New York Post's Scores

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For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,335 out of 8345
  2. Mixed: 1,702 out of 8345
  3. Negative: 2,308 out of 8345
8345 movie reviews
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  1. The Girl from the Naked Eye
    So deadpan are the dialogue and narration that it's hard to tell whether the laughs are intentional. What with all the shrieking, dumb bad-girl hookers and the wistful, wounded good-girl hookers, the sexism is so creepy it might be an ironic genre critique. Then again, maybe it's just creepy.
  2. Littlerock
    Rambling, mildly engaging micro-budgeted indie.
  3. Seven Days in Utopia
    Seven Days in Utopia obviously isn't targeted at us cynical New Yorkers. But it goes down more smoothly than you'd imagine thanks to Duvall and an excellent supporting cast.
  4. Hiding Divya
    Under writer-helmer Rehana Mirza, the acting and direction are workmanlike, but the plot is full of hackneyed characters and contrived events better suited to TV than the big screen.
  5. Harrison's Flowers
    Suddenly topical because of parallels to the kidnapping and death of Daniel Pearl.
  6. Young People Fucking
    A mildly raunchy comedy that might be more accurately titled "Love: Canadian Style."
  7. Irene in Time
    Has some witty dialogue and sprightly performances by Karen Black, Andrea Marcovicci, Victoria Tennant and others.
  8. Strange Fits of Passion
    The fresh-faced Noonan tries very hard to rise above the material, but it defeats her and her fellow cast members.
  9. The Blood of My Brother
    Despite some remarkable unembedded footage, Andrew Berends' is yet another disappointingly superficial, unfocused and one-sided documentary on the conflict in Iraq.
  10. A Walk Among the Tombstones
    They don’t make ’em like A Walk Among the Tombstones any more. Mainly because everyone got bored with ’em and stopped watching ’em.
  11. Alex & Emma
    From the incessant rain that blurs the joyless Boston setting to the mysterious decision to make a brunette Hudson look as plain as possible, it's an evanescent fancy devoid of sparkle.
  12. The Shipping News
    This morbid and self-consciously literary adaptation of E. Annie Proulx's Pulitzer-winning novel is no crowd pleaser.
  13. The Roses
    Colman and Cumberbatch’s appealing energy is always a pleasure — and clearly the draw here — but I didn’t enjoy spending my night with the sourpusses it’s wasted on.
  14. The Gift to Stalin
    Beautifully filmed and well-acted, "The Gift to Stalin," directed by Rustem Abdrashev, has its schmaltzy, cliched moments, including an unnecessary finale in Jerusalem.
  15. Passion of Mind
    A shallow, stilted romantic thriller.
  16. Candy
    As the movie's feet get stuck in its own misery, it made me appreciate "Trainspotting" all over again - its wit, how it moved, the way any outcome for its characters seemed possible.
  17. Zebraman
    It pains me to report that his Zebraman is a disappointment.
  18. One Swallow Brought Spring
    Carion, in his feature debut, means well, and his characters are lovable. But the plot is so predictable and sentimental that viewers are likely to lose interest before Sandrine and her goats walk off into the sunset.
  19. The Fall
    It's basically a Middle Eastern version of "The Princess Bride" with an assisted-suicide subplot.
  20. Olympus Has Fallen
    This unapologetic B-movie at least keeps the action rolling, and the time goes by quickly. To put it another way, I’d rather see Gerard Butler stab a terrorist in the neck than flirt with Katherine Heigl.
  21. End of Days
    A hokey, overblown and deeply unsatisfying movie.
    • New York Post
  22. Autoerotic
    Trouble is, the movie is only sporadically funny, and the concept soon grows tiresome. In fact, you could say that there's too much downtime in Autoerotic.
  23. Breakfast of Champions
    A crude, manic and embarrassingly unfunny satire that feels off from beginning to end.
    • New York Post
  24. Ip Man
    If you're looking for great action scenes, you've found them. But if you desire more than eye candy, such as character and plot development and historical accuracy, you'll have to look elsewhere.
  25. Harry Potter and the Deathly Hallows: Part I
    Beautifully shot but a soulless cash machine, Harry Potter and the Deathly Hallows: Part 1 delivers no dramatic payoff, no resolution and not much fun. Hopefully we'll get that in the final installment next summer.
  26. Benjamin Smoke
    Rather morbid.
    • New York Post
  27. Last Holiday
    A thoroughly mediocre dramedy.
  28. xXx
    Pumped-up, dumbed-down Bond, with tattoos instead of brains.
  29. The Bread, My Sweet
    You know exactly how this thing is going to turn out before it's even half over.
  30. Chicago 10
    Chicago 10 has interesting moments, but basically it's a teaser for Steven Spielberg's upcoming feature on the trial.
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