New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Layering his film with the songs that made his subject an icon, Tillman is aware that Biggie connected with his audience because he told stories others instantly understood. Notorious does that, too.
  2. Perfectly inoffensive and almost entirely unfunny, Paul Blart: Mall Cop is more of a numbing experience than a painful one.
  3. Hudson has, if nothing else, traded up: last winter she was stuck in "Fool's Gold."
  4. What "The Exorcist" might look like if Madonna rewrote it, this silly fright flick finds college student Casey (Odette Yustman) haunted by a Kabbalistic demon.
  5. Craig, far from James Bond but still swaggering, makes a leathery, craggy commander, and Schreiber - who'll show his full-on action chops this summer in the Hugh Jackman "Wolverine" movie - is tough but sullen. Yet all this old-style moviemaking doesn't always pay off.
  6. An uncharacteristically stiff Mortensen can't break free from the clichés that constrain his character, who feels more like a symbol than a real person.
  7. As a whole, Sam Mendes' film of Revolutionary Road comes close but falls short of capturing Richard Yates' terrific novel.
  8. Miller clearly wanted to make an impression, and that he does. Maybe it's better to be remembered for one of the worst movies of the year than forgotten for a mediocre one.
  9. Benjamin never questions his fate and ­never actually gets to enjoy being a kid. At least there's a thoughtful middle part, where the enigmatic Blanchett comes alive and Benjamin seems haunted by life -- someone we recognize, and not just a vessel tossed about by time.
  10. Sandler's shambling Yogi Bear-ness will be the big appeal to holiday-vacation audiences.
  11. This mundane romantic comedy is notable for one reason only: its leading couple.
  12. If characters talking to dogs and dog reaction shots are some of your favorite things, add some stars to this review.
  13. If there are Nazis fighting other Nazis in a movie and it's still boring, something's gone wrong. Valkyrie has a coterie of problems, and represents a whole new front in Tom Cruise's public relations war, but first and foremost there's the tedium.
  14. This animated documentary, from former Israeli soldier Ari Folman, blends both tactics to devastating effect. Perhaps only animation could give us the distance that makes his subject bearable: the personal cost of his own participation in the 1982 Lebanon War.
  15. Kechiche takes his time, allowing us to know the characters as if we live next door. But be warned: for those who come to feel like a member of the family, the unexpected end may seem strikingly unfair.
  16. Passionate and ambitious, John Walter's chronicle of a Public Theater production is too scattered for broad appeal. But those who connect with his themes will find themselves quickly drawn in.
  17. An appealing Deschanel does her best, but the pair is mismatched in every way, from age to attitude. The entire movie is hung on Carrey's shtick, so if you're a fan, you'll have a decent time.
  18. Saintliness is a heavy burden to carry, and Smith can't help but buckle a bit. He's always interesting to watch, but crafting a real person out of his cardboard character proves an impossible task.
  19. A fairly gripping cautionary tale.
  20. Both Rourke and Tomei bring a tender, lived-in honesty to their sad roles.
  21. The film's major action sequences are never exciting, and even the now-requisite destruction of New York feels lazy.
  22. Directing the film of Doubt, Shanley is able to put an even finer point on his Tony-and Pulitzer-winning play about suspicion and guilt at a Bronx Catholic grade school in 1964.
  23. Eastwood's performance is the movie's centerpiece, and as you might expect, it's just tough enough to hold everything together.
  24. It's a formula, all right, but a strong cast goes a long way toward carrying it off. We get one, for the most part, in Alfredo De Villa's cheerfully familiar dramedy.
  25. Provocatively intentioned, The Reader is a movie worth seeing - the kind of film you'll think about for days afterward. But when all is said and done, you're likely to wonder why the impact wasn't greater still.
  26. Like a worst-case-scenario, indie-movie cliché, Wendy and Lucy throws every bone it can at the screen.
  27. There are certain films - let's call them Road Map Movies - that drive you directly from point A to point B to point C, with barely a stop for gas. Cadillac Records is such a film: You see all the major landmarks, but how enlightening can a road trip be if you never even get off the highway?
  28. An emotionally devastating drama that isn't for the squeamish.
  29. No worse than the second. Still, it pales in comparison to the first, which starred Dolph Lundgren. And that, right there, should tell you everything you need to know.
  30. Statham could do these movies in his sleep by now, so he gets credit for offering up so much dry wit. In fact, while Rudakova makes a painful acting debut, Statham appears more engaged than he has in a while.

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