New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Vardalos is a breath of fresh air. After all the little nipped and tucked bunnies we've been seeing onscreen for so long, we forget what real women look like.
    • New York Daily News
  2. Though The Lookout is eventually a genre film, with a tense, bang-up ending, it is also a thoughtful study of a young man trying to make sense of a world that he is having to learn all over again.
  3. For those who didn't get enough violence from Martin Scorsese's "Gangs of New York," welcome to City of God.
  4. Jacques Demy showed up with the lightest touch with his 1960 Lola, a movie that has been called a musical without music.
  5. Moog mostly has the amiable, 70-ish inventor recounting his story, from his teen years as an electronics whiz in the Bronx to his development of a smaller, cheaper synthesizer.
  6. A sobering documentary done in a whimsical style.
  7. Lucky Number Slevin would be too clever for its own good if it weren't so ... darn clever. This violent flick is not in the same league as "The Sting," which has my vote for the cleverest winding road toward a happy ending in screenwriting history, but it contains nearly as deft a con job as that 1973 film.
  8. A well-crafted indictment of the dark side of the modern work ethic.
    • New York Daily News
  9. Rarely has Paris seemed more enchanting than in Danièle Thompson's optimistic ode to Gallic romance.
  10. Watching Tuba's proud girls disappear into anonymous clouds of chadors says more than any political diatribe could, and Bani-Etemad is wise enough to know it.
  11. Here, Noyce lets his camera, the geography and the youngsters tell this exceptionally powerful story.
  12. A lovely little coming-of-age story, this Taiwanese romance was directed by Chih-Yen Yee with a skillful subtlety enhanced by his young cast.
  13. Apt to scare kids. [18 December 1998, p.72]
    • New York Daily News
  14. The floating, flailing, flying puppies in the inspired opening credits of 102 Dalmatians set the tone for an adorable sequel to the live-action version of the famously spotted cartoon.
  15. A neat, twisty little domestic drama about smart people, foolish choices.
  16. Consistently compelling and required viewing for anyone remotely interested in pop culture.
  17. Bong's primary point is dead-on: Battling bureaucracy, from dishonest government leaders to indifferent civil servants, is the biggest horror of all.
  18. Enlightening and rather unsettling documentary.
  19. The sort of film one should probably see either a half-dozen times or not at all. It's a complex, highly ambitious documentary that aptly reflects its subject, contemporary French philosopher Jacques Derrida.
  20. Both politically intricate and genuinely hilarious, Faat-Kine is a story grounded in dichotomies.
  21. Winslet and Keitel are brilliant as cult member & deprogrammer.
  22. Mostly, it's a story of violence, and it's superbly told.
  23. Rousing, action-packed.
  24. The result is a feast for the senses.
  25. Eye-opening political documentary focuses on "the strange world of violence and fear, fantasy and deception, in which we now live."
  26. Impressionistic and open to interpretation, which is a kind way of saying that there's no way to figure out the ending.
    • New York Daily News
  27. This fine documentary mixes archival footage, interviews with the sailor's family and sponsors, and - most amazingly - excerpts from the film and audiotape diary kept by Crowhurst.
  28. Warm and engaging.
  29. A good-natured, gag-filled sequel.
  30. Offers nothing new to the long tradition of boxing films. But Hill's reverence for the classic form and the stone-cold performances of Rhames and Snipes propel the whole thing forward with a prefight buildup that's more fun -- and probably more honest -- than the awkward attempts at macho showmanship we get from real fighters these days.

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