New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. It's just twice as much as we need to know about the Sex Pistols.
  2. Holm is dazzling as the grubby little misfit, just a little brilliant and a little insane.
  3. Sometimes, movies would work better if you couldn't see them.
  4. This romantic comedy is about a love that is destined to be, and it celebrates that warm huddle of caring and craziness called family.
  5. See it only if potty-training is still the most vivid life experience in your book of memories.
  6. A fascinating contrast in lifestyles.
  7. There's something deeper at play in the film, something psychologically foul, voyeuristic and personal.
  8. Fathers and sons with problems expressing their feelings makes for a story that is universal, and that has also been done to death. Thankfully, the boxing scenes are extensive and pack the appropriate punch.
  9. Pretty much a road to nowhere.
  10. Never graduates above the boneheaded.
  11. "Chocolat" was just a warmup for the stunning display of the male form against National Geographic settings in her new Beau Travail.
    • New York Daily News
  12. When director Stephen Frears worked with (Jack Black), he must have yelled "Let 'er rip!" instead of "Action!"
  13. The three actors do their best to breathe life into their caricatured roles.
  14. It's a romantic weepie.
  15. Another perfect little gem from Iran in which the simplest story unleashes a torrent of emotion.
  16. Seth, who played Nehru in the Oscar-winning "Gandhi," gives a subtly layered performance as a complex, tormented and very decent man in crisis.
  17. If you want pretentious and unsavory, check out Buddy Boy.
  18. X
    About as many characters, dragons and force fields as "Pokémon" has pocket monsters, so it may be difficult for the uninitiated to keep track.
  19. A teen comedy so stupid that a long nose -- perhaps with a red bulb on it -- actually would have helped.
  20. Kinetic, sexy and full of meaningful coincidences and intertwined fates.
  21. This is not for the Merchant-Ivory crowd, but action fans will feel their pulses quicken.
  22. Roberts carries the film in the best sense, by taking us on a human journey of genuine discovery and growth.
  23. Doesn't flinch from the serious stuff.
  24. A mediocre fright-fest.
  25. A slog to get through, but Jeanie Drynan's nuanced performance as the enduring matriarch makes it all worthwhile.
  26. Poignant, eccentric comedy.
    • 47 Metascore
    • 50 Critic Score
    Nothing that makes much sense in Sue Clayton's strained fable about friendship, betrayal and the escapist dream of disappearing in the midst of a miserable patch of life. [17 Mar 2000]
    • New York Daily News
  27. Earthlings beware: The dialogue and characters have less weight than bodies freed from gravity's grip.
  28. The movie falls apart toward the end as it enters "Eyes Wide Shut" territory, but until then, it's fun to see bookworms cast in the James Bond mode.
  29. A taut and thought-provoking thriller .
  30. The film is otherwise a self-indulgent lark.
  31. The film's asset, in a walk, is Bening, whose comic timing puts Shandling to shame.
  32. Perversely funny.
  33. Excuse me, but didn't Bette Midler already play this role?
  34. Not even Rupert Everett is able to breathe life into soapy Thing.
  35. This needlessly vulgar exercise in overuse of the n-word bills itself as a comedy. Even the outtakes over the closing credits don't live up to that.
  36. Ken Liotti's script barely earns a C+.
  37. Refreshingly nondogmatic.
  38. Among the movie's oddball treats are Robert Downey Jr. as Grady's flamboyant editor and Rip Torn as a pedantic author and sermonizer known only as Q.
  39. The material here, written by Ehren Kruger, is beneath banal, and the three leads are so miscast that it's like watching a dress charade.
  40. Its leisurely pace and surreal poetry won't break box-office records, but will surely serve to introduce Mendelsohn as a major new talent.
  41. It has a distinctive look but a few too many recycled ideas; better luck on the next crash-landing.
  42. Behind the inspired wackiness is a story about how our warlike nature needs some changing before we can all live in relative harmony.
  43. Characters seem phony.
  44. Kempner demonstrates how the star's success and dignified bearing inspired a generation of Jews to fight through the ethnic barriers in all fields.
  45. It provides the first genuine laughs I've had at the movies in this young year.
  46. It's an uplifting movie about the rewards of perseverance and community.
  47. Energetic, provocative.
  48. That there was no squirming among the kids at my screening may be the best recommendation of all.
  49. An unsubtle allegory about a way of life withering on the vine.
  50. Chevy Chase looks tired, Pam Grier looks embarrassed, and pop star Iggy Pop gives a performance that -- if you can believe it -- is even sillier than his name.
