkward, somewhere between watching bros who slept through French class trying to work their game in Nice and endless CBS sitcoms about nutty guys ruled by exasperated, boring women.- New York Post
- Posted May 19, 2016
- Read full review
-
Reviewed by