New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. In a hilarious bit of actorly sleight-of-hand, Holm (who is not new to the role of Napoleon, having it played it twice before) slips effortlessly from emperor to impostor.
    • New York Daily News
  2. Thrillers have become so gnawingly generic that The Bourne Identity wakes the senses without leaning on cliché and soundtrack.
    • New York Daily News
  3. The movie's key asset is young Bettany as a worthy successor to the "Clockwork Orange" tradition of McDowell. With Bettany, a star is born, even if his character is horrific.
    • New York Daily News
  4. The movie is so shiny, bright and noisy, the under-10 set ought to be sufficiently entertained.
    • New York Daily News
  5. Every trip requires patience, and this one brings plenty of rewards, in the ecstatic sounds of a country most of us haven't been able to visit firsthand.
  6. Unlike most indie directors dealing with this sort of material, Maggio refuses to wallow in the romance of either misery or redemption. Instead, he hangs everything on the honesty of his lead, unknown actor Jordan -- who is so good that if there's any justice, he won't remain unknown for long.
    • New York Daily News
  7. The main problem with this whole Jerry Bruckheimer-produced mess is that they took a promising comedy setup and squandered it by trying to make a legitimate spy thriller out of it.
    • New York Daily News
  8. It is both inside-baseball and self-parody, exposing a world that is just as ruthless and shallow as we've been shown it is in films like "The Player" and "Permanent Midnight."
  9. As it is, while Tunney is undeniably lovely to look at, she's just not that much fun to be around. And for 100 minutes, she's all we've got.
    • New York Daily News
  10. Ya-Ya Sisterhood is so divine. It offers a world where friendship is forever, the half-empty glass is refilled and the men are perfect.
    • New York Daily News
  11. On my list of favorite sports, I rank sumo wrestling just ahead of the truck pull, so I'm not a prime candidate for a "Full Monty" wanna-be about female sumo wrestlers.
    • New York Daily News
  12. Don't miss The Fast Runner. If you do, you will deprive yourself of not only one of the most intriguing feature-film projects in decades and enough plain-spoken anthropology for three credits at Harvard, but one of the most flat-out entertaining movies of the year.
    • New York Daily News
  13. Perhaps less-sophisticated preteens won't notice the amateurish acting, clunky direction and heavy-handed tenor of the lessons.
    • New York Daily News
  14. Due to budget constraints, the movie is necessarily rough around the edges. But directors Josh Apter and Peter Olsen have a sure grasp of how to maintain a mood that chills long after the movie is over.
  15. A popcorn movie with a protein center, satisfying neither taste.
    • New York Daily News
  16. Satires like this tend to throw a lot of stuff at the wall, and in Undercover Brother, a surprising amount sticks.
    • New York Daily News
  17. Posner paints in pretty broad strokes. The movie is studded with convenient coincidences and obvious observations. But he has also put together a nicely polished production that shines with an almost earnest charm.
    • New York Daily News
  18. Unfortunately, the visuals are not compelling enough on their own to hold our interest, and a highly mannered Derek Jacobi is all wrong as the narrative voice of Nijinsky.
    • New York Daily News
  19. There is a little of all of us in their awkwardness, fears and neuroses, and we root for their success in the mundane as if they were ascending Everest. Elling is still in the running for 2002's most uplifting movie.
    • New York Daily News
  20. CQ
    May have more enthusiasm and attitude than good story sense, but it, too, is the work of someone who might be at this game for a long time.
    • New York Daily News
  21. The segments are introduced with little clichés or homilies, like "Ignorance Is Bliss," but the fierce intelligence of the script reminds us that sometimes a cliché is the only way to express the ineffable.
    • New York Daily News
  22. This particular script is deplorable. It's a pure cribbing of Ron Bass' screenplay for "Sleeping With the Enemy," which was no prize itself.
    • New York Daily News
  23. Does little more than re-create the oppressive feeling of suffocating employment. And why put yourself through that experience without the promise of a paycheck at the other end?
  24. Pacino is masterful as the sharp-witted, seen-it-all detective.
    • New York Daily News
  25. Popcorn-buyers, beware: This is no "Shrek," with raucous adult humor sailing over the heads of wee ones. This is "Sesame Street"-level, with white hats, black hats and simple moral messages.
    • New York Daily News
  26. Written to skewer the upper class of its time, the script is now just a broad joke-fest, clever lines batted back and forth like badminton shuttlecocks.
    • New York Daily News
  27. Corcuera is a deft and determined storyteller, and it's a testament to his passion that we're left wanting to know a great deal more about each of his subjects.
  28. Whether this smart, sexy and unsparing film is a hilarious comedy or a poignant drama is a matter of personal opinion — and experience. But if you've ever felt both baffled and blessed by your own family, this "Marriage" is one event you won't want to miss.
    • New York Daily News
  29. A comedy hit, but its secret is that it delves deeper than the usual summer fare.
    • New York Daily News
  30. Gosling's performance is a stunner, although the story-telling is otherwise pedestrian. It is the movie's blessing and curse that it does not shy away from Danny's murderous, inexplicable contradictions — or explain them.

Top Trailers