For 6,911 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Fruitvale Station | |
|---|---|---|
| Lowest review score: | The Fourth Kind |
Score distribution:
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Positive: 2,885 out of 6911
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Mixed: 2,801 out of 6911
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Negative: 1,225 out of 6911
6911
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Whitty
It never stops for a minute, yet it never goes anywhere. And much as it promises to take you to a thousand planets, it can’t find one sign of intelligent life.- New York Daily News
- Posted Jul 10, 2017
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Reviewed by
Elizabeth Weitzman
Towards the end, you might find yourself thinking, "Well, this could have been worse." And you'll mean it as a compliment.- New York Daily News
- Posted Aug 29, 2012
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Reviewed by
Elizabeth Weitzman
The sort of movie that’s not good enough to embrace, but not quite bad enough to dismiss.- New York Daily News
- Posted Oct 9, 2014
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Reviewed by
Elizabeth Weitzman
Alexandre Aja’s supernatural thriller Horns isn’t an entirely successful movie. But with a committed Daniel Radcliffe in the lead, it’s a consistently intriguing one.- New York Daily News
- Posted Oct 30, 2014
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Reviewed by
Joe Neumaier
The movie shows the city as both an intimidating and enticing place for new arrivals, but ultimately gets bogged down in the cliched split destinies and intentions of its main characters.- New York Daily News
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Reviewed by
Joe Neumaier
Words and story are still the lifeblood of a movie, and Jennifer's Body is filled like a Twinkie with half-fleshed-out ideas.- New York Daily News
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Joe Neumaier
Only the extremely naive will be shocked, shocked by director Morgan Spurlock's dissection of product placement in movies.- New York Daily News
- Posted Apr 22, 2011
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Reviewed by
Elizabeth Weitzman
It's always dispiriting to see an ideal subject given shallow treatment, and one spends most of this documentary wishing a more experienced director had made it.- New York Daily News
- Posted Nov 15, 2012
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- New York Daily News
- Posted Feb 13, 2014
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Reviewed by
Joe Neumaier
The central metaphor of dance, though, is forced, a standard-issue cliché about dancing away problems.- New York Daily News
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Jordan Hoffman
The movie can’t decide if it’s a drama about homophobia, a horror-tinged thriller or psychological surrealism. The cross-pollination makes for some nice-looking scenes. Ultimately, though, there’s a crop failure.- New York Daily News
- Posted Aug 13, 2015
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Elizabeth Weitzman
While foodies are sure to feel sated by the gastronomic splendors of Paul Lacoste's debut documentary, others may walk out with a strange sense of emptiness.- New York Daily News
- Posted Sep 13, 2012
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Reviewed by
Joe Neumaier
This overly twee, morbidly cute romance initially digs up the ageless "Harold and Maude" as a touchstone before it slips the coils of watchability.- New York Daily News
- Posted Sep 16, 2011
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Reviewed by
Joe Neumaier
The result is far too high-and-mighty to truly be moving.- New York Daily News
- Posted Sep 23, 2011
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Reviewed by
Joe Neumaier
This sweet if limited film has an agreeable attitude.- New York Daily News
- Posted Apr 22, 2011
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Reviewed by
Elizabeth Weitzman
Strong performances and understated cinematography help balance the self-conscious editing, but ultimately the entire affair feels false.- New York Daily News
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Reviewed by
Elizabeth Weitzman
If ever a thriller were to inspire a collective "eh," it's got to be The Roommate. It's not a good movie, by any means, but it's also not bad enough to have fun hating on.- New York Daily News
- Posted Feb 4, 2011
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Reviewed by
Stephen Whitty
Instead of ever getting truly "Magnificent," these multicultural gunslingers remain largely a meh seven.- New York Daily News
- Posted Sep 21, 2016
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Reviewed by
Joe Neumaier
Liberal Arts is at its most nauseating when we hear Jesse and Zibby read their oh-so-self-aware love letters.- New York Daily News
- Posted Sep 13, 2012
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Reviewed by
Elizabeth Weitzman
Houston does his best with an unlikable character, and the young actors are appealing enough to keep us watching. The movie itself, however, is a mess.- New York Daily News
- Posted May 31, 2012
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Reviewed by
Elizabeth Weitzman
It's a shame, but perhaps no surprise, that Niederhoffer was unable to transfer her astute vision to the big screen.- New York Daily News
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Elizabeth Weitzman
After a clever start, Spurlock turns self-serious, aiming to teach us something about our enemies and ourselves.- New York Daily News
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- New York Daily News
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Reviewed by
Joe Neumaier
Dominic Cooper gives a riveting dual performance in The Devil's Double, but the movie is a relentless one-note drama that loses its momentum halfway through.- New York Daily News
- Posted Jul 29, 2011
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Reviewed by
Elizabeth Weitzman
Anyway. Here's what matters: The dance scenes are great. While no more revolutionary than the "political" plotline, the flash-mob concept does allow for more creative choreography than this series has seen in some time.- New York Daily News
- Posted Jul 26, 2012
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Reviewed by
Jami Bernard
A formula movie that is way beneath Murphy's talents.[17 Jan 1997, p.45]- New York Daily News
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Reviewed by
Joe Neumaier
Close and McTeer, an evenly matched odd-couple pairing, keep it real. They do the heavy lifting, and are utterly enchanting, whether in bonnets or boots.- New York Daily News
- Posted Dec 21, 2011
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Reviewed by
Elizabeth Weitzman
The script is a mess, built on lazy clichés, stilted jokes and easy payoffs. What the movie does have, though, is enthusiasm.- New York Daily News
- Posted Jan 17, 2013
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Reviewed by
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Reviewed by
Elizabeth Weitzman
Boredom is the very basis of this sequel, at least at the beginning.- New York Daily News
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- Critic Score
Pitch Perfect 2 follows the same template as part one, but it’s unmemorable.- New York Daily News
- Posted May 15, 2015
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