New York Post's Scores
- Movies
- TV
For 8,345 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,335 out of 8345
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Mixed: 1,702 out of 8345
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Negative: 2,308 out of 8345
8345
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Sara Stewart
Ultimately, this is a film from a group of terrific talents that never quite comes together the way you'd hope. It's just too fluid to wholly take shape.- New York Post
- Posted Nov 30, 2017
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- Critic Score
That insinuating, sublime atmosphere is consistently being intruded upon by the distractingly silly plot.- New York Post
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Reviewed by
Jonathan Foreman
Peter Farrelly is angry at Miramax for marketing his and his brother Bobby's new film as a follow-up to their surprise smash hit, "There's Something About Mary."- New York Post
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Reviewed by
Lou Lumenick
An anti-date movie if there ever was one, Teeth is a darkly engaging if uneven horror movie spoof centering on men's fear of castration.- New York Post
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Maddeningly pretentious and often slow to the point of tedium, Humanite is also hauntingly original and truly strange.- New York Post
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Reviewed by
Farran Smith Nehme
Though the filmmaking is not terribly exciting, Fela’s life and music are.- New York Post
- Posted Jul 30, 2014
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Lou Lumenick
It would be possible to appreciate Shannon's fabulous work in Take Shelter far better if the filmmaker lost a quarter of the two-hour running time -- there are many overlong scenes that make this a needlessly tough sit.- New York Post
- Posted Sep 30, 2011
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Reviewed by
Megan Lehmann
Winterbottom's bold film, its gritty visuals offset by Dario Marianelli's lavish score, makes real the desperate lengths that refugees -- those running from poverty as well as dange -- will go to.- New York Post
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Megan Lehmann
Cadigan is honest enough to leave in a disturbing scene in which he talks about the "violent imagery" in his head and fantasizes about using a kitchen knife on his mother, before breaking down in tears. It's raw stuff.- New York Post
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Megan Lehmann
If you like your language blue and your humor coarse, Margaret Cho is for you.- New York Post
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- New York Post
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- New York Post
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Reviewed by
Kyle Smith
R0bert Duvall as a pee wee soccer coach? Great idea, but Kicking and Screaming should have had him roar, "I love the smell of juice boxes in the morning."- New York Post
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Lou Lumenick
The heavily symbolic The Dying Gaul doubtless worked better as a play, but the film is worth seeing for its peerless cast.- New York Post
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Reviewed by
Lou Lumenick
Though there are moderately interesting interviews interspersed throughout, Deadheads will want to see the numbers, in which Grisman's more formal style complements Garcia's looser approach to his music.- New York Post
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Reviewed by
Kyle Smith
A snarly Euro-thriller with crust under its fingernails and bad breath. It doesn't care if you like it, which is why I kind of do.- New York Post
- Posted Sep 23, 2011
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Reviewed by
Kyle Smith
For a 90-minute movie, Margaret has a thin story. So it's unfortunate that it runs 2 1/2 hours.- New York Post
- Posted Sep 30, 2011
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Kyle Smith
The shamelessness with which Star Wars: The Force Awakens replays the franchise’s greatest hits is startling. To put it another way, it’s a satisfying meal — but it’s $200 million worth of leftovers.- New York Post
- Posted Dec 16, 2015
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Reviewed by
Kyle Smith
Carlyle gives a quietly engaging performance as a Golden State farmworker with a secret in the likable indie California Solo.- New York Post
- Posted Nov 29, 2012
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Hannah Brown
The premise is so sad it's impossible to chuckle at the often heavy-handed humor.- New York Post
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V.A. Musetto
Tabatabai delivers a strong performance and the script, although not always plausible, touches on important issues like bias against gays and Muslims.- New York Post
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Kyle Smith
The film, then, places a heavy hand on the scales of justice as it winds up with a fuzzy plea — an implied demand for a second, federal civil rights trial for the cop, who got a light sentence. But the shooting wasn’t a racist one.- New York Post
- Posted Jul 11, 2013
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Reviewed by
Kyle Smith
A reasonably uplifting kids movie if you don't think about it too much. I get paid to think about things too much, and effective as the movie is, it nevertheless left me slightly put off.- New York Post
- Posted Sep 23, 2011
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Farran Smith Nehme
Somehow, mostly through the impassioned performances of its young actors, the film finds its footing in the third act, as the narration goes quiet and tragedy unfolds with precision, even elegance.- New York Post
- Posted Nov 29, 2012
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Farran Smith Nehme
11 Flowers boils down to a coming-of-age tale merged with a why-dunit — not unlike “To Kill a Mockingbird” — but the plot is molasses-slow, as threads are dropped, picked up and dropped again.- New York Post
- Posted Feb 21, 2013
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- New York Post
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Reviewed by
Lou Lumenick
It may have the faintest relationship to any kind of reality, but Jones' tart performance cuts through the saccharine.- New York Post
- Posted Aug 3, 2012
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Lou Lumenick
Secretariat ultimately delivers where it matters, in the home stretch.- New York Post
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Reviewed by
Lou Lumenick
A calculating crowd-pleaser that sometimes feels like a movie equivalent of the corporate chains it's decrying.- New York Post
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Reviewed by
Megan Lehmann
Lacking a solid narrative beyond the worsening marital crisis, this humor-flecked domestic drama ends up relying heavily on directorial tricks such as splashes of magic realism, giving it a self-satisfied air that quickly becomes grating.- New York Post
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