For 3,960 reviews, this publication has graded:
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47% higher than the average critic
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2% same as the average critic
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51% lower than the average critic
On average, this publication grades 0.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 64
| Highest review score: | Hell or High Water | |
|---|---|---|
| Lowest review score: | Daddy's Home 2 |
Score distribution:
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Positive: 2,219 out of 3960
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Mixed: 1,378 out of 3960
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Negative: 363 out of 3960
3960
movie
reviews
- By Date
- By Critic Score
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Reviewed by
David Edelstein
Rock of Ages withholds nothing and makes miracles seem cheap.- New York Magazine (Vulture)
- Posted Jun 16, 2012
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Reviewed by
Bilge Ebiri
The real revelation here is Plaza, whose shtick - the willowy cutie deadpanning about how lousy her life is - should be grating and tired, but it works remarkably well for some reason.- New York Magazine (Vulture)
- Posted Jun 11, 2012
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Reviewed by
David Edelstein
You could never call Solondz a humanist, but he achieves something I've never seen elsewhere: compassionate revulsion.- New York Magazine (Vulture)
- Posted Jun 11, 2012
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David Edelstein
It's a different sort of experience: a stately, somewhat plodding but endurable science-fiction saga.- New York Magazine (Vulture)
- Posted Jun 8, 2012
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Reviewed by
Bilge Ebiri
It also comes as little surprise that she (Fonda) knocks the part out of the park, even if the film around her leaves something to be desired.- New York Magazine (Vulture)
- Posted Jun 7, 2012
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Reviewed by
David Edelstein
The movie's revisionist tone is startlingly enough to carry you along.- New York Magazine (Vulture)
- Posted May 28, 2012
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David Edelstein
The finished product is in a different league than the whompingly terrible Men in Black II - it hits its marks. But it's not inventive enough to overcome the overarching inertia, the palpable absence of passion.- New York Magazine (Vulture)
- Posted May 24, 2012
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Reviewed by
David Edelstein
Crosses the blood-brain barrier like … like … whatever the drug is, I haven't tried it, thank God. The movie eats into your mind - slowly.- New York Magazine (Vulture)
- Posted May 21, 2012
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Reviewed by
David Edelstein
It left me bemused instead of moved, but true Andersonites will likely float away in a state of nirvana.- New York Magazine (Vulture)
- Posted May 21, 2012
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Bilge Ebiri
Somehow both annoyingly overstuffed and depressingly thin.- New York Magazine (Vulture)
- Posted May 20, 2012
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Reviewed by
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- New York Magazine (Vulture)
- Posted May 20, 2012
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Reviewed by
Bilge Ebiri
For a movie that deals with rape, criminality, and even racks up a real body count, Hick is whisper-thin and instantly forgettable.- New York Magazine (Vulture)
- Posted May 16, 2012
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David Edelstein
The good news is that The Dictator is a loose and silly and occasionally exhilarating political farce in the tradition of Chaplin's The Great Dictator (obviously) and the Marx Brothers' antiwar masterpiece "Duck Soup." And it comes in at a fleet 83 minutes - just right.- New York Magazine (Vulture)
- Posted May 16, 2012
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David Edelstein
The screenplay by Seth Grahame-Smith is witless and meandering, though the witlessness wouldn't matter so much if it moved, or the meandering if it were droll.- New York Magazine (Vulture)
- Posted May 14, 2012
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Bilge Ebiri
Although the film's why-can't-we-all-get-along story line and even some of its quirk-laden pit stops feel familiar, the very texture of what we're seeing seems to change from one moment to the next, resulting in an occasionally breathtaking uncertainty.- New York Magazine (Vulture)
- Posted May 11, 2012
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Reviewed by
Bilge Ebiri
For all its calculation and manipulation, there's a very human movie somewhere within Marigold Hotel. You might just have to wade through a thousand clichés to get to it.- New York Magazine (Vulture)
- Posted May 11, 2012
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David Edelstein
On its own terms, Bernie is smoothly made and reasonably entertaining, Linklater doing his Austin-based best not to condescend to the locals - at least the East Carthage locals.- New York Magazine (Vulture)
- Posted May 11, 2012
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David Edelstein
The film would be better if it were gentler. It's broadly written and played, the actors too busy telegraphing their characters' emotions to let us contemplate their faces in peace.- New York Magazine (Vulture)
- Posted May 8, 2012
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David Edelstein
Koreeda's compositions have a sympathetic detachment that Americans rarely value but is, for many Japanese, the whole point of art. That means you can contemplate the wonder in these glowing young faces without feeling as if you're on an intravenous drip of corn syrup.- New York Magazine (Vulture)
- Posted May 7, 2012
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David Edelstein
The movie goes soft. But it has the unpretentious energy and charm of a good YA girls' novel.- New York Magazine (Vulture)
- Posted May 7, 2012
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David Edelstein
Kargman is light on her feet, and she has chosen to follow a fascinating group of kids preparing for the 2010 Youth America Grand Prix.- New York Magazine (Vulture)
- Posted May 7, 2012
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- New York Magazine (Vulture)
- Posted Apr 30, 2012
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Reviewed by
David Edelstein
The Avengers is both campy and reverential. Comic-Con nerds will have multiple orgasms. I had a blast.- New York Magazine (Vulture)
- Posted Apr 30, 2012
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David Edelstein
The compact Hennie is a wonderful actor, smoothly congenial when confident, uproarious when rattled. And he will be rattled-as well as stabbed, shorn, bitten, mangled, and worse.- New York Magazine (Vulture)
- Posted Apr 23, 2012
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David Edelstein
Batmanglij keeps the movie even-keeled, full of medium close-ups, underscored by ambient plinks and shimmers, with nothing to break the trance until a last scene that upends everything we thought we knew.- New York Magazine (Vulture)
- Posted Apr 23, 2012
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Reviewed by
Bilge Ebiri
Efron's stopped-clock seriousness is more convincing on a melancholy loverboy than it is on a melancholy soldier. We can't quite sense the harrowing torment of lives lost before his eyes, but we can sense the sweet anguish of being around the woman you adore. It'll have to do.- New York Magazine (Vulture)
- Posted Apr 20, 2012
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Bilge Ebiri
It also helps that they've got actresses like Gabrielle Union and Taraji P. Henson doing the heavy lifting of trying to show real emotion while still keeping things light and on the comedy track.- New York Magazine (Vulture)
- Posted Apr 20, 2012
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Reviewed by
David Edelstein
There's nothing like a film about wayward passions to remind you how differently people feel things.- New York Magazine (Vulture)
- Posted Apr 16, 2012
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David Edelstein
If you can stay awake, you'll see a performance by Keaton that is radiant in its simplicity, all ditheriness shaken off. She's still peaking - someone give her a great role.- New York Magazine (Vulture)
- Posted Apr 16, 2012
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David Edelstein
The pretty good thriller Lockout peaks with its first shot...When the camera moves and the plot kicks in - as it must - the movie loses its witty economy. Things get cluttered.- New York Magazine (Vulture)
- Posted Apr 14, 2012
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