For 6,911 reviews, this publication has graded:
-
42% higher than the average critic
-
3% same as the average critic
-
55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Fruitvale Station | |
|---|---|---|
| Lowest review score: | The Fourth Kind |
Score distribution:
-
Positive: 2,885 out of 6911
-
Mixed: 2,801 out of 6911
-
Negative: 1,225 out of 6911
6911
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Jack Mathews
The dubbing from German to Polish is off-putting, but it is Schlondorff's best film since his classic "The Tin Drum."- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
Kaurismaki's characteristically minimalist humor and wry empathy make brief appearances, but be warned: His Helsinki is a cold, dark place unfit for all but the hardiest visitors.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
Passingly enjoyable summer fluff, but if you can find a more genial, less edgy caper movie, you might want to own it as a pet.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
While the sequel isn't as unrelentingly gory as the original, there are still rivers of blood.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
The voice performances are great, particularly those from LaBeouf and Bridges, who's in a "Big Lebowski" mood. But a moratorium on penguin movies may be in order.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
The song for which Piaf is best-known - "Non, Je Ne Regrette Rien" ("No Regrets") - leads to a killer finale with Cotillard perfectly lip-synching Piaf's recording of it. Trust me; you'll want to own it.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
A nicely confident Schroeder strides though the movie as if it's a masterpiece, and Mulroney is equally charismatic. But they can't quite save Gracie from feeling like a vanity project that will appeal mostly to middle-school soccer teams, and various extended members of the Shue family.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
What follows is an extreme case of reverse courtship, which begins at conception and works backward toward getting to know each other, and then moves forward to one of the funniest birthing scenes ever filmed.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
Watching Kevin Costner and William Hurt share grim laughs during Bruce Evans' Mr. Brooks is one of the pleasures of this totally absurd and equally entertaining psychological thriller.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
In Crazy Love, friends of Burt and Linda express as much confusion over their relationship as we feel, and the Pugaches themselves make an unconvincing case for theirs being a love that conquered all. On the contrary, love doesn't seem to have had anything to do with them. She married him out of desperation, and he pursued her out of a sense of entitlement.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
Putting an entertainingly outlandish spin on "Matrix"-style action, Bekmambetov leans toward flamboyant special effects and operatic overacting.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
Given the lousy singing of Kirsten Dunst in "Spider-Man" and Drew Barrymore in "Lucky You," it's nice to report that Fisk - Sissy Spacek's daughter - shows real talent performing two songs here.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
This is a riveting story about a man who for years moonlighted as an anonymous hangman while holding a day job as a wholesale grocery delivery man.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
The humor in de Heer's script is mostly anatomical, and the performances of the nonpro cast are stiffer than bark. But you've never seen anything like it.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
A tale of love, desperation and conspiratorial madness, comes off on the big screen as a wacky psychological snow job.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
A sumptuous feast for the eyes and an occasionally exhilarating stimulant to the heart. But beware my hearty: It will tie your rum-soaked brain in knots.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
As writer, director and producer, Bose has taken on more than she can handle - a fact increasingly obvious each time she stumbles over political themes. But she has a genuine gift for atmosphere, making the many wordless scenes, in teeming streets and on crowded trains, the movie's best.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
The beautiful black-and-white photography - and disappointingly sappy ending - are the only remotely sober elements here, thanks to Besson's loopy script and Debbouze's very funny turn as a loser who simply can't believe his luck.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
The movie never really comes alive, and Crialese's coyness with Lucy's character is more frustrating than mysterious.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
Whatever it is you're looking for - comedy, horror, parades of singing frogs and dancing kitchen appliances - you'll find it in Satoshi Kon's anime adventure, a jaw-dropping feat of imagination.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
A shaky but promising debut, Brian Jun's downbeat family drama is likely to make you feel a whole lot better about your own life.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
With echoes of "Dave," in which Kevin Kline takes over for the comatose U.S. President he resembles, Kristoffer begins to feel the power given to him and to make his own decisions, leading to some hilarious situations and an unpredictable ending.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
You'll need a strong stomach, but director Christopher Smith mixes lots of laughs into the gore. Despite its predictable finish, Severance is bloody good fun.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
It's not all bad. There is a funny early sequence where Prince Charming is being jeered for his lousy cabaret act in a village pub and a hilarious death-lily scene with the bullfrog King Harold (John Cleese) trying to squeak out the name of his heir while snapping up one last fly.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
The overall effect is that of a deferential video you might find at a Mozart museum: educational, but not exactly inspiring.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
While Fay Grim is too uneven to win Hartley many converts, it is laced with enough intelligence and wit to remind longtime fans why they were drawn to his unique vision in the first place.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
Michael Corrente's Brooklyn Rules takes him to the mean streets of Gotti country, circa 1985, and it's another gem.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
A shiny shell of a movie, "TWBS" is pretty to look at, and occasionally fun to watch. But ultimately, it's an exercise in futility - for the participants, who can do so much more, and the audience, which deserves so much better.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Jack Mathews
Nothing in the movie rings true, least of all its depiction of gambling, both in casinos and in the bookie world that ultimately drives the story.- New York Daily News
- Read full review
-
Reviewed by
-
-
Reviewed by
Elizabeth Weitzman
The performances are impeccable, but while director Joachim Lafosse carefully creates an atmosphere of suffocating dread, he could have let a little more air into this simmering hothouse.- New York Daily News
- Read full review
-
Reviewed by