Mojo's Scores

  • Music
For 10,507 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10507 music reviews
    • 80 Metascore
    • 80 Critic Score
    Pollard sounds more curious and engaged here than on some recent releases, and the result is the most compelling GBV of their third act. [Aug 2024, p.82]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Throughout, you feel Homme's pain, but ultimately marvel at his ability to channel it into music so brutally uplifting. [Aug 2023, p.79]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    As each track segues into the next, this is a breathless listen, but the overall scheme works. [Dec 2005, p.99]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Furthering their Sonic Youth/Television post-punk quests. [Sep 2015, p.95]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    [Producer Bach shaped] fragmentary song ideas into sprawling, free-flowing arrangements that nod to Mark Hollis, Tim Buckley and Jim O'Rourke. [Sep 2016, p.90]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    The sun's gone out and here is the soundtrack to our long, dark financial winter. [Mar 2009, p.114]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Wintery Brit-folk closer New Year Of Grace is also special, a full-circle update on the steadfast, if weatherbeaten, live affair which the Opening track Gradually visits earlier in ts slow-burning voyage. [May 2016, p.89]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Though the full potency of this band is only ever manifest live, ABOMINATION REVEALED AT LAST - the Osees' 8th LP in five years - bears thrilling testament to their appetite for insurrection. [Oct 2025, p.88]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Despite having some of Ritter's least introspective lyrics, there are some of his most emotionally affecting songs. [Apr 2006, p.98]
    • Mojo
    • 80 Metascore
    • 70 Critic Score
    While their material lacks the instant hooks of attention-snaring contemporaries like The Handsome Family, [it] rings with a robust authenticity. [Jul 2003, p.112]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Heaves with harmonic charm. [Oct 2003, p.111]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Fathomlessly beautiful. [Aug 2004, p.110]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Annoyingly, [the] high marks are all too infrequent. [Oct 2004, p.116]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Everywhere ageless rock'n'roll brio comes freighted with careworn sagacity. [Mar 2017, p.93]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    A change in direction, with a consciously smooth production and modern drum sound apparently aimed more at FM radio than wind-up gramophones, leaving precious few rough edges. [Jul 2017, p.94]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    The record increasingly drifts into hazy, slo-mo dream-pop, which inescapably pales besides the bolder tracks upfront. [Aug 2017, p.94]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Joplin's long, devastating plea for salvation once mirrored the big story--that the surprise star of '68 had outgrown her rough diamonds. The 30 tracks here, several in multiple versions, don't necessarily change that. But wart'n'all, Big Brother were the best foil Janus had. [Jan 2018, p.101]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Yol
    Suggesting the sextet have now found their niche. [Jun 2021, p.89]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    There's a slow-burning moodiness... together with a new directness. [Mar 2005, p.101]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    A strong contender for soul album of the year. [Oct 2007, p.98]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    The Weeknd starts here. Jan 2013, p.108]
    • Mojo
    • 79 Metascore
    • 60 Critic Score
    Hardcore scholars will cheer this inspiring archival punk rock righteousness. [Dec 2014, p.111]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    It's a compact yet satisfying set of 10 surging semi-acoustic almost-ballads with occasional electric interludes. [Sep 2013, p.91]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    These 10 acoustic pieces hold a certain stillness within the variety of tempos, instruments and inspirations. [Apr 2016, p.89]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    Like a very fine wine, after 25 years The Bats are only really just coming on song. [Jan 2012, p.96]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    Georgia Blue's diversity of Georgia sounds sits well with its campaign for inclusivity. [Jan 2022, p.86]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    An intriguing labyrinth of idiosyncrasies. [Jun 2005, p.110]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    Psi
    Nothing nosebleedy in its warm, evocative patchwork. [Oct 2016, p.100]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    If it is meant to be a Pink Floyd homage, then it's an entertaining and highly distinctive one. [Nov 2013, p.84]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    Jon Boden delivers an audacious yet subtle solo masterpiece. [Apr 2009, p.108]
    • Mojo