New Orleans Times-Picayune's Scores

  • Movies
For 1,128 reviews, this publication has graded:
  • 43% higher than the average critic
  • 2% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 3.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Gleason
Lowest review score: 0 Double Dragon
Score distribution:
1128 movie reviews
  1. It is not uplifting and only marginally inspiring — and even then only as an ode to the amount of pain the human heart can endure. But in the sensitive hands of writer-director Sean Durkin (“Martha Marcy May Marlene”), it is also a well-told, smartly crafted story that can stake a realistic claim to being one of the more moving and compelling sports dramas in recent memory.
    • 62 Metascore
    • 75 Critic Score
    A harmless bit of fluff with fun performances. [27 Oct 2000, p.5]
    • New Orleans Times-Picayune
  2. Pitt and Hill are fantastic individually, and hilarious when together -- and on a surprisingly engaging script by Aaron Sorkin ("Social Network") and Steve Zaillian ("Schindler's List").
  3. It keeps things light and entertaining. And for $8 admission, that's never a bad investment.
  4. It's an intriguing travelogue, showing parts of Iran that most of us could never see, or would never dare try to see, given that nasty "Death to America" thing.
  5. Part eco-doc, part legal-doc, it is a troubling, real story -- and a well-told one at that -- that is inspiring and infuriating all at once.
  6. It's also a British comedy, with that singularly British way of being clever and deliriously juvenile all at once, a combination that makes for scathing, laugh-out-loud, big-screen satire.
  7. Part "The Great Escape" and part "Lawrence of Arabia, " Weir's epic The Way Back is ambitious in scope, grand in vision and rich with examples of the resilience of the human spirit.
  8. The film is chilled by characters that never really come alive or generate any deep sympathy.
  9. Mank is repeatedly brought back from the brink by its uniformly top-shelf craftsmanship, including some wonderful bits of dialogue.
  10. Best of all, Disney seems to understand the limits of a preschooler's attention span.
  11. Along the way, a raft of experts are featured -- including Times-Picayune outdoor editor Bob Marshall -- speaking bluntly about the cozy relationship between politicians and the oil industry.
  12. It's fun, and it's funny, and -- the best part -- it comes carrying a "yeehaw"-inducing sense of a treasure found.
  13. A humor-laced, richly produced adventure benefiting greatly from the charisma and rapport of its lead actors, it's built in the mold of the first Pirates of the Caribbean movie, which was also based on a theme park attraction.
  14. There's meaning, great meaning, in Susser's wonderfully oddball little film.
  15. This is featherweight, family-friendly fare, through and through. But that doesn’t detract from its ability to distract, thanks largely to a fun, fast-moving script, rich production values and director Harry Bradbeer’s willingness to stand back and let star Millie Bobby Brown shine.
  16. The casting is perfect, and the resetting of the story to China allows for a satisfyingly cinematic retelling.
  17. Like the original, it is a moody, atmospheric film, one boasting significantly more depth than your typical blow-'em-up.
  18. It's also the kind of movie that, for all of its smarts and huggability, stumbles every so often. Usually that happens when it's trying just a bit too hard to be cute, such as in its occasional surrealist, animation-assisted segments.
  19. Ends up being a pleasantly surprising blast from the past, a delightful and amusing touchstone to Allen's comedic prime.
  20. For all of its faults, ends up being relentlessly watchable as well, a summertime popcorn spectacle plopped down in the middle of the fall movie season.
  21. It is classless, it is tasteless, it is idiotic, it is juvenile and it is something your mother totally wouldn't approve of. But it also is flat-out hilarious, a go-for-broke comedy that not only is the best laugher released so far this summer, but one of the best so far this year.
  22. It's all good, goofy fun.
  23. It's easy to forget that you're watching a sci-fi film at all. That's because it's just a shade or two from not even being a sci-fi film.
  24. Yes, it is derivative, but in a year in which films from the 1980s are getting needless remakes seemingly every other week, this one stands out as a rare one that works. That's a good "Thing."
  25. Not only does Invictus tell a remarkable story of a remarkable man, but it also illustrates how sports can be a salve to a wounded community. And that's something New Orleanians can certainly appreciate.
  26. Granted, Luca might not go down as one of the more profound entries in the Pixar catalog. Don’t expect it to make you well up the same way Up or Toy Story 2 did. Still, at a time in which international travel is mostly for the bold, it’s an undeniably pleasant summertime trip.
  27. If nothing else, Garcia's movie is a brave one, with its unflinching look at adoption, which -- as overwhelmingly compassionate an act as it is -- often leaves behind deep emotional scars.
  28. The movie documents much more than a talent competition -- it documents a political movement.
  29. To be clear: Despite the holiday flavor, and despite the pint-sized hero, this is no kids' movie. There is swearing. There is blood. There is an army of 180 very nude Santas coursing through the snow. That's not the kind of thing Frank Capra ever could have dreamed of -- and that change of pace is exactly what makes Rare Exports a rare, if unexpected, holiday treat.

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