New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. This is a wickedly funny skewering of a prewar London society gone mad with frivolity.
  2. A thorough, gutsy and appropriately scuzzy-looking documentary.
  3. Greenwald has created a crisp historical document that is worth your time, even if the information in it was not worth the President's.
  4. Director Margarethe von Trotta nearly buries the drama of the protest itself within the awkwardly sentimental framework of a contemporary New Yorker's quest to learn the truth of her widowed German mother's grief and history. But while the film concentrates on Lena, eloquently portrayed by Katja Riemann, the movie earns your empathy.
  5. A welcome departure from typical movies about teens, wherein their problems are external (the prom, status). Mean Creek is an adult movie that just happens to star young actors.
  6. The movie's clever ambiguity allows a number of interpretations. Perhaps it is all a dream, a parable, or a combination of wishful thinking and reality.
  7. The actual fights between the predators and the serpents are too silly to contemplate. Both shiny and metallic, they look like kitchen appliances fighting it out. That's when you can see them. Writer-director Paul W.S. Anderson ("Resident Evil") has created the darkest, if not worst, sci-fi movie since "Battlefield Earth."
  8. Too solemnly boring to entertain parents or older siblings - but, alas, too loud for a long nap - Yu-Gi-Oh! is basically a feature-length promotion for the trading cards.
  9. With We Don't Live Here Anymore, it's the audience that may want to leave and start a new life.
  10. Although all the key players are back - including, fans will be glad to hear, Heather Matarazzo as cynical sidekick Lilly Moscovitz - the freshness of the first is long gone.
  11. It's said to be an autobiography, but that pertains only in the loosest sense. It's a comedy. It's a 1920s silent movie. It is practically indescribable. And it is pure genius.
  12. Danny Deckchair may be a trifle, but it offers a breezy lift for the dog days of summer.
  13. The whole movie is something of a joke, a feature-length prank that mixes stark violence and shock humor in the mold of Quentin Tarantino's "Pulp Fiction." Though it is a far less ambitious entertainment than Tarantino's masterpiece, it has its moments.
  14. A screechy chick-flick relationship comedy with a lot of things working for and against it - mostly against it.
  15. Unapologetically graphic and slightly marred by an artistic awkwardness, this is a rare and worthwhile glimpse into another nation's historical legend.
  16. But for what is at heart a thriller, Code 46 lacks both energy and tension.
  17. The mildly surreal drama doesn't always make sense, but it sure does look great.
  18. The actors are unknowns, but Ryan does a lot with her little downturned mouth. There are as many shades of anxiety as there are shades of blue in the sea, and Ryan manages to find them all.
  19. The movie is bookended by a powerful indictment of apartheid and a study of white guilt.
  20. The fourth documentary screed this summer to have grown out of the left's frustration with the nation's turn to the right. Keep 'em coming, I say.
  21. The performance of the movie is Liev Schreiber as Shaw, a man howlingly uncomfortable in his own skin.
  22. Not only achingly dull, it has no respect for its origins.
  23. The Village is Shyamalan's weakest story, and its ending - whether or not you're surprised by it - is a genuine clinker.
  24. A raucous, riveting account of the greatest party you were never invited to.
  25. There are some genuinely funny moments amid the gore, but who knew this famously edgy director would find bathroom humor to be such a knee-slapper?
  26. The laugh ratio in this run-on of skits is pretty low, at least to the unaltered mind of one who's seen enough of these films and eaten enough White Castle burgers to last a lifetime.
  27. This has all the ingredients for a top-notch thriller except one - a thrill.
  28. John Greyson and Jack Lewis' experimental drama, about two prisoners who have a dangerous affair, is a challenging, flawed look at a little-known slice of history.
  29. Sometimes veers off into preciosity. But it offers something rare in the bond between Andrew and Sam.
  30. What Andersen does best is capture the sense of growing up and living among the landmarks of Hollywood's authentic back lot.

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