Pacer, aka WipEout: Pacer, is the closest thing to Psygnosis games we've played in recent years. It has evolved a lot since Formula Fusion and although it can improve more, it's a must have for fans of the genre and WipEout fans.

It might not change anything fundamental, but this special edition not only looks and plays better but has an impressive amount of new content too.

One of the few games that can accurately be described as so bad it’s good, with a gleefully bizarre mix of bad voice-acting, appalling console optimisation, and surprisingly decent gunplay.

A vast and multi-faceted trip through a stylised Viking life, with a new fighting system, manifold mini-games and diversions, and untold glitches. It’s Assassin’s Creed to its core.

An ambitiously odd game that has an innovative take on Pokémon style gameplay and features some of the most intriguing characters of the year - but is rarely as much fun as it should be.

The formerly classic arcade racer gets a high resolution makeover, but 10 years later and the one note driving model now feels functional rather than exciting.

A far better advert for the PS5 than its short length and last gen assets might have suggested, with superior storytelling and more compelling characters than the original.

A highly enjoyable introduction to the PlayStation 5 but also a charming celebration of the entire history of PlayStation, even if it’s something you’ll only ever play once.

The turn-based battles don’t fully convince but the new protagonist and bizarre mini-games still feel distinctively and entertainingly Yakuza.

A finale that only exacerbates the faults of the series up till now but the sheer audacity of the storytelling, and the goodwill built up over so many years, pushes it over the finishing line.

Loud, brash, brightly coloured tracks with a rousing selection of cars and racing styles in a game that’s much more about fun than serious simulation.

The least interesting use of the Until Dawn formula so far, with a tedious tale of 17th century witchcraft that fails to either scare or entertain.

It owes an obvious debt to Mirror’s Edge but this impressive new cyberpunk game surpasses its inspiration in terms of both combat and first person parkour.

After years out of the limelight Pikmin 3 has resprouted, with its mellow take on real-time strategy more enjoyable than ever, especially thanks to the expanded co-op options.

A disappointingly tame vision of a near future dystopia, that represents a perfectly competent use of the Ubisoft formula but falters in its attempts to add anything new to it.

It features some of the best moments from this generation of Pokémon but this final slice of DLC still suffers from a lack of substance and ambition.

Like most DLC it doesn’t introduce much in the way of new ideas but if you enjoyed Doom Eternal you’re going to love these new levels and their uncompromising challenge.

A labour of love that pays brilliantly inventive tribute to the platform genre and the 8 and 16-bit eras in general.

A wonderfully inventive attempt to bring Mario Kart into the real world, whose mere premise is enough to amuse and delight, despite some unavoidable practical limitations.

A disappointing sequel to The Dark Descent, but while the horror elements can seem mundane at times the storytelling and characterisation remain impressive.

A colourful, loot-orientated action role-player let down by over-simplified systems and levelling up that often feels inconsequential.

A cute, absorbing, and often clever survival game that, despite its flaws, is perfect lockdown fodder.

There’s no indication when you pass a checkpoint, so it’s easy to lose chunks of progress if you’re interrupted by a call or life, and the touch controls occasionally get in the way of solving puzzles, but it’s still a unique experience, albeit one marred by its own butterfly attention span.

With a minimalist 1960s art style, a capitalist-sceptic theme, and jazzy soundtrack it’s got style but continually having to restart levels because you made a wrong choice on the first day gets tired fast.

It’s entertaining enough while it lasts, but with puzzles that predominantly rely on trial and error or simple pattern recognition, there’s little to really get your teeth into.

There’s a nice weight and momentum to the rolling characters, you can play in four-player co-op if you have three Apple Arcade subscribing friends, and it has high production values, but its ideas never seem to go anywhere, as though the game had bigger plans that it ended up not getting around to.

Originally released on PC and consoles, the touch controls work absolutely fine, and while it lacks the ingenuity of Nintendo’s masterpieces, it’s a diverting and amusing role-playing game to have on your phone.

It’s good looking, and you’re not forced to watch as many ads as you are in Archero, but on the minus side it’s also not nearly as much fun.