New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Here, Noyce lets his camera, the geography and the youngsters tell this exceptionally powerful story.
  2. It will make you laugh, and feel like crying.
  3. Pai is resourceful and in harmony with the natural world in a way that will charm and enthrall young viewers.
  4. It's a poignant, realistic depiction of the ­elderly, far from the typical view of them as quaint and useless.
  5. By turns silly and amazing, a mishmash of Kubrickian devices accompanied by a steady Spielbergian drip of sentimentality.
    • New York Daily News
  6. A very funny, solidly entertaining movie that, despite its unshakable obsesion with undergarments, is as sweet as a Kwik-E-Mart Squishee.
  7. A slice of life that adds up to exactly the sum of its parts, no more, no less.
  8. It is an excruciating experience. But then, it would have to be. We're watching the distilled essence of war.
  9. A breathtaking visual history of big wave surfing. This is vicarious daredevilry at its best.
  10. What Room 237 is really about is how movies inspire passion. Which is a great thing, even if it comes out in wack-job ways.
  11. It captures the animal attraction we call lust and carefully tracks its evolution to true love. For all its faults, this beautifully shot, sexually graphic film is a gem.
  12. Irma Vep is a glorious mishmash, like the medium it celebrates.
    • New York Daily News
  13. The very best — and, alas, the very worst — of human nature is captured in this heartbreaking and inspiring documentary.
  14. Kudlácek's primary focus, however, is on Deren's work, which means we don't learn enough about her complex, fascinating personality. On the other hand, she's offering a too-rare opportunity to see substantial portions of Deren's seminal films.
  15. Fans of Dario Argento and Mario Bava will appreciate the references. Even for newcomers, there are minor chords to enjoy. If only there were less screaming.
  16. Director Kiyoshi Kurosawa is better known for horror films; this is a movie where the horror is internalized, and hideously truthful.
  17. More fun than a company picnic - and a lot more fun than the classic 18th century novel that inspired it - Michael Winterbottom's Tristram Shandy: A Cock & Bull Story is the first good comedy of 2006.
  18. The biggest little movie of the year - and one of the best ever about the news media.
  19. The result is an undeniable and effective authenticity.
  20. This fine documentary mixes archival footage, interviews with the sailor's family and sponsors, and - most amazingly - excerpts from the film and audiotape diary kept by Crowhurst.
  21. This is the film that fulfills whatever promise Kristen Stewart has shown for more than a decade.
  22. An extraordinary achievement that nevertheless falls short of its full potential, Coraline is absolutely worth seeing, for older children and adults alike. But the connection will be entirely through your eyes; if you want it to touch your heart, you'll have to go to the book on which it's based.
  23. The film will stay with its audience long after the closing credits — and inspire a deep hope that a film of its kind never has to be made again.
  24. Some of this wallowing goes on too long, risking our alienation from characters who are difficult to like. What saves the film is the fact that they are always easy to recognize, both as self-centered teenagers and tentatively maturing young adults.
  25. A charmer, a comedy with drama -- or vice versa.
  26. The filmmakers' motivation couldn't be clearer: They needed to capture a way of life that may soon exist only on film and in memory.
  27. Though it’s more testimonial exhibit than movie, “Unjust” remains a crucial document.
  28. Certainly, the West Memphis 3 deserve more chances to detail how the justice system went nightmarishly awry. But take this as ultimately more personal journal than investigation.
  29. A slice of life in the most profound sense.
  30. Looks a lot like 1950s American gangster films -- particularly, John Huston's "The Asphalt Jungle" -- but it's decidedly French in its sexual candor and moral laissez-faire.

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