  51. Never gets at what makes Quek tick.
    • New York Daily News
  52. There's only so much meaningful interplay you can get out of a beachful of slackers and some tanning oil.
  53. Blakeney's script contains more hackneyed dialogue and misfired jokes per minute than would seem possible, and the result embarrasses every actor in it.
  54. For the initiated, the third time's a charm. For everyone else, it's just a scream.
  55. To be avoided by anyone considering a vacation to anything wilder than a zoo.
  56. One of those bright ideas for a TV sketch that convinces someone it's too good to waste on the small screen. It's not.
  57. Could well end up on the coming Oscar ballot for best foreign language film.
  58. Intermittently funny.
  59. Truly weird and unworkable thriller.
  60. Just another cutesy, rather toothless comedy about the pitfalls of first love.
  61. It just goes to prove that in space, no one can hear you scream when the studio massacres your movie.
  62. Certainly there are people who will welcome this kind of "wholesome" family entertainment, but it feels false.
  63. Whether it's any good depends on your expectations.
  64. Washington can bank on an Oscar nomination for the most forceful work of his career.
  65. It tries to be more existential than gumshoe but falls way short.
  66. Ron Shelton's boxing pic is long on road work but strictly a flyweight.
  67. Julie Taymor's beautifully stylized but nauseatingly violent adaptation of Shakespeare's first play.
  68. No masterpiece, but in a season dominated by films as heavy -- and about as time-consuming -- as brain surgery, a little brain candy is sweet.
  69. Matt Damon's performance isn't bad, but it pales in comparison with Law's.
  70. While the football sequences are carefully constructed, the sensation we get from the blizzard of images and teeth-jarring sound effects is of having our head used as the football.
  71. The question is not whether the movie exactly duplicates the experience of the book, but whether the movie stands on its own. Angela's Ashes clearly does.
  72. Carrey gives an otherworldly, possessed performance as Kaufman.
  73. A prettily photographed yet morbidly gloomy movie.
  74. Unusual in that it spotlights a common but largely unsung variety of teenage female angst.
  75. A hive of broad, brilliant performances.
  76. If you're seeking transcendent love this season, skip the morose "End of the Affair" and go with Anna and the King.
  77. Makes you appreciate opera, or NoDoz.
  78. Parents, who are more apt to be bored by the simple story line, are going to be amazed nevertheless by the smooth, convincing animation that lends Stuart his lifelike physicality and expressive facial gestures.
  79. Star-packed fiasco.
  80. A fragmented, episodic feel and a conclusion that seems both remote and remote-controlled.
  81. Based on the true story of the first emperor of unified China, could be downsized and told as an American Western.
  82. But while this terrific cast gets to strut and preen, it's difficult to make an emotional connection with most of them.
  83. Showing as much courage and talent behind the camera as he has while acting in front of it, Roth has crafted for his first film one of the most bluntly graphic and disturbing movies ever done on the subject.
    • 75 Metascore
    • 88 Critic Score
    "I write 19th-century stories; they're supposed to affect you emotionally," says Irving, explaining why Tinseltown keeps knocking at his door.
  84. A missed opportunity to shed light on one of America's most turbulent times.
  85. A depressingly hollow vehicle.
  86. Has a simple but exceptionally powerful and uplifting emotional lure.
  87. A little Disney Christmas release that comes wrapped in used toilet paper.
  88. A brutally claustrophobic battle of wits and will, whose cruel nature ultimately seems to turn on the audience.
  89. Little internal logic and too many signposts. It's easy to see who in the neighborhood knows more than they're letting on, even without X-ray vision or ESP.
  90. A standout feature of the movie is its representation of female friendship.
  91. Many of the right elements -- the '40s look, the melodrama, the love that transcends reason.
  92. If it's not one of the five best of 1999, it's a personal best for Weaver, and that's pretty good.
  93. Winslet and Keitel are brilliant as cult member & deprogrammer.
  94. Penn hasn't attempted much comedy since "Fast Times at Ridgemont High," but he's masterful here.
  95. What keeps these mother-daughter tumbleweeds from drifting right out of consciousness is the unique rapport between the actresses.
  96. The best movie I've seen this year.
  97. It's brain-dead start to finish.
  98. With its agile, clever script and winning characters, Toy Story 2 is that rare thing -- an excellent children's movie with no upper age limit.

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