New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Drop Dead Ugly is more like it.
  2. Crudup gives it his best, but his character is so economically drawn, there's hardly anything there -- certainly nothing likable.
    • New York Daily News
  3. And though Samantha is written as a sly spoof of Ashlee Simpson, Faris frantically overplays her. She might have taken a tip from Smart, a lovely, understated actress who wastes too much time in lousy films.
  4. The characters speak in Dialogue rather than English, the actors are so busy emoting they forget to act and the story feels like a first-draft college project.
  5. Dramatically miscalculated satire.
  6. Director and screenwriter Adam Brooks, adapting Jennifer Egan's novel, doesn't seem to understand what makes a movie relevant.
  7. Dreadfully unfunny.
  8. Lacks the charismatic presence of Vin Diesel, who has priced himself right out of the franchise. Without Diesel, there's not much gas, at least not from the nonvehicular elements.
  9. Despite catchy animation and a few intense scenes, there's simply nothing here we haven't seen before.
  10. Oddly enough, though, only the finale is predictable in a movie that appears to have been edited in an early-model blender. Not a single scene connects smoothly with the next.
  11. Stevens, an actor taking charge from the other side of the camera, and writer and co-star Breen are going for a romantic black farce, a darkly noble idea, but one that requires far more empathetic characters and funnier situations than they've created.
  12. Just like its increasingly wan antihero, this blood-soaked series is on its last legs.
  13. A preposterous action movie in which a Navy SEAL makes the world safe for democracy one continent at a time.
  14. It's an interesting profile in self-destruction until the script becomes unhinged itself and has Laura doing things that are not so much outrageous as hilariously stupid.
  15. Although it's recycled from start to finish, there are some decent jokes laced throughout, plus enough gore to satisfy the most bloodthirsty tastes.
  16. Regrettably, neither cast nor crew is able to save it from itself.
  17. As in "The Edge," in which Alec Baldwin and Anthony Hopkins were stranded in the wilds, you can earn a wildernesssurvival merit badge just from watching.
  18. Don't let the title fool you. The one thing they have in common is how decidedly unerotic they are.
  19. Madhur Jaffrey and Faran Tahir fare considerably better as Nina's conservative mother and brother, leaving us confused ourselves: Why didn't Patel focus on them, instead?
  20. The salvaging operations, and the scavenging of B-52 parts for retail recycling and junk art that seem to consume most of the film take it to tedium, and beyond.
  21. By the time the credits roll and a disclaimer informs us that there may, in fact, be a lost gospel of Jesus and that it is being suppressed by the Church, all we can think to say is, "Ah, shaudup!"
  22. Showcased in 3,000 Miles are two of the longest, noisiest, bloodiest and most ludicrous shootouts ever staged.
  23. Never gives us what it promised: a glorious, totally new sense of horror.
  24. Dysfunction seeps from every pore of this family, and the anger and ugliness of the characters overwhelm not just the story but the movie's stunning National Geographic location.
  25. "Quantum Bull-Bleep" would be a more apt title for the conclusions that the movie draws, but one concept was a revelation to me. One of the scientists said it's a fact that a single object can be in two places at the same time. I guess that explains O.J.'s alibi.
  26. Hartley's satire of consumer-driven sexuality is undermined by the straight-faced decision to cast affectless model Tatiana Abracos as the heroine.
  27. The Cave looks pretty cool - if you're into stalagmites, stalactites and that sort of thing -and the action is nonstop once they're in the hole. Unfortunately, there are no reference points in the dark to let us know where everyone is in relation to each other and to the monsters, and, therefore, there's little suspense.
  28. I hated it, but I grant that it does tap into a vein of technological horror - the fear of the VCR! - that will have young videophiles chatting it up for weeks
  29. This off-putting satire is a jumble of misguided ideas that gather like lint in the navel of self-obsessed director Philippe Caland.
    • 18 Metascore
    • 38 Critic Score
    His C-Note is essentially a one-note character. And that note is flat.

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