Mojo's Scores

  • Music
For 10,505 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10505 music reviews
    • 74 Metascore
    • 60 Critic Score
    For all its skill you do miss Neville Staple's aggro, Roddy Radiation's punk-Chuck Berry guitars, and inevitably, Jerry Dammers' singular, maddening vision. [Mar 2019, p.88]
    • Mojo
    • 59 Metascore
    • 60 Critic Score
    Flamingo is, for all intents and purpose, the next Killers record. [Oct. 2010, p. 106]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    A compelling, if sometimes unsettling, time capsule. [Apr 2013, p.106]
    • Mojo
    • tbd Metascore
    • 60 Critic Score
    His tried and trusted writing formula sometimes irritate--about being mistaken for Willie Nelson, about an amateur-sung cover version of Heaven that scored 16 million YouTube hits--are winningly self-effacing and chucklesome. [Dec 2010, p.96
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    Their penchant for bold riffs and big climaxes comes with little individual grandstanding. [Nov 2022, p.91]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    Buxton's posthumous appearance on the raw, Eddie Cochran-esque What Happened To You also shines, but elsewhere things sometimes get formulaic, the horror cod and the guillotine a little blunt. [Aug 2025, p.77]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    A more effective synergy arrives as the musicians rein in the melodrama, proffering a subtler, shimmering folk rock canvas for Chesnutt's emotional daubings. [Nov 2009, p.91]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    There is quiet drama here--especially on the gothic crawl of Spiders or Home's extended inner-space walk--but sometimes The Soft Cavalry struggle to project it beyond their own moody boundaries, or to find that extra charge. [Aug 2019, p.92]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    Big God runs up and down a subtler emotional scale, while the heartfelt Hunger emphasises Welch's admirable desire to connect. Yet High As Hope often feels like The Greatest Showman for people of drinking age, This Is Me for art students--an affirmation, not a challenge. [Aug 2018, p.88]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    Holy Island nods to mid-period Flying Saucer Attack, Souvlaki-era Slowdive, maximum-shimmer Ride and motorik. Such influences are offset by an innate drama which inexorably draws inwards. There is, though, a potentially overwhelming backstory. [Jan 2026, p.91]
    • Mojo
    • 66 Metascore
    • 60 Critic Score
    The album's second half-hour wilts, but the first is Temples Excelling as never before. [Jun 2023, p.92]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Brings a little focus--and some memorable tunes--to the proceedings, though Wolf's muse remains doggedly eclectic. [May 2005, p.108]
    • Mojo
    • 67 Metascore
    • 60 Critic Score
    The best moments on this double CD are those which foreground Valerie Trebeljahr's sighingly lovely vocals. [Aug 2005, p.120]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Unfortunately, the disc highlights a new hole: storytelling. [Feb 2006, p.92]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    As restless and fidgety as ever. [Feb 2020, p.91]
    • Mojo
    • 82 Metascore
    • 60 Critic Score
    Evocative rather than vivid in a way that evokes Faith-era Cure's greyscale atmospheres, Everything IS Alive is the sound of Slowdive still holding their impressive earthly form. [Oct 2023, p.85]
    • Mojo
    • 64 Metascore
    • 60 Critic Score
    Hourglass plays the "I, an artist" card with equal earnestness, a collection of electronic songs that mix dungeon-master sexual predation with angst-ridden introspection. [Nov 2007, p.104]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    It's an uneven ride and not without longuers. [Nov 2011, p.93]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    Building on the fresh inventiveness of 2017's Uyai, this new album cheerfully chops up and reassembles genres in a way that is seriously funky. [May 2019, p.89]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    This debut stands apart, not because it hails from St. Petersburg but for its speedy and electronically iced take on shoegaze. [Mar 2015, p.100]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    There is no nostalgia about Living Proof. [Dec 2010, p.96]
    • Mojo
    • 58 Metascore
    • 60 Critic Score
    Glasvegas retain their open-throated passion, anthemicism and the very distinctive Caledonian character of James Allan's voice, but these qualities are now sometimes a little lost in widescreen--like tears in rain, like synths in multi-track. [May 2011, p.105]
    • Mojo
    • 66 Metascore
    • 60 Critic Score
