Mojo's Scores
- Music
For 10,507 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
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| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,861 out of 10507
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Mixed: 3,612 out of 10507
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Negative: 34 out of 10507
10507
music
reviews
- By Date
- By Critic Score
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- Critic Score
Hard to avoid thinking of Neil Young and Crazy Horse at the peak of their '70s powers. [Feb 2005, p.95]- Mojo
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- Critic Score
Tends to drift in one and out the other at times. [Jan 2005, p.102]- Mojo
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This is a very traditional U2 album, the sort of album people want U2 to make. [Dec 2004, p.96]- Mojo
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- Critic Score
Not the Holy Grail that was promised... But considering what material is present, the set plays like a fairly compelling musical narrative. [Dec 2004, p.120]- Mojo
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The lyrics veer towards simplistic, but Destiny pull it off, mainly through muscular production and stunning vocal interplay. [Jan 2005, p.97]- Mojo
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An awkward faceoff between Mathers the prankster and Mathers the cultural and would-be political agitator. [Jan 2005, p.96]- Mojo
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- Critic Score
Tread lightly past the handclaps and keyboard quacks to find a collection of uncomfortably honest damaged-goods love songs set in the cold hours of the a.m. [Dec 2004, p.102]- Mojo
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More attention seems to have been paid to assembling the cast than finding something for them to record. [Dec 2004, p.98]- Mojo
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- Mojo
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She seems to have a sound that needs more sophisticated compositions. [Nov 2004, p.95]- Mojo
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Joji draws dark arterial blood from backwoods bedrock, mining a country mile adjacent to My Morning Jacket's. [Jan 2005, p.105]- Mojo
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That [Psapp] completely circumvent high blood sugar whimsy is testament to the duo's songwriting ingenuity and Durant's silken vocal cords. [Apr 2005, p.89]- Mojo
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An album that nails its subtle-but-tenacious hooks with dignity and maturity. [Nov 2004, p.94]- Mojo
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Lyrically it's one of Cohen's least ambiguous albums... Musically it's melodic and memorable. [Nov 2004, p.96]- Mojo
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This is more than a nostalgia trip. [Apr 2005, p.102]- Mojo
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Bowel-rattling rhythmic rock that's as viscerally exciting as it is grubby. [Feb 2005, p.101]- Mojo
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The scope and breadth is startling. [Oct 2004, p.94]- Mojo
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At points UNKLE verge on Moby car advert territory, but judicious sampling and that deadpan sci-fi spirit keep the album the right side of experimental. [Sep 2003, p.113]- Mojo
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They've come within a hairclip's breadth of producing the rock'n'roll riot they always promised. [Dec 2004, p.114]- Mojo
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Quality control slumps toward the end, but when they're good the're grrreat. [Nov 2004, p.110]- Mojo
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The sound of Beans returning to the hip hop that hatched him, remaking it in his image. [Dec 2004, p.100]- Mojo
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Does little to extended their reputation beyond that of a band big on amp buckling bluster and low on pop harmonies. [Oct 2004, p.104]- Mojo
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As ever, his chord changes and arrangements betray an inventiveness seemingly borne of brilliant instinct. [Nov 2004, p.92]- Mojo
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The root of the malaise most surely [lies] in the protracted production, which appears to have sucked the life out of whatever good material there was. [Nov 2004, p.110]- Mojo
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Picks up where 2002's Impasse left off, with Buckner at large in a dusty, wide-screen landscape of brushed guitars, weeping pedal steel and decorous strings. [Dec 2004, p.114]- Mojo