New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Ultimately, the project suffers from a nearly complete lack of contextualization. We could surely use some background on Goebbels' complicity in mass genocide while listening to him brag about his beautiful, healthy children and happy family life.
  2. Though some see Treadwell as an idealistic martyr who made the ultimate sacrifice for his passion, others vilify him as an arrogant fool who courted his own end.
  3. Sets out to be a social critique but settles for smug disdain.
  4. Pulse works as a hypnotic meditation on contemporary alienation. Traditional horror fans, however, will search in vain for signs of life.
  5. It will make you laugh, and feel like crying.
  6. When these two powerhouse performers come together, a rather predictable tale ignites with surprising force.
  7. Despite the obvious cultural differences, what we come away with is a surprising sense of familiarity. Not even the widest political chasms, Gordon finds, can eradicate the universal pleasure of a young girl's giggle.
  8. Though its PG-13 rating allows for much cruder sex humor, the movie version of "Dukes" is nearly identical to the TV series in its corniness, in its incessant car chases and in its ogling of the posterior of cousin Daisy Duke.
  9. This is Murray's subtlest performance, and one of his best.
  10. Like Wong's past films, 2046 is lovely to behold, elegantly moody and rich in atmospherics. And the women caught in Chow's web are extraordinary beauties.
  11. There are times, to be sure, when Herzlinger's antics threaten to swing from cute to cloying. But the few missteps are gently redeemed by an unexpectedly charming finish.
  12. The real miracle here is that the hard-working cast manages to turn McGowan's script into an intermittently touching tale.
  13. Jakubowicz successfully portrays a country corrupted beyond repair by financial inequality. But the sadism that drives the story is so gleefully nasty, it overshadows any rational arguments he's trying to make.
  14. The same audience that loves "March of the Penguins" will eat up this beautifully told, gorgeously shot story of a grieving boy trying to return his pet cheetah to the wilds of South Africa.
  15. Happily, Morrison's actors grasp his intentions perfectly, shading their roles so well that we never quite get a handle on anyone. Each player is outstanding, but the highest praise must go to Weston.
  16. Sauper captures a world in which life and death are treated with equal practicality - and disregard. His camera is unflinching; your gaze may not be quite so steady.
  17. Did Lane and John Cusack really have to put themselves through this? Here are two first-rate actors in the embarrassing situation of playing blithering misfits in a lame comedy of errors.
  18. Hasn't a single original idea in its bird brain. But it clowns around just enough while sitting in the dunce chair that after a while it's mildly amusing.
  19. Flimsy and forgettable, but it does have a few worthy action and special-effects sequences.
  20. What keeps the film from becoming obnoxiously redundant is the conviviality of the comedians. These are funny people even when they're not telling the joke.
  21. The realistic scenes of oyster farming and the beauty of the Hawkesbury River lend this movie a degree of fascination that its taciturn, beer-swilling characters can't provide.
  22. The result is a quietly simple fable that hits you hardest after it's over.
  23. It's a fanciful tale, but the message is sweet - that the higher arts speak a universal language that transcends politics and ignorance.
  24. Consistently moving but never quite coalesces into a strongly coherent whole.
  25. The feel-good movie of the summer. And the song this pimp works up, about how hard it is to manage a stable of ho's, is catchy and moving.
  26. It's got a hot premise, some cool sets, attractive stars and action that lets up only when it thinks you're about to surrender.
  27. The strong script (with updated flourishes by "Bad Santa" writers Glenn Ficarra and John Requa) and some of the vibrant child characters pull it through, with the comically reptilian Thornton egging them on with one inappropriate shocker after another.
  28. Surely, this bloodthirsty comic farce about a sadistic backwoods family being hunted by a sadistic backwoods sheriff is the "Citizen Kane" of hix-ploitation horror.
  29. Michael Winterbottom nakedly goes where no "respectable" director has gone before - to sex and beyond! His provocative 9 Songs is the first movie by a director of Winterbottom's standing to depict real, uncensored sex between its lead actors.
  30. The dialogue between the captive and the captors gets a little didactic, and the ending is as contrived as it is cynical. Weingartner obviously has more in common with the rich man than the kids.

Top Trailers