    It's difficult to ignore Total's hoovering synths, filtered drums, glam rock rhythms and punkish snarl, such is its fizzing energy. [Jul 2011, p.115]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    By the closing traditional, Fair Annie (Child Ballad 62), much of the atmospheric murk has lifted, revealing a radiant kinship with the like of Trees, similarly uncanny folk-rock alchemists from the cusp of the 1970s. [Dec 2018, p.88]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    [CD1's] uproar casts most of CD2's over-delicate maunderings in a wan light. [Apr 2006, p.102]
    • Mojo
    • 82 Metascore
    • 60 Critic Score
    This time around, the radio programmers will be listening harder, but taken as a 68-minute whole, The Electric Lady is quite a trip. [Dec 2013, p.84]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    It's a record that reveals previously hidden depths. [Nov 2011, p.93]
    • Mojo
    • 67 Metascore
    • 60 Critic Score
    The sentiments charm and Cuomo's nose for a tune endures, but the drive-time metal supremacy of Def Leppard and Mutt Lange is never under serious threat. [Jun 2021, p.84]
    • Mojo
    • 77 Metascore
    • 60 Critic Score
    [James Jackson Toth] fleshes out more whiskey-warmed, heart-sore folk with flashes of humour. [Feb 2013, p.98]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    It hard not to be engaged by the restless, cerebral daftness--footnotes notwithstanding. [Apr 2019, p.95]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    While the material heads nowhere new, there's a good feeling to all that's happening. [Mar 2015, p.99]
    • Mojo
    • 66 Metascore
    • 60 Critic Score
    In essence a tonic, The Medicine Show is a little bit more of what the world need now. [May 2019, p.93]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    This is intended to be the lighter of the two albums although the stylistic differences aren't great. [Jun 2017, p.91]
    • Mojo
    • 67 Metascore
    • 60 Critic Score
    Only a few moments--Happy, the Daft Punk-featuring Gust Of Wind and I Know Who You Are--sound truly out of the ordinary. [May 2014, p.86]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    When the opening track of this third album features CSN-style harmonising about hotel lobbies, you wonder if they're trying a little too hard to sound like a burnt-out folk rock supergroup from 1971. [June 2010, p. 92]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    Though the percussive, struck guitar strings interlude Zilch is perhaps an inquiry too far, caroline's flair for conjuring the liminal space between sleep and wakefulness frequently enchants. [Apr 2022, p.89]
    • Mojo
    • 63 Metascore
    • 60 Critic Score
    [A] soaring yet engagingly earthly first album. [Nov 2015, p.96]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    [Sid Griffin] hurled all bluegrass boundaries out the window as pride of place on this new album. [Nov 2016, p.92]
    • Mojo
    • 66 Metascore
    • 60 Critic Score
    In places it verges on doodling, as if Barnett is endlessly tuning her guitar, but tracks such as Intro or Tiver sound darkly majestic, like deep, drifting hollowed-out Americana. [Oct 2023, p.78]
    • Mojo
    • 82 Metascore
    • 60 Critic Score
    You need to pick through the later albums to find some occasional moments of brilliance. although if you unconditionally love well-executed '70s funky-soul, it's all good! [Mar 2020, p.105]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    Pale Blue Eyes' debut album deftly executes a type of electro-inclined pop which initially surfaced as the edges of post-punk softened to embrace melody over angularity. [Sep 2022, p.94]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    For a band feeling they had painted themselves into a corner, this is them sodding the consequences and stomping their way out. [Dec 2010, p.96]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    With its shuffling drums and strong tune, Microclimate has a song-like feel, while the title track is very different in mood as it gently pulses with restless rhythmic tics and a melancholic, meandering keyboard line. [Sep 2018, p.93]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    A mightily approachable and sometimes even fun album. [Nov 2015, p.88]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    The trade-off for this grandiloquent approach is that some of the songcraft has been swept away in the surge. [Nov 2011, p.93]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    On stand-out New Tracks, singer Joseph Arthur locates a pleasing interface that shades powerpop and balladry. [Jan 2013, p.102]
    • Mojo
    • 79 Metascore
    • 60 Critic Score
    Jo Bevan declaims like Siouxsie leading The Smiths, on fevered melodies worthy of a band named after a Cure rarity. [May 2017, p.98]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    The quieter moments work best, like the moody, organ-led reworking of Shakin' All Over, which lesser bands have thrashed into the ground over the years but really shines here. [Dec 2023, p.86]
    • Mojo
    • 77 Metascore
    • 60 Critic Score
