Will leave you taking sides, whether or not that was the film's intent.

Himalaya doesn't need a traditional story line to transport the viewer into another, fascinating world.

With all the obvious work that went into this beautifully detailed, giant-scale movie, and considering the historical importance of the subject matter, was it too much to ask for a trace of intelligence, or maturity, or even insight?

Anyone who understands the subtle shadings of friendship will appreciate Our Song's realistic slice of teen life.

One of the most anticlimactic finales I've ever seen in a movie

The first of this summer's would-be blockbusters that deserves to be a hit.

It's impossible to watch this beautifully chaotic, excessive movie impassively. You'll either embrace what Luhrmann has done here or run out of the theater, holding your head.

If nothing else, Startup.com is a pointed reminder that mixing business and friendship never, ever works.

Intrigues mainly for its spare style and brittle, sweat-soaked performances.

A Middle Ages "Rocky" that spares no cliche in its unduly long, 2 1/4 hours.

The Mummy was certainly no "Raiders," but as far as summer movies go, it was just good enough.

At the very least, Corman would have remembered to make the movie fun.

It might have all seemed hip and edgy 10 years ago, but today, it just feels tired.

There are several stretches when the movie is actually hilarious.

Certainly diverting and, in Thurman, it also has a knockout of a performance.

Gas -- the hot air variety -- is exactly what Driven is made of.

Isn't a total crock.

Formidably stupid.

It's Zellweger's movie to win or lose, of course, and she succeeds without the slightest touch of Hollywood glamour.

A fair weekend distraction for 10-year-old girls.

Strolls from high sentiment to low humor without a stumble, but without reaching any great depth or height.

An impressionistic portrait of the seductive nature of evil.

A facile treatment of a complicated subject.

A mediocre widget stamped straight out of the mold of the popular police procedural.

What you'll remember most are a pretty face and the hot and steamy sex scenes. That is not enough.

Farmanara bears his soul, and his honesty permeates this work as strongly as the smell of camphor.

Director Jean-Marie Gaubert, who also directed this film's French predecessor, keeps the silly story barreling along.

Rising above simple sentiment to explore class differences and the enduring clash between East and West with wit and wisdom.