New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Nolte, at least, delivers his lines with laser accuracy, and gives The Golden Bowl the life that so much cogitation could have drained from it.
  2. Noya is a natural actor, and there are genuinely sweet moments between him and the adults. So, why did Agresti feel the need to pour so much added sugar down our throats?
  3. Darker than the shadow of death.
  4. A confused, empty, only occasionally funny mess of a movie.
  5. Anyone familiar with Reno's politically minded monologues won't be surprised by her fury, which has sometimes been fueled by a self-righteousness that's undermined her valid observations.
  6. Coppola won't win any Oscars, but the movie is a contender for cinematography, costumes and production design, and it's a lock for Prettiest Pastries.
  7. Selim's script doesn't hit new territory, but beautiful cinematography takes it just far enough.
  8. Both the humor and horror are as broad as the side of the Oldfields' barn, but King and the cast are clearly having fun.
  9. The whole thing burns out well before the director reaches his ­final destination.
  10. Saleem makes clever use of imagery, with the beautiful, snow-filled vistas representing his characters' personal and social isolation. But "Vodka" moves about as fast as the distant ice caps melt.
  11. Pure situation comedy, and it's still fresh enough to provoke laughs.
  12. Horror fans will still find it worthwhile. The ending is also a nice twist on the slasher genre.
  13. The choice made by Kevin Spacey in taking on the role of Quoyle in the film adaptation of E. Annie Proulx's Pulitzer Prize-winning novel The Shipping News nearly sinks it. But not quite.
  14. A gripping, sometimes dramatic, sometimes annoying collection of jerky images and subjective impressions.
  15. There are no surprises here, in other words, but there aren't supposed to be: This is a comfort film, the on-screen equivalent of mac and cheese - though with a splash of truffle oil to class things up.
  16. It's hard to remain unmoved by Kang's deeply heartfelt homage to his nation's past.
  17. Phenomenal acting, plus intelligent direction and themes, put The Ballad of Jack and Rose above other indie films about loss of innocence. At the same time, there is something garish about watching a father and daughter struggle with the snake of incest in their ill-advised Garden of Eden.
  18. Koury's harsh documentary is likely to leave you unsettled and depressed. Which is, clearly, just what it's supposed to do.
  19. "Sixth Sense" fans will be intrigued at first, then disappointed.
  20. A sumptuous feast for the eyes and an occasionally exhilarating stimulant to the heart. But beware my hearty: It will tie your rum-soaked brain in knots.
  21. The movie's 85 minutes speed merrily along on a steady stream of outrageous antics, entertaining performances from seasoned pros (like John Witherspoon, as Craig's dyspeptic dad), and unforgettable introductions to new talent.
  22. Reeder makes a compelling lost soul, so that even the most soddenly moralistic moments are worth watching.
  23. It's the subject himself, still brimming with passion in his 80s, who provides the most inspiring moments.
  24. The movie is bookended by a powerful indictment of apartheid and a study of white guilt.
  25. The title-character's redemption comes very slowly. But if you have patience, this is a stately, beautifully composed story.
  26. Varda injects her sprightly personality into the film, a seasoning that sometimes overwhelms the stew.
  27. Young kids will be so distracted by the silly songs and clever contemporary references that they won't even realize they're sitting through cinematic Sunday school.
  28. Imagine that, instead of trying to solve his wife's murder, the amnesiac character in Christopher Nolan's "Memento" had gone on "50 First Dates." That comes close to describing French director Jean-Pierre Limosin's playfully sexy tale of memory lapse.
  29. What it is, to borrow a word from the ever-eloquent spider Charlotte, is average. Don't misunderstand: While never quite enchanting, this "Web" is perfectly entertaining. But it could - and should -have been so much more.
  30. Becomes a very conventional suspense film, replete with virtually every cliche of the genre, some used more than once.

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