    Viet Cong aren't quite home yet, but they're getting there. [Mar 2015, p.100]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    Texas troubadour's latest tales are his most potent. [March 2011, p. 97]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    The bold Old Fears is more than a side project. [May 2014, p.89]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    A typical case of slack self-editing... Kelis was here too long, frankly. [Nov 2006, p.101]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    Nothing here truly ventures into the unexpected as [Russell] did, but there was only one Arthur Russell. [Dec 2014, p.89]
    • Mojo
    • 62 Metascore
    • 60 Critic Score
    So far they make phrases rather than lyrics and sounds rather than songs, but they have a nice semi-chaotic way about them. [Sep 2008, p.108]
    • Mojo
    • 57 Metascore
    • 60 Critic Score
    Although this is never less than excellent fun, the originals are still the best. [Dec 2010,. p.96]
    • Mojo
    • 82 Metascore
    • 60 Critic Score
    There was potential for so much more. [Jun 2009, p.98]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Hallucinatory sonic landscapes that whistle, throb, sing and buzz like the heightened inner-space rhythms of the body. [Apr 2014, p.95]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    The Visitor is curiously passionless and on occassion, too closely tied to its background music references to get excited about. [Nov 2009, p.102]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    Lots here is clever and fun, and maybe Oh Snap is an album she needed to make, but heard end to end it's a bumpy ride. [Nov 2025, p.86]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    At least Wake Up Now lifts its voice in protest during turbulent times, rising even when it doesn't quite shine. [Oct 2017, p.93]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    Part 2 wins with the garage-guitar-pop of Hollywood and the hard edged though sugary Teflon. In keeping with Brix's own memoir, Part 2 suggests that pasts remain unpurged. [Nov 2017, p.100]
    • Mojo
    • 63 Metascore
    • 60 Critic Score
    Almost every track plays nice sweet-and-sour tricks on the ears. But maximum, piercingly intelligent, heartfelt Crow comes through only in Sending A Letter To God. [Oct 2005, p.98]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    You might struggle to identify where their influences end and begin, but Mattiel's charisma - and solid gold tunes, in the form of Lighthouse and the darkly gothic Blood In the yolk - ultimately win out. [Apr 2022, p.89]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    For every peak there's an occasional trough. [May 2022, p.88]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    Lyrics are lovably askew and songs rarely breach three-minutes. In conclusion: more is still more. [Mar 2019, p.99]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    The sudden shifts between smooth/jarring and soft/hard make for an uncomfortable but compelling ride. [Mar 2008, p.113]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    A stylish, stoned variant of leftfield R&B in quick-fire bursts, exhibiting pop smarts, sojourns into shimmering, skewed house. [Apr 2018, p.91]
    • Mojo
    • 79 Metascore
    • 60 Critic Score
    While the production still feels ill-judged, there are some crackling tracks. [Jun 2016, p.92]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Lulu sounds as vital and feisty as ever. [May 2015, p.93]
    • Mojo
    • 66 Metascore
    • 60 Critic Score
    They scrunch together Animal Collective-style off-kilter tech pop, new wave, ghetto bass and even twisted tango. [Jun 2011, p.97]
    • Mojo
    • 60 Metascore
    • 60 Critic Score
    Better than the conceptual barf of its predecessor Holy Wood, but not as sharp as his best record to date, '98's glammy Mechanical Animals. [Jun 2003, p.100]
    • Mojo
    • 77 Metascore
    • 60 Critic Score
    Three long, meditative ideals of 49-note microtonal singing. [Dec 2020, p.89]
    • Mojo
    • 57 Metascore
    • 60 Critic Score
    Occasionally, the buoyancy veers into pop, the clever lyrics verge on trite. [Sep 2013, p.88]
    • Mojo
    • 84 Metascore
    • 60 Critic Score
    For Carry Fire, Plant has written Lion In Winter love songs. [Nov 2017, p.96]
    • Mojo
    • 67 Metascore
    • 60 Critic Score
    Heading South On The Great North Road drags, and Pretty Young Soldier, a tale of gender confusion in the military, is slightly laboured. However, most of 57th and 9th has a youthful energy suggesting that Sting hasn't faded yet. [Dec 2016, p.90]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    His rueful lyrics are mostly about relationship woes, although Florida Man is more serious, dealing with racism. [Aug 2023, p.82]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Throughout, a twinkly otherworldliness is counterbalanced by rhythmic excursions evoking the passage between one liminal world and another. [Feb 2019, p.92]
