Mojo's Scores
- Music
For 10,507 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,861 out of 10507
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Mixed: 3,612 out of 10507
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Negative: 34 out of 10507
10507
music
reviews
- By Date
- By Critic Score
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- Mojo
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- Critic Score
Many of these sessions trump the original album versions. [Mar 2005, p.100]- Mojo
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- Mojo
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- Critic Score
Looting a Smithsy guitar line for Winter In The Hamptons or aping Steve McQueen-era Prefab Sprout on My Love Has Gone momentarily lifts Rouse's gloom, but it is scant relief from the stillness at Nashville's core. [Mar 2005, p.106]- Mojo
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- Critic Score
Inescapably, Losing My Edge is the best thing here, yet happily Murphy has more than one trick up his stylish sleeve. [Feb 2005, p.101]- Mojo
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- Critic Score
As eloquent an emotional discourse as [Gedge] has mustered. [Mar 2005, p.101]- Mojo
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- Critic Score
There's a slow-burning moodiness... together with a new directness. [Mar 2005, p.101]- Mojo
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- Mojo
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A Healthy Distrust turns his scouring insight upon America's turbulent recent history, the response of a vulnerable, impassioned, imperfect man. [Mar 2005, p.106]- Mojo
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- Mojo
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- Critic Score
An overwhelming record that bends and blusters with grand passions, bittersweet beauty and no small hint of desperation. [Apr 2005, p.98]- Mojo
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- Mojo
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- Critic Score
This is tough, honest, uncompromising beauty and the next great voice in music. [Apr 2005, p.86]- Mojo
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- Critic Score
There's promise here if they can stay out of jail or the loony bin. [Feb 2005, p.94]- Mojo
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An album of straight-up, dazzlingly well-realised British pop. [May 2004 p.92]- Mojo
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A classic work...together [her collaborators] have created a near perfect, and wonderfully paced, stage for the singer. [Oct 2004, p.112]- Mojo
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For all that bombast, though, there's a disappointing, un-Texan restraint. [Feb 2005, p.94]- Mojo
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- Mojo
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- Critic Score
Magic.... Its rhapsodies present a portait of an artist at an early height of his powers. [Feb 2005, p.102]- Mojo
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- Critic Score
There are moments when Tom and Ed no longer sound like the baton is theirs to pass. [Feb 2005, p.101]- Mojo
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- Mojo
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- Critic Score
This is undeniably a better album than they've delivered in some while, but... there still seems to be a lack of conviction in their execution. [Feb 2005, p.100]- Mojo
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Though not an unqualified triumph... The Great Destroyer is the latest high from a band that routinely rewards the virtue of patience. [Feb 2005, p.94]- Mojo
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Showcases Prewitt as an original melodic writer and arranger. [Feb 2005, p.99]- Mojo
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- Critic Score
Superwolf's arrangements are pretty raw and understated--under-rehearsed, even--but for the better. [Feb 2005, p.102]- Mojo
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A kaleidoscopic funfair of angloid psychedelia, baroque folk-pop and open-minded sonic exploration. [Mar 2005, p.96]- Mojo
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For the most part still playing it breakneck and fuzz-covered, their trademark garage-scuzz-meets-hardcore blitzkreig is if anything more rough-riffed and faster. [Mar 2005, p.101]- Mojo
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A classy veneration of the Byrds, Bob and Band, exquisitely seasoned with phlegmy harmonies and subtle instrumentation. [Mar 2004, p.108]- Mojo
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Stamey makes the most of a limited vocal range. [Mar 2005, p.104]- Mojo
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Marrying the softest hushed-breath vocals with a lush musical sweep at once both intimate and panoramic, All Harm Ends Here captivates from the off. [Jan 2005, p.94]- Mojo