New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Kurosawa may be considered the genius, but his movie would go nowhere without its extraordinary leading man.
  2. This amped-up Japanese thriller is a fairly diverting tale of romantic and cultural alienation.
  3. Shows that there's a limit to how much mileage one can get from offbeat, creepy and symbiotic.
  4. The frantic proceedings are more likely to have you wishing this summer would just come to an end.
  5. This is not challenging filmmaking by any means, more like a comfortable old slipper. But it's a perennial that's guaranteed to please.
  6. Much of this is pretty funny, in its perverse, disorienting style, and there's an irrepressible sunniness to the relationship between Lola and Hlynur's mother.
    • New York Daily News
  7. Wretch of a B movie.
  8. The result is a back-lot studio tour that's not exactly good-natured, but terrific fun and it gives the ensemble cast plenty of clowning opportunities.
  9. The production is fantastically funny, high-energy camp, punctuated by Trask's infectious score and by Mitchell, dressing in a succession of wigs twice the size of his body.
  10. Funny, insightful, unpredictable and blessed with pitch-perfect performances, Ghost World is one of the year's best movies.
  11. Anything, Steven, anything would be better than making us watch the same movie again.
  12. Alternates between being amusingly pretentious and studiously dull.
    • New York Daily News
  13. As a film, The Score may not add up to much, but take it apart and it's something to see.
  14. None of the criminal skulduggery feels quite right, but the comic bits between Bobby (Favreau) and Ricky (Vaughn) are freewheeling fun.
  15. Like all blond jokes, Legally Blonde is basically meanspirited, and that's when it's funniest.
  16. That the actors can work under such scrutiny is amazing, and they are superb. The standout is Brad Renfro as Marty, the kid most under the thumb of the neighborhood bully.
  17. This one uses sweeping compositions of nearly solitary figures as a reminder of what individuals stood to lose, and an auction scene is horrifying -- some livestock and a basket of everyday items are exchanged for a man's future.
  18. You watch with amazement their physical movements, how closely their lips match their overly precise, prerecorded dialogue, yet they're not human enough to get us past the stunt factor and lost in the drama.
  19. A delightful comedic twist on Martin Scorsese's "King of Comedy."
  20. The action scenes, including one on that tourist sightseeing staple, the Bateau Mouche, were directed by Cory Yuen with some creative touches, including a hail of chopsticks during a fight in a restaurant kitchen.
  21. Unlike most inner-city stories that come out of Hollywood, this feels like the real thing.
  22. Here's the downside, and it's not just me: You need a scorecard to keep track of the sisters, their brother, two husbands, a boyfriend, two (or three?) extramarital lovers.
  23. Sophisticated in that European way and predictable in that Hollywood way.
  24. An enjoyable trip, as long as you don't mind traveling light.
  25. As delicious as this premise is, Cats & Dogs is about as funny as a hairball left on your pillow.
  26. The Worst Comedy of the Year race heats up today with the release of Keenen Ivory Wayans' Scary Movie 2. This one is so bad, even Adam Sandler will be impressed.
  27. More amiably mindless summer distraction than just about anything Hollywood has to offer this season.
  28. Treats the poets not as creative equals but as a groundbreaking genius and a jealous, vindictive hack. Wordsworth is Salieri to Coleridge's Mozart.
  29. A farce nearly as cracked as his previous "The Dinner Game."
  30. Pretty thin feature-film subject. But the silliness is so contagious that it doesn't matter.

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