New York Post's Scores

  • Movies
  • TV
For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8345 movie reviews
  1. Ultimately, this is a film from a group of terrific talents that never quite comes together the way you'd hope. It's just too fluid to wholly take shape.
    • 49 Metascore
    • 63 Critic Score
    That insinuating, sublime atmosphere is consistently being intruded upon by the distractingly silly plot.
    • New York Post
  2. Peter Farrelly is angry at Miramax for marketing his and his brother Bobby's new film as a follow-up to their surprise smash hit, "There's Something About Mary."
  3. An anti-date movie if there ever was one, Teeth is a darkly engaging if uneven horror movie spoof centering on men's fear of castration.
    • 77 Metascore
    • 63 Critic Score
    Maddeningly pretentious and often slow to the point of tedium, Humanite is also hauntingly original and truly strange.
  4. Though the filmmaking is not terribly exciting, Fela’s life and music are.
  5. It would be possible to appreciate Shannon's fabulous work in Take Shelter far better if the filmmaker lost a quarter of the two-hour running time -- there are many overlong scenes that make this a needlessly tough sit.
  6. Winterbottom's bold film, its gritty visuals offset by Dario Marianelli's lavish score, makes real the desperate lengths that refugees -- those running from poverty as well as dange -- will go to.
  7. Cadigan is honest enough to leave in a disturbing scene in which he talks about the "violent imagery" in his head and fantasizes about using a kitchen knife on his mother, before breaking down in tears. It's raw stuff.
  8. If you like your language blue and your humor coarse, Margaret Cho is for you.
  9. May not be vintage stuff, but it goes down fairly smoothly.
  10. An unassuming love comedy with plot problems.
  11. R0bert Duvall as a pee wee soccer coach? Great idea, but Kicking and Screaming should have had him roar, "I love the smell of juice boxes in the morning."
  12. The heavily symbolic The Dying Gaul doubtless worked better as a play, but the film is worth seeing for its peerless cast.
  13. Though there are moderately interesting interviews interspersed throughout, Deadheads will want to see the numbers, in which Grisman's more formal style complements Garcia's looser approach to his music.
  14. A snarly Euro-thriller with crust under its fingernails and bad breath. It doesn't care if you like it, which is why I kind of do.
  15. For a 90-minute movie, Margaret has a thin story. So it's unfortunate that it runs 2 1/2 hours.
  16. The shamelessness with which Star Wars: The Force Awakens replays the franchise’s greatest hits is startling. To put it another way, it’s a satisfying meal — but it’s $200 million worth of leftovers.
  17. Carlyle gives a quietly engaging performance as a Golden State farmworker with a secret in the likable indie California Solo.
  18. The premise is so sad it's impossible to chuckle at the often heavy-handed humor.
  19. Tabatabai delivers a strong performance and the script, although not always plausible, touches on important issues like bias against gays and Muslims.
  20. The film, then, places a heavy hand on the scales of justice as it winds up with a fuzzy plea — an implied demand for a second, federal civil rights trial for the cop, who got a light sentence. But the shooting wasn’t a racist one.
  21. A reasonably uplifting kids movie if you don't think about it too much. I get paid to think about things too much, and effective as the movie is, it nevertheless left me slightly put off.
  22. Somehow, mostly through the impassioned performances of its young actors, the film finds its footing in the third act, as the narration goes quiet and tragedy unfolds with precision, even elegance.
  23. 11 Flowers boils down to a coming-of-age tale merged with a why-dunit — not unlike “To Kill a Mockingbird” — but the plot is molasses-slow, as threads are dropped, picked up and dropped again.
  24. Exciting stuff in its primitive, predictable way.
  25. It may have the faintest relationship to any kind of reality, but Jones' tart performance cuts through the saccharine.
  26. Secretariat ultimately delivers where it matters, in the home stretch.
  27. A calculating crowd-pleaser that sometimes feels like a movie equivalent of the corporate chains it's decrying.
  28. Lacking a solid narrative beyond the worsening marital crisis, this humor-flecked domestic drama ends up relying heavily on directorial tricks such as splashes of magic realism, giving it a self-satisfied air that quickly becomes grating.

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