New York Post's Scores

  • Movies
  • TV
For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8345 movie reviews
  1. The film tries to be clever by going meta: Once again, it’s rooted in Mr. Glass’ conviction that superheroes are real, and it repeatedly name-checks comic-book tropes that are reflected, languidly, in the movie’s own plot. But in the end, all it really reveals is a onetime visionary’s glass now half — no, let’s go with mostly — empty.
  2. On this overstuffed ride, we also learn where wise Rafiki, royal aide Zazu, evil Scar and even Pride Rock come from. Who cares? The backstories only make us crave the peerless 2D original.
  3. Here comes Wayne Kramer's Crossing Over, a bid to create the "Crash" of illegal-immigration dramas.
  4. With the exception of “Tape 49” — the Simon Barrett-directed segment about the PI — the films are ridiculously shaky, their camerawork so determinedly guerrilla-style that it’s difficult not to look away, sometimes at crucial moments. Found footage is all well and good, but if it’s unwatchable, it might as well have stayed lost.
  5. Love in Space is just what movie fans have been waiting for: a romantic comedy from Communist China.
  6. The movie doesn't really begin or end. Whether the lights have just gone down or the credits have begun to roll, things are pretty much the same for Henry.
  7. In any case, the presence of O'Hara, Kline, Ramis, Black, Tomlin and John Lithgow (who plays Shaun's father) serve mainly to underline the feebleness of the screenplay and the slackness of the direction.
  8. I hereby award the World War II drama The Great Raid a Cement Star for faithful and distinguished service to the cause of mediocrity.
  9. As for a villain, you could do worse than Bryan Cranston as the evil political overlord who is trying to stamp out the resistance -- When he goes mano a mano with Farrell, it's not spine-tingling. It's embarrassing, like watching a dude beat up his dad.
  10. Despite a crafty premise and a clever kink in the tale that almost saves it, Connolly isn't dexterous enough to achieve the Hitchockian level of suspense the movie needs.
  11. Hopefully Jennifer Lawrence will actually be given something worthwhile to do next time around. That would actually be worth paying to see.
  12. A 12th-grade "Sixth Sense" with a third-rate plot.
  13. This messy, disappointing, self-important and utterly humorless version of the Marvel comic book character may be the toughest flick with a green protagonist to sit through since "The Grinch."
  14. The only possible interest the movie will inspire in anyone comes when Paltrow flashes a breast toward the end, far too late to pump any excitement into an aggressively boring film that gurgles with self-indulgence.
  15. A depressingly predictable journey of self-discovery.
  16. Every good joke in the movie is to be found in those trailers.
    • New York Post
  17. There are a few sweet moments as the story reaches its unsurprising conclusion. But, all in all, Flakes isn't going to bowl you over.
  18. Feels like it was written and directed by an audience focus group in Omaha?
  19. What’s said to be Marvel’s most powerful superhero ever is served Melatonin by Larson. There is precious little texture or detail, ups and downs, or emotions of any kind in her performance. The character, even when kicking ass, is a total bore. Such as it is, the film’s best moments are provided by Jackson and a hilarious cat.
  20. Smartphone apps don’t particularly lend themselves well to political allegory or satire. But that’s precisely what the makers of this fitfully amusing animated adaptation of the once-popular game seem to be fruitlessly attempting.
  21. Vivid visuals can't save an insipid plot.
  22. No, this film by director/co-writer Gillian Robespierre just isn’t funny, and the mismatched leads aren’t even interesting together.
  23. Filmmaker Josh Stolberg claims to have been inspired by real-life events, but mostly he ineptly rips off other movies and wastes a cast that includes Rosanna Arquette, Adam Arkin and Elizabeth Perkins.
  24. The plot is predictable, as complications line up like jets awaiting takeoff. Even the camera work is predictable: The attractive-girl's-scary-boyfriend-suddenly-pops-up shot; the morning-after, face-in-the-pillow shot.
  25. There are some funny moments, plus occasional nudity and sex, but the joke quickly wears off. What might have worked as a half-hour TV show doesn't suit itself to a feature-length film.
  26. In this pretentious art-house downer version of "The Bad Seed," the only surprise is that the folks didn't ship the little monster off to the looney bin before he reached puberty.
  27. There probably aren't enough futuristic Goth rock musicals, but Repo! The Genetic Opera is weak on a couple of things a musical needs: music and lyrics.
  28. A slow, self-consciously low-key, very dull film that strains for eeriness with long silences and affectless performances.
  29. Where is Wright’s mastery of tone and zany-but-unnerving quick-cut style? It’s been replaced by a cacophony of assembly-line sci-fi noise in a blah “Blade Runner” that, depending on the scene, is either stupidly serious or seriously stupid.
  30. It’s kind of cute but mostly just awkward, somewhere between watching bros who slept through French class trying to work their game in Nice and endless CBS sitcoms about nutty guys ruled by exasperated, boring women.

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