New Musical Express (NME)'s Scores

  • Music
For 6,298 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 1.6 points lower than other critics. (0-100 point scale)
Average Music review score: 71
Highest review score: 100 Whatever People Say I Am, That's What I'm Not
Lowest review score: 0 Maroon
Score distribution:
6298 music reviews
    • 72 Metascore
    • 70 Critic Score
    The record leans at times too heavily on its basic formula of pizzicato electric guitar and seedy, somnambulant basslines. Still, as a slice of squalid glamour with a beating heart under its rusted exterior, Coastal Grooves deserves your attention.
    • 76 Metascore
    • 80 Critic Score
    As California dreamin' goes, this is almost as good as heading for the hills, reaching for a hand-tooled native American bong and calling yourself Moon Unit.
    • 73 Metascore
    • 80 Critic Score
    Nielson probably didn't know what he was getting into when he started UMO and is probably still figuring it out now. If that means more sleepless nights for him, all the better for us.
    • 77 Metascore
    • 60 Critic Score
    Canta Lechuza deflates its ambition by bleeping and whirring in every direction at once, landing in a confused heap of awkward samba jangle and rippling steel drums, a curious and compelling mess.
    • 76 Metascore
    • 70 Critic Score
    With bursts of martial snare and brass held together by a minimalist, bass-powered spine, it's reminiscent of The Neptunes' spare genius and feels like off-the-peg future pop.
    • 76 Metascore
    • 80 Critic Score
    We would have liked to have heard more lead vocal from the uniquely talented Cedric, but this is a small quibble when we're talking about the soundtrack to dancing like your life depends on it in 2011.
    • 34 Metascore
    • 50 Critic Score
    Famous First Words sounds less like a manifesto, more like a misguided step-by-step guide.
    • 64 Metascore
    • 80 Critic Score
    Full of distortion-drenched vocals and slacker guitar lines, Yucca is a brilliantly messy thing.
    • 71 Metascore
    • 70 Critic Score
    They're most fun when they're really letting loose, though, which is pretty much always.
    • 68 Metascore
    • 60 Critic Score
    It's the unflashy moments that really linger, though, with "Taco Delay's" measured minimalism providing some grounding to an otherwise heady trip.
    • 69 Metascore
    • 30 Critic Score
    Just as you're starting to see light at the end of the tunnel, you realise that there's another five-track EP by these self-absorbed, boring, aesthetically bankrupt bellends still to go. Double bummer.
    • 78 Metascore
    • 70 Critic Score
    On this lovely little patchwork pop record, there's enough going on to make you actually quite scared of what they'd come up with if they had a budget.
    • 72 Metascore
    • 60 Critic Score
    The music of Amplifying Host blends baked American blues with the ghosts of this island's folk tradition to wonderful effect, especially on 'Tessellations', which is like coming across a bedraggled family cooking beans around a campfire in the tinder-dry ruins of what was once a chocolate-box timber-framed cottage.
    • 58 Metascore
    • 70 Critic Score
    Big Talk is a record to be roared while stood atop the bar, and then deny all knowledge of the next day.
    • 32 Metascore
    • 50 Critic Score
    Young Rebel Set are as comfortable and enjoyable as a Mumford-wool blanket, but when was the last time you got really excited by a woolly blanket?
    • 65 Metascore
    • 70 Critic Score
    It's an itchy, difficult listen, but then it's hardly easy being original.
    • 53 Metascore
    • 20 Critic Score
    Needless to say, it's totally fucking rubbish.
    • 67 Metascore
    • 70 Critic Score
    As ever, the all-female pop-punk trio finds its inspiration in the seemingly mundane.
    • 70 Metascore
    • 60 Critic Score
    They don't quite conjure the heart-slowing plod of Pecknold's mob on their second album.
    • 66 Metascore
    • 60 Critic Score
    Although they might be lacking teats, their creative juices are nevertheless overflowing.
    • 79 Metascore
    • 80 Critic Score
    It's still wordier than a second-hand bookshop and the screwy mental tics remain. But it's also one of the most heart-lassoing '70s radio-pop records since the death of flares, its psychedelic oddness leavened with big gnarly hooks, the emotional thwack of a shattered heart and intimate and bloodied narratives.
    • 70 Metascore
    • 50 Critic Score
    Within And Without hangs oppressively, saved only by fleeting moments of clarity like the title track's stabbing outro, or the jump-rope glitter that opens 'Before'.
    • 65 Metascore
    • 70 Critic Score
    All in all, a weird brew, set to confound anyone who likes their music to fit neatly in a box.
    • 71 Metascore
    • 60 Critic Score
    Damned if they do and damned if they don't, it seems, but never sounding damned enough.
    • 81 Metascore
    • 80 Critic Score
    The first long-play offering by these Pennsylvania teen punks might just be one of the best punk rock debuts of the year.
    • 83 Metascore
    • 80 Critic Score
    If all you can see is a tangle of influences then you're standing too close to the picture, and when Skying's visions come into focus, it not only reaffirms that Primary Colours was far from a fluke, but that they could go so much further.
    • 72 Metascore
    • 70 Critic Score
    London duo Mount Kimbie are stronger than the latter temptation; this six-track mini-selection bows to no imagined commercial pressure.
    • 57 Metascore
    • 60 Critic Score
    If only the other half of this album didn't spiral off into wretched reggae stylings, this would be alright.
    • 77 Metascore
    • 70 Critic Score
    At times, it's too lovely and woozy for its own good--but when the mood sours, as on standouts 'Devil In My Mind' and 'Erie Lackawanna', it's really rather intoxicating stuff.
    • 67 Metascore
    • 70 Critic Score
    Complex and slightly schizophrenic, 100% Publishing is a winner, even if the man himself is a PR's nightmare. Long live King Wiley.