New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. A long and uneventful snooze.
  2. Hard to take stone-cold sober.
  3. Dubbed for U.S. audiences, the film has suffered in translation.
  4. It's as if two-thirds of the book have been reduced to one-word chapter headings.
  5. An adequate but none-too-thrilling star vehicle for Jennifer Garner in flame-colored bustier and low-riding pants.
  6. A few well-timed laughs and a lot of filler.
  7. As with all ensemble horror movies, your first challenge is to guess which of the Carter kin will survive to destroy the creatures killing them, and in what order the family members (and their pets) will fall.
  8. Co-stars Parker Posey and Chris Kattan offer minor diversions, but the humor never rises to the quality any New Yorker, regardless of sexual orientation, would expect.
  9. The kind of movie in which plot and performances (and members of the fairer sex) are treated as accessories, "Tokyo Drift" is all about the action. And on that count, it won't let you down.
  10. With its video game upgrade, Jumanji: Welcome to the Jungle manages to match the silly fun of its predecessor — even without Williams — and that’s no small achievement unlocked.
  11. Beware of movies whose creators boast of the little effort involved. Little reward is what you're likely to get.
  12. The occasionally amusing, generally fatuous romantic comedy about a dazzling divorcee, a smitten Jewish boy and a controlling Jewish mom who also happens to be the divorcee's psychotherapist, is a high-concept movie with a Yiddish accent.
  13. The soundtrack is a genre-hopping joy, and each musical number is cleverly staged and creatively choreographed. The problem is the noble mess of a movie that takes up so much space in between.
    • 86 Metascore
    • 50 Critic Score
    The animated feature The Red Turtle is about as far as you can get from a typical cartoon movie musical. Except for a few tsunami crashes and howls, this lovely but tortoise-paced work from the celebrated Japanimation house Studio Ghibli is basically a silent film.
  14. A Belgian "Deliverance," Calvaire (The Ordeal) not only treats us to a few good scares, it also teaches us that Europe has its own rednecks.
  15. The material has no dramatic center, a problem pointed up by Brooks' failed solution to it -- his use of an ugly-cute little dog, Simon's pet.
  16. Like the direction, the script veers all over the place before reaching its inevitable, unsurprising destination.
  17. May be the biggest gathering of high-decibel performers in one movie. But they work well together and some are truly excellent.
  18. If you want to make a film, this is a great place to start. But if you just want to watch one, it's more of dead end.
  19. This plodding British revenge thriller has less energy than a pint of Bass that has sat out overnight.
  20. The story doesn't make any real sense, and the production values are home movie-cheap. But the cast seems to be having fun.
  21. Trapped does have a fine ensemble of actors and, except for what may be the most outrageously idiotic and improbable ending in a few years, is not that bad a movie.
  22. Barely qualifies as a documentary. It's the personal journey of a man hoping to claim a million-dollar literary prize by proving that Marlowe wrote Shakespeare.
  23. Lady, like all of Shyamalan's movies, is a slick production with consistently interesting visuals... But the story is so convoluted and ultimately preposterous that you're almost embarrassed by the earnestness of the actors trying to carry it off.
  24. There are some light chuckles to be had, but considering its promising parentage, this is surprisingly soft stuff.
  25. How anyone could make such an uninvolving movie out of such a fascinating subject remains its own inexplicable mystery.
  26. The Buis seem not to have complete confidence in their unique, imprecise style, which is too bad.
    • New York Daily News
  27. Seems to have been made entirely for people who were kids during the Johnson administration.
  28. The awkwardly told story of salsa legend Hector Lavoe, El Cantante doesn't even get the title right: It should have been called "La Esposa," since it's really less about the singer than his wife.
  29. It's a diary, collage, meditation, elegy. But, unless you're going for a Ph.D. in code-breaking, it's also a bore.

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