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I Like Rain: The Story of the Jean-Paul Sartre Experience [Box Set] Image
Metascore
80

Generally favorable reviews - based on 6 Critic Reviews What's this?

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  • Summary: The three-disc box set for the New Zealand indie pop quartet features all of its three full-length albums, as well as EPs, demos, and b-sides.
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  • Record Label: Fire Records
  • Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock, Indie Rock, New Zealand Rock
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Score distribution:
  1. Positive: 6 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 0 out of 6
  1. Aug 28, 2015
    80
    Taken all together, the set is a fascinating document of a band you see change from the kind of band who'd release a cassette in weird packaging to a band making a grab for the brass ring of success. Along the way, there were considerably more hits than misses, though, and any fan of Flying Nun will find much to love here.
  2. 80
    Whilst The Jean-Paul Sartre Experience canon is far from consistent and most of us might not regularly play much beyond the sublime first CD/LP of this compendium, there is much to be (re)discovered here that vintage Flying Nun label fans can certainly not afford to live without. A heartily-fulfilling curate’s egg, in short.
  3. Aug 28, 2015
    80
    Though recorded cheaply, The JPSE’s early material remains especially sublime.
  4. Mojo
    Aug 28, 2015
    80
    Doomed to the shadows of Flying Nun's more famed exponents, this box set should finally rehabilitate the band. [Sep 2015, p.103]
  5. Aug 28, 2015
    75
    The real pleasure is the instigation to sit through and hear JPSE go through the good, the bad and the near misses of a career that took the band from a light-hearted party outfit with an ingratiating delicate side in Christchurch, New Zealand, to game, but stressed-out grunts trying to flog big, catchy hooks that should have caught on with the Yo La Tengo and My Bloody Valentine crowds (yet never did). [No. 122, p.56]
  6. Aug 28, 2015
    70
    The I Like Rain anthology amplifies what a shame it all was that they didn’t really get the chance to build an American or British audience.