New York Magazine (Vulture)'s Scores

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For 3,956 reviews, this publication has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 0.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Hell or High Water
Lowest review score: 0 Daddy's Home 2
Score distribution:
  1. Positive: 2,217 out of 3956
  2. Mixed: 1,376 out of 3956
  3. Negative: 363 out of 3956
3956 movie reviews
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  1. Hairspray
    Adam Shankman's movie of the Broadway Hairspray gets better as it lumbers along, but there’s something garish about its hustle--it’s like an elephant trumpeting in your face.
  2. Sunshine
    They’ve taken "2001" and Tarkovsky’s "Solaris" and "Silent Running," mixed in stuff from save-the-earth pictures like "The Core" and "Deep Impact," and thrown in a cheesy climax out of "Alien."
  3. Interview
    I’ve sat through so many claustrophobic examples of the genre I forgot how exhilarating, how pure a great one could be. Interview is a great one--electric as theater and cinema.
  4. My Best Friend
    The prolific Patrice Leconte takes a break from mythic, life-and-death scenarios with My Best Friend, a sitcom that threatens to take a rockier emotional path before swerving back into the comfy zone. It’s better when it’s threatening, but Leconte knows his audience.
  5. Harry Potter and the Order of the Phoenix
    For all its portentousness, this is the best Harry Potter picture yet. In some ways, it improves on J.K. Rowling’s novel, which is punishingly protracted and builds to a climactic wand-off better seen than read.
  6. Joshua
    The line between eeriness and tedium is fatally fluid.
  7. Rescue Dawn
    The film, Rescue Dawn, is so good it makes you wish that Herzog had gone Hollywood earlier in his career. His pet theme is here: man tested against nature, his sanity more precarious than his body.
  8. Sicko
    Sicko is Moore’s best film: a documentary that mixes outrage, hope, and gonzo stunts in the right proportions; that poses profound questions about the connection between health care and work.
  9. Ratatouille
    Bird clearly knows the great silent clowns: The slapstick he devises is balletic.
  10. Evening
    The film is based on a novel by Susan Minot--one of those books where the author doesn't deign to put dialogue in quotation marks for fear of dispelling the dreamlike mood. It works on paper, but Minot, who shares credit for the adaptation with fellow novelist Michael Cunningham, doesn't understand that screenwriting is the art of taking away.
  11. Evan Almighty
    Evan Almighty runs out of comic invention early, and the filmmakers fall back on what real politicians do when they exhaust their small stash of ideas: brainless piety.
  12. A Mighty Heart
    The movie is clipped, blunt, and grimly realistic. It is practically a POLICIER , although the suspense is mitigated by our knowledge that the investigation will end badly.
  13. Lady Chatterley
    I found the first half-hour a snooze, but once I adjusted to the movie's rhythms, I was completely enraptured. Ferran weaves the love affair into nature, but not in the mystical, sanctified manner of Ang Lee's "Brokeback Mountain."
  14. Nancy Drew
    It's one of the few tween movies that isn't in your face; its limpness becomes appealing.
  15. Fido
    It's madly funny--a treat for moviegoers who don't mind gnawed-off limbs with their high jinks.
  16. Ocean's Thirteen
    It's so money! It's so fun!
  17. Surf's Up
    Don't worry, parents, only you--and not your 5-year-old--will get that the chicken's stoned out of his gourd.
  18. La Vie en Rose
    She lip-syncs convincingly to Piaf's songs. Even when she overacts like mad, she makes you think she’s Piaf overacting like mad--the little sparrow with the foghorn pipes.
  19. Knocked Up
    Knocked Up feels very NOW. The banter is bruisingly funny, the characters BRILLIANTLY childish, the portrait of our culture's narrowing gap between children and their elders hysterical--in all senses.
  20. Mr. Brooks
    If the movie were just these two (Costner/Hurt), bopping around arguing and offing people, it would have been better than the unholy mess it turns into.
  21. Crazy Love
    It takes some time to realize we're in a maelstrom--going down down down into a saga of obsession, sadism, masochism, and codependency that was and remains one of the great, sick tabloid stories of all time.
  22. Pierrepoint
    Pierrepoint is worth seeing for Shergold's attention to process and for all the ghoulish details.
  23. Bug
    Has the feverish compression of live theater and the moody expansiveness of film. The mix is insanely powerful.
  24. Golden Door
    The greatness of Golden Door is its tone; sympathetic but always wry.
  25. Steel City
    It has vivid characters, a strong sense of place, and a free-floating hopelessness that never precludes the possibility of meaningful action.
  26. Shrek the Third
    Computer-generated animated movies with wall-to-wall jokes can be excruciating, but these jokes are the funniest money can buy.
  27. Fay Grim
    It's a rich idea -- a Hartley-esque variation on the theme of American Innocents Abroad. And it works superbly until -- well, Grim's the word.
  28. Brooklyn Rules
    Baldwin is so good in the coming-of-age gangster drama Brooklyn Rules that it's like watching a voodoo priest.
  29. The Wendell Baker Story
    If you want proof that Will Ferrell is the most riotously funny straight man since Jack Benny, observe the way his utter sincerity (in the Ralph Bellamy role, as Wendell’s rival for Eva Mendes) lifts this two-ton piece of whimsy into the stratosphere.
  30. 28 Weeks Later
    Blistering and nihilistic--a vision to reduce you to a puddle of despair.
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