New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. A cheerleader spoof that starts rousingly, but ends up nearly as shallow as its easy-target subjects.
  2. Although Voyages is mapped with anguish and fear, director Emmanuel Finkiel's characters are survivors, and he never lets us forget it.
  3. Hits so hard because it feels so real.
    • New York Daily News
  4. Intermittently amusing.
  5. Amy
    Alana De Roma is going to be a tremendous star.
  6. Has a lot of nerve making fun of Olivia Newton-John's "I Honestly Love You," as the choice of newlyweds fated for divorce in 12 to 14 months. The Wedding Planner should have such a shelf life.
  7. If you want to make a film, this is a great place to start. But if you just want to watch one, it's more of dead end.
  8. Jack Nicholson in a performance that ranks among his best, yet leaves you feeling unfulfilled as never before.
  9. Only a memorably commanding Ruehl transcends the limitations of her two-dimensional character.
  10. Film makers Barak Goodman and Daniel Anker dig deep into the story and its ramifications, exposing how the twin evils of racism and anti-Semitism combined to foment institutional injustice, and led — if a silver lining could be found — to the triumphs of the civil-rights movement two and three decades later.
  11. The movie was snatched, all right, and Ritchie is the culprit.
  12. A small gem in the postholiday depression.
  13. This dismally strained comedy defies laughs and doesn't contain an ounce of internal logic.
  14. Although rife with comic possibilities, The Personals develops into a somber tale of personal identity.
  15. A relatively straightforward portrait of Holmes, using interviews with family members, friends, wives, X-film producers and his former co-stars.
  16. It's about as routine a movie as they come, but it features plenty of endorphin-releasing hip-hop choreography as Derek teaches Sara to get jiggy with it.
  17. Becomes a very conventional suspense film, replete with virtually every cliche of the genre, some used more than once.
  18. Its sprawling canvas is mere backdrop for the most intimate of character studies -- a portrait of a man who chose material wealth and found emotional ruin.
  19. A feast for the eyes. But not, alas, for the ears.
  20. Works on several playful levels. Most obviously, it is a horror movie in which life imitates art on a movie set.
  21. Borderline brilliant. Tackles the war on drugs from a kaleidoscope of perspectives.
  22. If Mussolini had a Monica Bellucci to inspire his troops, we might still be trying to take Palermo.
  23. An excellent movie about a real-life nail-biter, forcefully acted, true to its period and directed with clarity.
  24. Thornton, directing his first film since the minimalist "Sling Blade" (1996), has a much better grip on the material when he's focused on the scruffy desert landscape and the adventures of the two Texans.
  25. Too much chaos, not enough heart. Bad for the digestion.
  26. Coming from a big shot like Levinson, An Everlasting Piece feels like a gently amusing but undeniably minor diversion that, for whatever reason, needed to be gotten out of his system.
  27. A personal eulogy, from one artist to another, and an indictment of all systems of government that deny people the right to free expression and the full realization of their talent.
  28. Charming, funny and poignant. But it's also a reminder that if we want an intelligent teen romance, we have to import it.
  29. The stop-the-presses news from The House of Mirth is the number of fine performances from people you never knew had it in them.
  30. The island phase of Hanks' performance is simply amazing.

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