    • Mojo
    • 77 Metascore
    • 60 Critic Score
    Doesn't quite hit home. ... Letting loose more might have benefited the flow. [Mar 2020, p.95]
    • Mojo
    • 64 Metascore
    • 60 Critic Score
    In a crowded space, The Rakes have a place to call their own. [Apr 2007, p.96]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Rufus Wainwright-goes-to-grad-school lushness dominates, though, and despite Bird's Death Of Marat pose on the cover, My Finest Work is not quite revolutionary. [May 2019, p.93]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    No "George Best," perhaps, but a rugged, well-meaning Paul Scholes of a record nonetheless. [July 2008, p.100]
    • Mojo
    • 67 Metascore
    • 60 Critic Score
    This is a good album, but there's a pull between the commercial and the more left-field. [Dec 2008, p.104]
    • Mojo
    • 68 Metascore
    • 60 Critic Score
    Small Black are more convincing when they move into sharper focus. [Dec 2010, p.96]
    • Mojo
    • 68 Metascore
    • 60 Critic Score
    Low on polish but high on anything-goes exuberence, in Wavves-world The Beach Boys rub shoulders with Half Japanese, The Shaggs with Guided By Voices and Pavement with JFA, all held together with sneaker laces and stickers to create a bedroom-wall collage as scruffy as it is irresistible. [Aug 2009, p.96]
    • Mojo
    • 67 Metascore
    • 60 Critic Score
    Repo is a brightly coloured series of aural non sequiturs, its lard-legged beat science peaking with distorted synth-funk jam 'Ultra Vomit Craze.' [May 2009, p.109]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    Even if elsewhere the electronic elements occasionally err toward the passe, ultimately, this is as spirited as it is an unexpected cavort through altered sonic pastures. [Jun 2016, p.94]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    It's hardly a career-defining collection. [Sep 2004, p.98]
    • Mojo
    • 81 Metascore
    • 60 Critic Score
    Though the results are not always easy to take.... The sense of folk and country pervades each and every performance, saving the day. [Sep 2015, p.90]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    An intense, trip-hoppy and orchestral examination of love in all its forms. [Dec 2020, p.88]
    • Mojo
    • 79 Metascore
    • 60 Critic Score
    Sirens proffers another string to his bow, its nine skittering essays overlaying richly textured, genre-melding electronic sound worlds with liminal song "structures." [Nov 2016, p.81]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    This trio's brand of piano-fed luminescence is more traditionally coffee-table. That's no criticism, more acknowledgement of their smooth melodic nous. [Oct 2013, p.87]
    • Mojo
    • 79 Metascore
    • 60 Critic Score
    This likable debut peaks on Everything Apart's breezy kosmische shuffle, and Lennon-ish I'll Be Alright, but its airiness doesn't always work. [Feb 2019, p.93]
    • Mojo
    • 68 Metascore
    • 60 Critic Score
    In the end you're left with a creeping sense of missed chances, made more painful by the fact the Babyshambles have so obviously raised their game. [Oct 2007, p.88]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    Deceptively simple, Watershed highlights what Lang does best--fulsome ballads sung with precision timing, intelligence and a humourous twist. [Jan 2008, p.100]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    Sexsmith's mournful voice and lyrical skills, so admired by the likes of Elvis Costello and Neil Finn, detail a world of love and hopeful expectation. It all makes Exit Staretgy... an almost infinitely rich and subtle album. [Sep 2008, p.98]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    A musical sub-genre rebooted. [May 2009, p.104]
    • Mojo
    • 64 Metascore
    • 60 Critic Score
    The results are as scattershot as the guest list. [Mar 2009, p.106]
    • Mojo
    • 79 Metascore
    • 60 Critic Score
    His nicotine-gritted , hurt-strained voice finds a honeyed foil in Dave Amels' swirling organ, while rhythm section David Wayne Gay and Lance Willie provide R&B warmth and swinging, bar-band stomp. [Dec 2009, p. 96]
    • Mojo
    • 63 Metascore
    • 60 Critic Score
    Esteemed guests such as flautist Michael McGoldrick, accordionist Phil Cunningham and fiddler John McCusker ornament the arrangements exquistely, while the Knopf's ever-tactile guitar continues to say more with three notes than most do with 20. [Oct 2009103]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    But despite its mining of a bygone age, Cosmic Egg has two clear 21st century counterparts. Far Away and Violence of the Sun are the sort of pristine epics found on Guns N' Roses' Chinese Democracy., while lysergic piledrivers 10,000 Feet and the title track could easily have appeared on Kasabians' West Ryder Pauper Lunatic Asylum. [Dec 2009, p. 96]
    • Mojo