Mojo's Scores

  • Music
For 10,512 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10512 music reviews
    • 78 Metascore
    • 80 Critic Score
    Charm, tunes and a certain hazy vision--Real Estate have them in abundance, and on Atlas they are more than enough to coax endless summer warmth from behind the wall of winter. [Apr 2014, p.92]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    In all, a gloriously imperfect storm. [Aug 2025, p.79]
    • Mojo
    • 67 Metascore
    • 80 Critic Score
    Un
    Black's chops and tunes suggest he won't stay underground. [Aug 2009, p.99]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    Gloriously nonsensical and beautifully out there, this is a joyful triumph. [Oct 2009, p.107]
    • Mojo
    • 83 Metascore
    • 80 Critic Score
    Like the band's best '80s output, Lilac6 is the work of a bona fide songsmith. [Nov 2001, p.108]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    This is music of compelling intensity. [Jun 2015, p.92]
    • Mojo
    • 67 Metascore
    • 80 Critic Score
    Live Rain is a concert album like they used to be: prime Howlin Rain, only longer, louder and more full-blooded. [Jun 2014, p.92]
    • Mojo
    • 70 Metascore
    • 80 Critic Score
    An extended groove workout, akin to Erykah Badu's Worldwide Underground EP. [Jan 2004, p.102]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Almost exclusively orchestral, this soundtrack works brilliantly as a half-hour suite. [Sep 2016, p.90]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Hawley continues to enchant. [Jul 2024, p.85]
    • 70 Metascore
    • 80 Critic Score
    This is the band at their melodious best. [Jun 2004, p.112]
    • Mojo
    • 87 Metascore
    • 80 Critic Score
    [Painted From Memory is] a beauty. ... [Taken From Life is] a treasure trove within a set that defines how well collaborations can work. [Apr 2023, p.94]
    • 86 Metascore
    • 80 Critic Score
    It’s this ease and connection that gives When I’m Called its cumulative power. [Aug 2024, p.86]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    The Last Hero captures them approaching the peak of their powers. [Nov 2016, p.94]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    BASIC speak their own language, but it’s not long before their signs and signals unfold into a fascinating new conversation. [Oct 2024, p.82]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    His gritty voice and folk-art lyricism ensure that these stylistic curveballs carry real emotional resonance. [Sep 2005, p.90]
    • Mojo
    • 69 Metascore
    • 80 Critic Score
    A riotous union of scabrous '60s punk, resonant surf licks and grimy, narcotic song-craft. [Oct 2014, p.94]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Fallon tempers the rancour with expertly crafted tunes. [Oct 2011, p.97]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    Thanks to the vision of singer/songwriter Traceyanne Campbell, this is a killer record, rather than just a pretty one.[Jul 2006, p.102]
    • Mojo
    • 86 Metascore
    • 80 Critic Score
    Another great, mind-bending, soul-baring, melodically rich album to his name: a singer tap dancing on the very edge. [Jan 2025, p.80]
    • 78 Metascore
    • 80 Critic Score
    II
    It's an album of soothing '80s-style motorik synth-pop given just enough bite from contemporary dance music to avoid becoming pastiche. [Mar 2015, p.97]
    • Mojo
    • 70 Metascore
    • 80 Critic Score
    It's a slow burner that catches fire. [Feb 2025, p.82]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    The Night Has a Thousand Screams dresses the oily synth ripples and murky bass lines of Hill's previous Umberto releases From The Grave... and Prophecy Of The Black Widow with glistening descant textures and rich analogue pulses, bringing a new shimmering elegance and profound foreboding to both his sound and, in the great tradition, the base source material. [Jan 2013, p.98]
    • Mojo
    • 66 Metascore
    • 80 Critic Score
    Filled with tearful ballads and ragged-trousered country, the Avetts' playing may not be the most technically accomplished but the feel they bring to Never Been Alive and Another Is Waiting is alone worth wading through their previously misfiring albums. [Jan 2014, p.96]
    • Mojo
    • 98 Metascore
    • 80 Critic Score
    Though there isn't a dud in Apple's back-catalogue, she has never sounded quite so liberated and artistically sure-footed as this. [Jul 2020, p.86]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    Chuck sets an example for everyone else to follow. [Jul 2017, p.94]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    The best solo album of her career. [May 2003, p.90]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Has more to do with Primal Scream's Evil heat than any arched-eyebrow electro-clashers. [Dec 2002, p.113]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    A charm offensive, rewarding casual observer with a supreme precis of Pollard's genius: the bombastic rock anthem rationalised into naive-pop jewellery. [Sep 2020, p.92]
    • Mojo
    • 62 Metascore
    • 80 Critic Score
    Hyde and Eno's voices knit together well and the album is full of surprises. [Jun 2014, p.93]
    • Mojo