New York Post's Scores

  • Movies
  • TV
For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8345 movie reviews
  1. A devastating indictment of unbridled greed and materalism, made all the more relevant by the Enron and WorldCom scandals.
  2. Ruefully funny, beautifully acted comedy of manners.
  3. Beautifully shot by Michael J. Ozier, the dominating taste in Bottle Shock is Rickman's beautiful performance as a snob - a snob who is secretly open to being delightfully surprised.
  4. Nearly stolen by the veteran Stamp's gently fatuous John.
  5. Tamhane’s quiet techniques build to pure, cold fury.
  6. Has an unusual intimacy and lack of condescension.
    • New York Post
  7. A fascinating history of how blowing yourself up became a popular hobby in the Muslim world.
  8. Nonprofessional actors and convincingly dingy details give Fratricide a harsh documentary quality, and its "Midnight Cowboy"-style ending is bitterly powerful. Devotees of seamy '70s cinema should give this little film a look.
  9. Dame Maggie is simply delightful (has she ever been less than wonderful?).
  10. The complex plot takes some time to get used to, especially if you’ve come to the theater expecting a story consistent with the simplicity of “The Shining.” If that was easy as pie, this is easy as Pi. But when it confidently hits its stride near the middle, Doctor Sleep is gripping.
  11. Weekend is a gay riff on "Before Sunrise" (1995), in which a man (Ethan Hawke) and woman (Julie Delpy) meet and fall in love in one night, before going their separate ways in the morning for what could be forever.
  12. Though it does have a handful of dirty jokes meant to earn the audience-pleasing PG-13 rating and features Marge swearing, it falls short of classic status.
  13. Vinterberg aces the metaphor-heavy scene in which Troy demonstrates his swordsmanship for an inexperienced, dazzled Bathsheba.
  14. The film spirals steadily downward through humanity’s worst impulses as the guards, led by Angarano’s character, explore the free rein they’re given to torment the powerless.
  15. This is one of the best serious films about homosexuality ever made, but though it's sad and sobering it's still only a rough draft of a great movie.
  16. Reyadas' radical rejection of filmmaking conventions is at first off-putting, but he's able to elicit remarkable performances from the cast of non-professionals while building tension that will hold viewers' attention. Love it or loathe it, you won't soon forget Battle in Heaven.
  17. What follows is a hilarious, slam-bang series of chases and battles that cross "Gremlins" with "Assault on Precinct 13," the two most prominent of many genre films quoted by Attack the Block.
  18. Still, if 13 Hours lacks the gravitas of “American Sniper,” it’s powerful stuff. Bay’s goal is to put you right in these men’s boots, to feel the heat, the fear, the fatigue, the weight of the weapons and the web of camaraderie.
  19. A highly personal, provocative and in some ways riveting vision with an inspired performance by Jim Caviezel as Jesus.
  20. Carax, who hadn't made a movie since "Pola X" in 1999 comes off best.
  21. It is said that everyone either loved or hated radical defense lawyer William Kunstler. A documentary by his daughters asks, "Why choose 'or' instead of 'both'?"
  22. Directed by C. Scott Willis, this beautifully shot documentary blends Francesca's work -- photos, videos and passages from her diary -- with interviews.
  23. This is the penultimate film of Albert Maysles, who died on March 5, and Iris has a bit in common with “Grey Gardens,” his masterpiece. Apfel, unlike the Edies of that movie, is sane — so much so that the movie’s main flaw is lack of conflict. Iris’ marriage to Carl, who turned 100 during filming, is incredibly sweet.
  24. Subtle, sometimes really sad and honest about the struggles of adolescence, Marnie is a worthy last entry from Ghibli before the studio reportedly goes on hiatus.
  25. Frankenstein’s Army is funny and original, with innovative costumes and set designs. It’s sure to please horror fans.
  26. Quinceañera isn't a work of art, nor does it want to be. But it is a crowd-pleaser.
  27. This is an egotistical endeavor from the daughter of horror director Dario Argento (a producer here), but her raw performance and utter fearlessness make it strangely magnetic.
  28. It’s big, bloated, and, if you give in to the familiar charms of its jacked leading man, not unenjoyable. (Alternately, you could easily just let it induce a little nap.)
  29. The doctors and nurses who care for America's wounded troops on the battlefield and in hospitals get their due in Fighting for Life.
  30. Although the film is, by design, an unwatchable mess on one level and its one joke about 8 mm filmmaking would play better as a music video or a TV commercial, there's no denying the crazed dedication to detail.

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