[A] gloriously sensual record. [Sep 2015, p.93]

Another epically conceived record from a cult hero who should be slaying arenas. [Oct 2015, p.95]

Despite two years spent on its dense construction, Music Complete rarely feels stilted, though it could use a stricter edit.... Yet the compensatory highs go beyond expectations. [Oct 2015, p.89]

The guitarist has made the best and most honest of his outside raids, freshening his classicism with a hard stare at payback and mortality. [Oct 2015, p.91]

There are several instant classics here. [Oct 2015, p.94]

By and large, as per its title, Yours, Dreamily is a downtempo treat, tailor-made for sundazed summer evening drives with the window down. [Sep 2015, p.87]

Doomed to the shadows of Flying Nun's more famed exponents, this box set should finally rehabilitate the band. [Sep 2015, p.103]

This time nuance embellishments lend greater power and depth. [Oct 2015, p.90]

There's a synergy and rapport in the set's dozen tracks that reveals how deeply the new band has gelled with Mayall. [Oct 2015, p.88]

No nonsense also means no frills and Stereophonics still follow the white line straight down the middle, doggedly relying on songs rather than production dazzle or image to see them through. [Oct 2015, p.96]

Esteemed Cologne unit corrals a trans-global selection of the dancefloor's most revered. [Sep 2015, p.95]

All lovely throwbacks have an instant familiarity. [Oct 2015, p.93]

Affecting, uplifting, damned catchy. [Oct 2015, p.94]

While Riddick doesn't boast the vocal chops of his heroes, telling interventions from Q-Tip, Leon Sylvers III and The Doggfather himself flesh out his questing intergalactic creations with charm to spare. [Oct 2015, p.89]

Their mellowest ever high. [Oct 2015, p.92]

This fourth album takes then back to the headlong kitchen-sink pop of their excellent 2009 debut Jewellery. [Oct 2015, p.95]

Low have made one of the most impressive albums of their career and it still feels like their best work is ahead of them rather than stuck back in the past. [Oct 2015, p.92]

A solid collection of angst anthems. [Oct 2015, p.98]

Few recent debuts have felt quite so enjoyable. [Sep 2015, p.94]

Paper Gods feels like a Duran Duran-shaped helium balloon, impressive, shiny, but oddly empty inside. [Oct 2015, p.96]

This is easily Battles' best album to date, the one you've always hoped they would make. [Oct 2015, p.95]

A record of disarming directness. [Oct 2015, p.89]

With a playing time of just 29 minutes, this feels more like a holding exercise than a fully-fledged long-playing statement. [Oct 2015, p.88]

They may occasionally press autopilot but the unexpected sound of Blythe singing for the first time ever on Overlord proves their willingness to suppress a few decibels for the sake of progress. It suits them. [Oct 2015, p.90]

This largely autobiographical follow-up uses Guy's musician friends more wisely. [Oct 2015, p.91]

The whole album unfolds at a pace somewhere between stately and glacial. [Oct 2015, p.93]

Some structural confusion aside, it's easy to embrace his Johnny-Flynn-does-indie songs. [Oct 2015, p.98]

10 well-crafted, progressive rock tracks that transcend schlock-rock trappings. [Oct 2015, p.98]