New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Wilson works overtime to hold Peter Cattaneo's flimsy comedy together.
  2. The latest indignity.
  3. There are two stormy performances from Javier Bardem and Penelope Cruz that elevate Allen's melancholy thoughts on love and relationships.
  4. Velvety storytelling still feels more thawed-out than heated.
  5. It's easy to see how a film so unafraid of religious touchstones could become a phenomenon among the faithful. Nonbelievers, however, need not apply.
  6. Forgive us for being demanding, but shouldn't an animated kids movie like this one be, at the very least, fun? Cute? Watchable?
  7. Although this ­satire of Hollywood inanity isn't the comic ­classic it could have been, Downey's gonzo performance is a must-see.
  8. Roth's works are particularly hard to do justice to onscreen, perhaps because the celebrated author's personality is really in his words
  9. When "Pineapple" goes from ganja to genre, it sours.
  10. Unfortunately, Miller never finds the right balance, so while there are some sweet notes, the pileup of clichés ultimately leaves a slightly acrid aftertaste.
  11. The reason this franchise has been so successful - both on film and in Ann Brashares' original novels - is that, just like the jeans, it suits the needs of vastly different girls.
  12. Boredom is the very basis of this sequel, at least at the beginning.
  13. A good-ol'-boy civics lesson that's too scattered to achieve its predictable goals.
  14. By the end, Holdridge has captured the bittersweet complexities of romance with a wisdom that proves surprisingly seductive.
  15. Often insightful and more than a little depressing, this is a story that only gets uglier as it goes on.
  16. Has moments of honesty, but more often the barren landscape - both outside and inside - drains the emotions out of the film.
  17. The truth is, the mystery pales next to the best "X-Files" plots. But fans will appreciate sly references to past episodes, an unexpected appearance from an old friend and the still-poignant bond our heroes share.
  18. So that's three snickers, not counting the Bush quote, 'cause including that one ain't fair, man.
  19. The kids here do come across as genuine people, struggling with issues everyone can understand.
  20. Anybody who missed 2006's excellent indie "The Puffy Chair" has another chance to discover the off-kilter world of the Duplass brothers.
  21. May feel especially like a statue covered in drapery. Unfortunately, the movie's attempts to steam things up feel about as exciting as an after-dinner mint.
  22. Some of the talk gets a little bombastic, but it's hard to deny the thrill involved.
  23. "I hate this stinkin' war," Neil Young announces in this chronicle of CSNY's "Freedom of Speech Tour," and the rest of the movie is just as unapologetically blunt.
  24. History has made his midair stroll meaningful, but the film shows how even then, everyone - from Petit to his accomplices to the cops who were waiting for him atop the North Tower - recognized the stunt's crazy poetry.
  25. If Hitchcock had done a coming-of-age drama, it might have resembled this haunting, nervous, sad movie about an early twentysomething.
  26. Twisted, tortured, terrifying - and terrific.
  27. On the scale of modern musical adaptations, it's not a disaster of "The Producers" proportions. But it is missing the razzle-dazzle of a success like "Chicago."
  28. And then there is the most annoying animated sidekick in a long time: a bulb-headed, trying-to-be-cute glow creature called Kilowatt (Kristen Chenoweth), who sings an ear-piercing, high-pitched note when it's scared, which is often.
  29. Charismatic and complicated, Noonan tries to run the movie the way he runs his town. But while the director sometimes appears to be glorifying Noonan's choices, reminders of uncomfortable reality intrude regularly.
  30. Built on an amusing idea that can't quite support an entire movie, Wayne Price's comedic debut might have made a terrific short.

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